千龙爪

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故事发生在1970年代的爱尔兰，克里斯（希里安·墨菲 Cillian Murphy 饰）是当地的罪犯领袖，维农（沙尔托·科普雷 Sharlto Copley 饰）则是来自南非的军火贩，两拨人通过贾斯丁（布丽·拉尔森 Brie Larson 饰）和奥德（艾米·汉莫 Armie Hammer 饰）的牵线搭桥，准备进行一笔数额巨大的军火交易。哪知道在交易当天，维农带来的武器竟然并不是克里斯之前预定的款式，这让性格爆裂的克里斯非常的恼火，他将这种言而无信的行为视作是对自己威信的挑战。与此同时，维农的手下哈里（杰克·莱诺 Jack Reynor 饰）控诉克里斯的亲信斯特沃（萨姆·赖利 Sam Riley）骚扰了他的姐姐，这让两个帮派之间的关系处于一触即发的境地。

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作为《叶问》系列影片，电影《叶问外传：张天志》延续了《叶问3》的故事，讲述了同为咏春传人的张天志在比武惜败叶问后，决意放下功夫、远离江湖纷争，但面对接踵而至的连番挑衅，面对家国大义遭受的恶意侵犯，决定重拾咏春惩戒毒贩、“以武之道”捍卫民族道义尊严的故事。

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简介：留守儿童王安全、王安心兄妹俩和爷爷一起生活在西部的大山里，家里唯一的一头老牛是兄妹俩感情的寄托。因为爷爷答应他们等老牛产牛犊卖钱后，就让兄妹俩去看望远出打工的父母。然而，突如其来的变故，为了救治打工中意外受伤的儿子，爷爷只好无奈的将老牛卖掉。从此，不知真相的兄妹俩踏上了漫漫的寻牛路。

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“交叉骨”弗兰克·格里罗将出演新片[墨西哥裔美国人](El Chicano，暂译)。在[战狼2]中有出色表现的弗兰克·格里罗，在刚刚发布预告的[舵手]后，又将出演新的动作片。影片将讲述两兄弟因性格迥异...

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简介：提米，机智的男孩，他阅读的题材将救他一命。　　安迪，他的命还操纵在于是否能看得懂三千年前的古文；霍斯福对于个人能力过于自负，终将自食恶果；普利斯顿及克罗拉，他们的幸福婚姻将因普利斯顿毁了十年前答允的誓言而将告结束；这部电影融合紧张与恐怖，是真是幻似是而非的感觉，随之而来将扭曲你的意识并逆入一个新的境界 。

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贝弗莉·格伦-科普兰是一位痴迷科幻、近乎与世隔绝的女性，她于1986年在安大略省亨茨维尔创作并自行发行了《键盘幻想曲》。这盘磁带是在雅达利电脑驱动的家庭录音室录制的，收录了七首奇特的民谣与电子乐融合的曲目，这种音乐远超其时代。三十年后，这位音乐家——如今的格伦·科普兰——开始收到来自世界各地的电子邮件，感谢他最近发现的音乐。在日本一位稀有唱片收藏家的赞助下，《键盘幻想曲》得以重新发行，随后Four Tet、Caribou等乐队也纷纷演奏，这首音乐终于在两代人之后找到了自己的听众。 《键盘幻想：贝弗利·格伦-科普兰的故事》讲述了这位神秘音乐家兼歌手穿越时空的故事，他终于回到现实，在74岁高龄开启了自己的首次国际巡演。影片捕捉了贝弗利五十年来不懈的音乐创作，以及性别和性取向的变迁，并以深刻的社会变革为背景，歌颂了变幻莫测的生命节奏。这首摇篮曲，抚慰着那些在世间苦苦挣扎、难以找到归属感的灵魂。

简介：In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.　　The Devil's Trap is a film directed by František Vláil, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vláil made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.　　As expected from Vláil, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.　　Acting is great all around. Particularly the villains Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.　　The film also features the evocative music of Zdenk Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vláil, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vláil's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

简介：罗培滋自墨西哥移民到美国来任，过着典型的贫穷移民生活。在一次偶然的机会，一个有钱人，将一张一百万元支票，借他运用一个有，期满再归还。罗培滋因那一百万，而取得信用，获得别人的信赖支持。最终于拥有了属于自己的一家餐厅。

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继新传媒 LOVE 97.2FM 的《玉建煌崇》电台脱口秀节目和《玉建煌崇电视版》《爱 97.2 早餐四重奏》电视连续剧大获成功后，这四位人气歌手现在带着他们自己的电影回来了！《MAKE IT BIG BIG》是一部现实喜剧，深入探讨了四位著名电台主持人的秘密生活，详细描述了这些名人如何处理公众视线中的生活，满足粉丝的日常期望和他们的个人问题。这部电影还突出了郑惠玉、李铭顺、范文芳、周初名、梁志强、程旭辉、郭亮、有懿和香港的杜文泽等巨星的客串演出。