十美元死亡之旅

简介：

《躲起来》（Hiding Out）是一部出人意料地引人入胜的动作喜剧，由鲍勃·吉拉尔迪执导，将成年男子进入高中并被认定为学生这一看似不可思议的现象，变成了现实。安德鲁（乔恩·克莱尔饰）是一位股票经纪人，被一名职业杀手追杀。他逃亡到姐姐和她十几岁的儿子帕特里克（基思·库根饰）家。安德鲁剃掉胡须，剪掉头发，假装自己17岁，进入了帕特里克的高中就读。克莱尔出色地演绎了两个年龄段的角色，令人信服；而库根则将这位十几岁的儿子演绎得淋漓尽致。吉拉尔迪导演的视觉风格非常出色，赋予了影片活力，使其既引人入胜又令人信服。~琳达·拉斯穆森，《Rovi》

简介：

影片讲述了某电台当红女主播奈美乐（汤怡 饰）总无故遇见种种诡异事件，严重影响了她的精神状态，导致在工作中频频出错，台长命思思（郭艳 饰）接任其职位代替奈美乐主持节目。她不仅工作出色，面对感情也极度专一，对双月天（季晨 饰）痴情不已，为他付出一切也在所不惜。可就在一切都看似美好中，双月天意外死亡，谁才是真正的凶手？一段悬疑惊悚的故事拉开帷幕。

简介：咏春传人梁向东与洪拳传人刘朝西历来不和，缘由二人对彼此的功夫不屑一顾，两个顽固的老顽童经常你争我抢，闹出来了不少的笑话。梁的儿子咏春和刘的女儿洪拳亦受了父辈的影响，两家虽相邻而居但从不交往。洪拳咏春同在媒介公司供职，洪拳又是咏春的上司，咏春因此极为不满，自己虽为咏春传人，但对功夫只懂皮毛而已，为了能在对方面前抬起头，他不得不刻苦向父亲学习功夫。而刘也把毕生的功夫传给女儿，目的也就是希望女儿巾帼不让须眉。 经过一系列幽默小插曲之后，洪拳咏春亦从竞争对手变成幸福情侣，二人一起化解了两家的恩怨，两个武术世家亦终于和睦相处。

简介：影片讲述了乌龙院“废柴”大弟子阿亮（夏志远 饰）一心要成为伟大的驱魔人，因缘巧合下结识了沙客阳（赵文浩 饰）、艾飞（余俪 饰），三人奉命将伏魔剑送往锁妖塔封印妖王，一路上欢乐逗趣降妖伏魔的奇幻故事......

简介：

故事发生在唐朝贞元年间。老夫人（王馥荔 饰）携女儿崔莺莺（陈丽峰 饰）、丫环红娘（刘欣 饰）等人前去普救寺，为故去的崔相国做道场，不料途中马车受到惊扰，恰被洛阳书生张生（苏有朋 饰）策马相救，避免了一场悲剧的发生，莺莺则对气宇轩昂的张生一见钟情。聪慧的红娘看在眼中，有心做月老牵线，而张生也是春心萌动，差方丈前去提亲，但老夫人并未答应。驻扎本城的将军孙彪（李建义 饰）唾涎莺莺美色，带兵前去抢亲，红娘挺身而出，以凛厉言辞劝退孙彪，为张生搬救兵赢得了宝贵时间，不料此时老夫人反目，只允许张生与莺莺以兄妹相称。红娘看在眼里急在心中，她私自安排两人会面，却被老夫人发觉。进京赶考的日子到了，张生金榜题名而归，他能跟莺莺有情人终成眷属吗……

简介：三個不同國籍的年輕人來到多米尼加共和國首都旅遊。在夜總會上因為和一群阿飛打起來而被當局關進黑牢，絕望中，前西班牙陸軍司令金將軍擔保他們出獄，條件是要求他們懲戒獨吞了生父全部遺產的同父異母兄弟羅保。從而引出了一場場生死較量。

简介：

韩航七四七客机在1983年遭到苏联飞弹击落，造成史上最大的空难之一，到底事件的真相如何？人言人殊。 这部由迈可．柏斯曼导演的电视电影，以一位在此意外中丧失了儿子的母亲为主角，随着她四处奔走打听，逐渐揭开了事件的内幕。然而，来自家庭、政府以至法律上的阻力越来越大，但却逼使 她更发誓要找出真相。主演电视影集《推理女神探》知名的老牌女星安吉拉．兰斯伯里饰演这位坚毅不拔的母亲，演出令人动容。而编导对于还原这件新闻真相的努力也令人敬佩。

简介：

 一年一度的农历春节来临，生活在东北农村的程家老两口（李保田 & 赵丽蓉 饰）满心欢喜地等待儿女回家过年。去年的团圆饭不...

简介：

一向安于现状的白领青年薛可正（黄宗泽 饰），被陷害导致失业，同时拍拖多年的女友以娜（邓丽欣 饰）提出分手，一夜间顿时成为双失青年。

简介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

简介：

本片以充满温情、浪漫和朴素细腻的手法生动地展现了王洋、朱弘韬、陈屿和刘雨寝室四人的大学生活。通过王洋寝室四人和刘琴寝室四人之间的谈心、互相关心和互相帮助，以及王洋和陈屿发生摩擦后在朱弘韬和刘雨的规劝下很快和好，诠释了友情的真谛；通过王洋内心独白和刘雨沉迷游戏毕业时如愿到游戏开发公司工作，反映当代年轻人对生活的思考和对生活的热爱，关注时代发展和进步。这个时代是美好的黄金时代，影片结局时陈屿是爱情学业双丰收、朱弘韬是爱情事业双丰收、刘雨如愿的把自己的爱好变成了事业，这些都充分体现了只要努力，在这个时代，鱼与熊掌是可以兼得的。

简介：

自幼在宁静悠闲的夏威夷小镇长大，帅气小哥纳兹在滑板场结交了一群比亲人更亲的换帖兄弟，也靠夜间DJ 工作成为社区里有头有脸的风云人物。然而，即便生活舒适自在，他却始终隐隐感到疏离且寂寞。为了陪伴艺术家女友完成创作计画，纳兹下定决心放弃一切，收拾家当搬往纽约。离家的日期一天天靠近，他必须逐一向避风港般的滑板场、电台和兄弟亲友们告别，他心里的杂音逐渐喧嚣⋯⋯离开的决定真的正确吗？无远弗届的社群网路让全球青年作上了相同的梦，却也让无处归属的异乡困惑渲染了整个世代。夏威夷族出身的导演联合同样来自在地的男主角，将诗意的滑板视角与滑行节奏融入运镜，以极富日常感的生活氛围呈现男主角的自传故事，突破世人对夏威夷及当地住民浪漫却单调的想像。独特画幅搭配忧郁热带色调，地方青年探寻自我归属的踌躇穿透银幕，令人感同身受。