无依之地

简介：兩位女生，在相隔一年進入不同的「社會新鮮人」階段後分開，在這十年之間，她們靠近、生活、陪伴、理解。

简介：《火箭人》（The Rocketeer）是迪士尼１９９１年推出的电影，故事题材是由 Dave Stevens 同名的图文小说改编而成。　　本片是发生在１９３０年代的好莱坞，有一个军方的秘密武器意外落在一位竞技表演飞行员 Cliff Secord 手中，他对此一推进器颇感惊奇， 最后他背上了这付怪东西、戴上面具，成了行侠仗义的『火箭人』，然而各方人马都想夺得这项秘密武器，尤其有一位好莱坞影坛的知名男演员 Neville Sinclair ，他其实是纳粹潜伏在好莱坞的情报份子，为了夺得火箭，他还挟持了 Cliff 的女友 Jenny Blake，火箭人 Cliff 于是展开他的救援行动。　　本片由《亲爱的我把孩子缩小了》、《野蛮游戏》、《侏罗纪公园３》以及《百胜天龙》影集的知名导演 Joe Johnston 所执导，他同时也是《星际大战》系列的特效大师。至于演员方面，男主角 Cliff 由 Bill Campbell 担任，女主角则是 Jennifer Connelly，至于片中那位大反派间谍演员，则是由曾演过００７的 Timothy Dalton 担任。　　本片配乐的是 James Horner ，原本原声带都已经绝版多年，但在前几年《铁达尼号》造成发烧的时候， James Horner 的作品又造成热潮，迪士尼旗下的好莱坞唱片于是再版发行了这张电影原声带，如今则又绝版了。

简介：两名女传教士被引诱到一个古怪危险的男人家里，试图改变他的信仰，开启了一场猫捉老鼠的游戏

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：柯道（常蓝天 饰）在编缉部工作，最近妻子（张立美 饰）发现他精神有些不正常，说话做事有点神经质，追问之下才知道，他被司马文的《歪打正着》惊险故事所困扰，深陷其中不能自拔。妻子带他看医生，医生让他外出旅行舒缓情绪。在去外地的火车行李架上，摆有三只一模一样的旅行箱，其中一只是柯道的，火车开动不久，柯道感觉口渴想取杯子，抬头一看，上面只剩了一只箱子，打开后大惊失色，里面竟装着被肢解的人体，夫妻俩面面相嘘不知所措。想报警又怕凶手还在车上遭报复，想找回自己的箱子，可打眼一瞧行李架上一模一样的箱子有好多，哪一只才是自己的呢......

简介：1938年初，国际主义战士诺尔曼•白求恩（谭宁邦 饰）远渡重洋来到中国，支援中国人民的抗日战争。毛主席在延安接见了他，军区卫生部安排他做医疗顾问，白求恩发现边区的医疗条件比他想象的还要差很多。他向司令员（吴雪 饰）请示办一个后方示范医院，调各分区医生来参加培训，他还不顾个人安危，亲自到前线为重伤员做手术。由于缺少必要的医疗器械，好多重伤员得不到及时救治，白求恩心急如焚，他决定回加拿大一次。但突发而至的战斗阻挡了他回国的步伐，他对送他的方大夫（村里 饰）和童秘书（英若诚 饰）说：我不走了，这里更需要我。黄土岭战役后，在一次给战士做手术中，他不小心划破了手指，悲剧不可避免地发生了......　　本片根据周而复同名小说改编。

简介：咸鱼式的小人物罗恒（王宁 饰），跨越千年，历经15种身份，遭遇痛苦、诋毁、惊悚、欺骗、背叛以及温暖和爱，七样不同类型的人生滋味，只为追求梦想的故事。

简介：影片围绕一个来自俄克拉荷马州的美国石油钻井平台钻工比尔(达蒙饰)展开。他不得不前往马赛，拜访他久未谋面却锒铛入狱的女儿(布雷斯林饰)，他的女儿坚称并没有犯下谋杀罪。面对语言的障碍、文化的差异，以及复杂的法律制度，比尔决意孤注一掷拯救他的女儿。而在这个过程中，他与一位当地的女性和她的小女儿建立了友谊，也开始了个人的探索之旅，并获得了更大的归属感。

简介：该片根据同名小说改编，讲述患有阿兹海默症的连续杀人犯炳秀(薛耿求饰)金盆洗手，可村庄却再现连环杀人案，这让炳秀陷入混乱记忆之中。于此同时女儿(金雪炫饰)，神秘男子(金南佶饰)也身陷其中。

简介：清朝乾隆年间一起国子监监生失踪案，十四岁神童马钧在号舍考试时神秘失踪，顺天府府尹王成霖负责调查马钧下落，而就在王成霖查案期间，与马钧同场考试的监生却意外被杀使得案情更加扑朔迷离。

简介：阴间大法师（迈克尔·基顿 Michael Keaton 饰）回来了！在发生一场意想不到的家庭悲剧后，迪兹家族的三代家人又回到冬河镇的家中。丽迪亚（薇诺娜·瑞德 Winona Ryder 饰）仍然受到阴间大法师的纠缠，当她叛逆的女儿阿斯特丽德（珍娜·奥尔特加 Jenna Ortega 饰）在阁楼发现了神秘的小镇模型，以及通往阴间的入口不小心被打开之后，她的生活就被搞得天翻地覆。当阴间和阳间开始出现麻烦时，迟早会有人说出阴间大法师的名字三次，然后这个调皮捣蛋的恶魔就会回来，释放他独特的混乱力量。

简介：亨利·格鲁埃出生在一个资产阶级家庭，是一名抵抗运动战士、议员、无家可归者的捍卫者、革命家和偶像破坏者。从国民议会的长椅到巴黎郊区的棚户区，他坚持为最弱势群体的奔走呼号，这为他赢得了国际声誉。亨利·格鲁埃对贫穷、不平等和不公正感到愤怒，他经常受到攻讦，有时还遭遇背叛。他在历史上留下了自己的名字：皮埃尔神父。