稻浪上的梦想家

简介：When a creative, sensitive teen from a dysfunctional family meets a beautiful, enigmatic runaway; his life is turned upside down when he travels the dark path with her toward parties and drug addiction.

简介：

1985年，那时正是美苏两极争霸越演越烈的年代，史泰龙自导自演的洛基系列也出到了第四集，这一系列影片旨在振奋人心、宣扬美国精神。这一集讲述的是洛基（西尔维斯特•史泰龙 Sylvester Stallone 饰）的好友前美国拳王到苏联出战他们研制的拳击机械人，不敌对手最终身遭不测。为了帮好友复仇和维护国家荣誉，洛基决定再次出马。出战前，洛基进行了一系列精心的准备工作，他深入到大自然，利用自然的艰苦条件刻苦训练。当一切准备妥当，洛基和苏联拳王――拳击机械人的决斗展开了！©豆瓣

简介：

三岛市正在筹备经贸洽谈会。临海县和采石场相继发生命案。女警狄兰接受侦破任务，开始调查，很快把目标锁定到港商乔龙池。在山岛宾馆，当过刑警的乔龙池发现了打过交到的衣奇芳、莫泰斗。为洗刷不白之冤，乔龙池开始调查。。。

简介：「希腊神话有一个传说，人类原本是男女同体，两个头，四只手，四只脚…然而天神宙斯妒忌人类太幸福，于是用雷电劈开男和女，命运女神把本来一对对的男女分散各地，令他们忘记对方。但是人类的心灵仍然保留了另一半的感觉，于是人类就凭着这丝感觉在人世间寻找另一半…」　　叶香香 (林熹瞳 饰) 的女儿叶家家 (汤怡 饰) 希望从明信中学里的华丽而又神秘之图书馆内，寻找亲生母亲生前的足迹；就在一次反对大集团拆迁此极具历史文物价值的图书馆大楼的抗争活动中，家家竟遇上了古华生 (林文龙 饰) 的爱徒陈家强 (谭耀文 饰) ；一连串凄美残酷的真相均偶发在这图书馆大楼内。家家揭发了自己的养母 (张文慈 饰) 竟是害死母亲爱人古华生的主要帮凶！爱恨交纒，一触即发。

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十九世纪末，儿童时代的亚森•罗平在盗贼父亲的训练中苦学技巧，同时将父亲劫富济贫的教导谨记于心，然而一次次从警察搜捕中逃脱的父亲最终却死在同伴的石头下。时光荏苒，罗平（罗曼•达瑞斯 Romain Dur...

简介：陈大明是一个现代都市中的“普通青年”。他颜值普通，收入普通，没啥梦想，没啥追求。由于长期缺乏女人缘，使他对自己的性向产生了怀疑。女人不喜欢自己，自己也不知道喜欢什么样的女人，难不成，找个男人才是最终归宿？于是，陈大明在一群不靠谱的狐朋狗友的帮助下，开始了对新世界的探索。一番探索下来，陈大明没搞清楚自己的性向，却在职场上尝到了甜头，原来之前不吃香竟是因为“太直”了……　　谁知，一位腐女上司的出现打乱了陈大明变弯的计划，甚至让他找到了恋爱的感觉。现在，陈大明的生活彻底拧巴了，是直成铅笔？还是弯成蚊香？是坦白身份大胆追求？还是维持一段虐心之恋？面对四射基情，又该如何脱身？至此，理解与被理解，尊重与被尊重，爱与被爱，变成不再简单的谜题，“真心”等待着在慢慢梳理中被重新发现，勇敢面对，相互包容......

简介：

昔日豪门少爷邓凯眼见父亲被合伙人坑害，多年来一直苦心研究股票，想要有朝一日用自己的方法为父报仇。当自己在股市有所小成时，半路杀出了毛手毛脚的女记者乔晓打乱了他的计划。在两人的相互利用下，深入东日集团内部，利用几方大佬的贪婪，几方阴谋争夺，钳制阴谋的最高手段就是以毒攻毒。终于将昔日的仇人送入狱中，同时也发现对彼此已是情根深种…

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因行侠仗义被老百姓称为铁脖子的李勇，偶然与当朝太子结识，结伴游台湾，一路上扶贫救弱，除暴安良，萧受奸人指使与山地人勾结杀害了为殿下保驾的李勇，后知真相将奸人杀死。

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明朝年间，兵部尚书麾下的百户段天昊为查出倭寇与阉党勾结销赃的证据，加入锦衣卫，几年来一直潜藏在太监总管张公公身边。就在他终于得到线索，准备与多年兄弟总旗苏子峪里应外合抓住犯人时，兵部尚书刘大人得到阉党利用倭寇陷害福州知府的线报，并派出段天昊的弟弟段天麟到倭寇处卧底。段天昊与苏子峪只得放弃到手的功劳，前往福州，却不曾料到竟是一场有去无回的凶险之旅。

简介：事业和爱情，是当代大龄青年的两大痛点！面对事业挫折和长辈逼婚，影片主人公钟志远在事业上不屈不挠，终于事业从低谷中崛起。奋斗的男人是有魅力的，在挫折中不屈而努力有担当的钟志远收获了爱情。

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BB30包有为是城中籍籍无名的年青律师,为人极富正义感,实际上,开业以来他未曾胜过一场官司.反而他的憨直,冲动和间歇性精神紧张却令他陷入律师会的纪律调查之中.这次调查他邂逅了美丽的郑可爱医生.可惜这次邂逅却不美丽.因为郑以她的专业判断,对包作出不利的医学供词,导致二人产生一连串误会和冲突.另一方面,健康舞教师Susan一直痴恋包,不时施展柔情攻势,更安排一场必胜官司,务求讨得其欢心.而Susan裙下一大醋臣沙展巫,自然遇憨男,搞出笑话连篇.包的好友兼损友龙虎豹偶然知道包看上了郑的座驾"BB30". (内容简介来自VCD)

简介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.