非恋不可

简介：“电波”的故事发生在上海解放前夕，以李白烈士的真实故事为素材，是由上海这座城市红色基因孵化而生的一张城市名片。舞剧电影中没有一句对白，情感的爆发淋漓尽致地表现在了身体上，从两人的舞蹈、眼神、肢体中传递彼此浓烈的爱。情感的挣扎与妥协，彼此间的感同身受比任何一句台词都具有张力，都要持久和震撼。　　影片改编自同名原创舞剧。

简介：China O’brien; big city police woman; martial arts trainer, is forced to hand in her badge and head home to her father and the small town where she grew up. The peaceful town she knew is now struggling against the clutches of organized crime. When her father, the town sheriff, is killed China decides to run for his position and clean up the town. The poll results spark a series...

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：改编自卡夫卡未完成的长篇小说《美国》，但其关注的并非真实的美国，更像是没有详细年代的关于美国的寓言。卡尔•罗斯曼由于丑闻而接受其舅舅的邀请搬去美国，然而他无法摆脱欧洲大陆旧式习惯，更糟的是，欧洲的阶级结构无法让他通过自己的双手谋生。这一电影版关注资本主义社会创造的残酷而变幻莫测的阶级关系。同时忠于原著而未添加影片的结局。施特劳布夫妇风格的一贯操作与卡夫卡氛围的完美结合：中景固定机位，面无表情的演员，人物肢体和语言刻意僵硬，强调侧面特写，镜头推进及平移刻意突兀。由此我们可以寻求到改编卡夫卡作品的带实验性的可能。

简介：落魄拳手维纳斯偶遇来泰国找拳王泰桑代言的格斗游戏开发者小亮。维纳斯想要左右逢源狠捞一笔差价，结果被泰桑老板发现抢走所以资金。为了弥补小亮，维纳斯决定参加去拳王大赛拿冲击奖金。在小亮和那瓦的训练下，维纳斯一路晋级，拿到决赛的资格。面对到手奖金和继续挑战冲击拳王的机会，维纳斯选择离开。这时小亮也得知维纳斯竟然是自己曾经的偶像蒙面拳王威霸天，小亮决定放弃奖金并向泰桑发起挑战。希望隐退的维纳斯与小亮发生争执，不欢而散。最终维纳斯还是站在了擂台上，在与泰桑的比赛中证明了自己，也弥补了遗憾。

简介：在孟买，三名20多岁的好友应对生活的方方面面，他们的爱情、抱负和心碎与无处不在的社交媒体发生碰撞

简介：大学毕业将至，林萧（杨幂 饰）、南湘（郭碧婷 饰）和唐宛如（谢依霖 饰）这三个好朋友紧张备战考试，而顾里（郭采洁 饰）早已修完所有学分，轻轻松松等待出国深造时刻的到来。在这个人生和心境都面临着巨大变革和震荡的时刻，很多事情开始发生改变。刚刚完成实习的林萧和简溪（李悦铭 饰）的恋情走向穷途末路；顾里一方面与顾源（柯震东 饰）各种冷战，而她和南湘的男朋友席城（姜潮 饰）的隐秘之事也被挑明。唐宛如与卫海（杜天皓 饰）有缘无分，在一厢情愿的过程中受尽屈辱。　　看似情同手足、亲密无间的好姐妹，她们的关系在顾里的生日派对当天走向崩溃……

简介：《狂暴飞车3D》由帕特里克·卢西尔执导，是尼古拉斯·凯奇的第一部3D电影。　　弥尔顿（尼古拉斯·凯奇 Nicolas Cage 饰）是一个十恶不赦的暴徒。为了阻止邪教徒在月圆之夜用他的唯一孙女的鲜血完成祭祀，从监狱逃脱了。可他只有三天时间，同时也面临着三面夹击。第一，要对 面被恶魔附体的邪教头子乔安王。第二，警察因为一桩杀人案找上了门来。第三，撒旦派来神秘杀手The Accountant（威廉·菲德内尔 William Fichtner 饰）将他带回地狱。还好路遇性感女招待派伯（艾梅柏·希尔德 Amber Heard 饰）义无反顾地和他一起复仇。　　三天之内，弥尔顿可以救出自己的孙女、搞定难缠的警察、消灭撒旦的杀手，完成自己的救赎之旅吗？

简介：抢戏而出彩的女王米歇尔·布托谈论有关感情关系、为人父母、文化差异和爱慕她的公务员等话题，句句都是真心话。

简介：导演 張森　　编剧 張森　　主演 邓光荣饰演许剑英 潘冰嫦饰演杜小嫣 伊雷饰演冯帮办 谢贤 黄莎莉 張沖 张瑛 黃曼 陳浩 黃培基 刘家荣 高雄 黃樹棠 王將 黎灼灼　　类型 剧情　　制片国家地区 香港　　语言 汉语普通话　　上映日期 1973-11-22　　监制：邓光荣　　剧情介绍：　　青年许剑英，参加不法集团合伙劫持护卫车，失手为警局冯帮办所擒，判刑三年，出狱后决改过自新。许母年老多病，许应征某珠宝行为练习生，得识杜老板的千金杜小嫣，二人逐渐结为良友。杜老板购入价值五百万之钻石，选购留德博士徐所设计之保险箱秘藏，并有意将女儿小嫣许配徐，但小嫣厌恶徐之为人，芳心对许甚为好感，徐暗妒不已。不法的“外婆集团”静极思动，闻悉许出狱，偷走外婆派手下黑仔和华仔来说服许再入伙，许拒，二人强许去见外婆，许力战二人，将二人打走。杜老板得悉小嫣与许要好，大为不乐，警告许疏远小嫣，并极力拉拢小嫣……

简介：元朝未年，朱元璋率众反抗元朝统治，其部下沈天松企图将朱的布兵图献给蒙古王爷李察罕。李察罕率高手前往陕西接头，反元志士与陕西迎春阁客栈主人万人迷商量对策，并乔装打扮，严阵以待，准备捉拿内奸并夺回布兵图。李察罕也带人住进迎春阁客栈，沈天松献图后即被活捉。女侠黑牡丹前往李察罕  处盗取布兵图，却误取了另一文件；她的同党小辣椒在将文件放回原处时遭到杀害。李察罕查觉后亲自查看，双方斗智斗力，短兵相接，展开一场鏖战。

简介：肥胖的姑娘茱莉亚（艾丽森•汉妮根 Alyson Hannigan 饰）长久以来得不到爱神的眷顾，眼看一生要在家里的餐馆中做服务生度过。她古怪的家庭：希腊黑人父亲、印度母亲和一个日本妹妹不看好茱莉亚的婚姻，然而，一个英俊的顾客格兰特（亚当•坎贝尔 Adam Campbell 饰）再度激发了茱莉亚的爱火。茱莉亚找到神通的矮人红娘，在后者帮助下摇身一变成为窈窕淑女，又借助电视相亲节目成功与格兰特牵手，两人的关系进展迅速，不久发展到互见家长谈婚论嫁的地步。此时，格兰特性感撩人的前任女友安迪（苏菲•蒙克 Sophie Monk 饰）突然出现，并且怀着要将格兰特夺走的野心。情场如战场，昔日的胖妞茱莉亚怎样才能完成梦寐已久的幸福婚礼？