忠犬流浪记

简介：爱丽斯(凯特•温斯莱特 Kate Winslet饰)住在英国伦敦的乡村，而阿曼达(卡梅隆•迪亚兹 Cameron Diaz饰)则是洛杉矶的美国丽人。她们在天南地北的两端，却遇上了同样的问题：在感情上遭受了挫败，令生活灰暗无光。二人在网上聊天，商议在圣诞节到来之前，到对方的环境去生活，交互双方的住所作为度假场地。于是，一场令人兴奋的旅行开始了。爱丽斯来到美国大都市，阿曼达则乘班机前往极具英伦情调的英国乡村。除了新鲜的生活环境，当地男生的魅力更让她们猝不及防。

简介：林巧怡（黄淑仪饰）和张家明（黄瑞棋饰）是一对年轻夫妻，婚后妻子巧怡一直想尽快要宝宝，可丈夫冷淡的态度引发了一场婚姻中的信任危aaa。正当两人关系看似缓和时，一个来自丈夫好友陆一鸣（梁斯超饰）的电话打破了她平静的生活。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：丧尸危机爆发后，一家人躲到一处偏僻的农场。然而，当他们在这个荒凉的世界求生时，隐藏多年的痛苦秘密给这家人造成了巨大阴影。

简介：杰克（尚格·云顿 Jean-Claude Van Damme 饰）曾经是一名隶属于美国中央情报局的反恐情报人员，如今已经退休的他来到了法国，和妻子凯瑟琳（娜塔莎·兰丁格尔 Natacha Lindinger 饰）一同享受起了闲散而又平静的生活。一个名叫仕达罗（米基·洛克 Mickey Rourke 饰）的恐怖分子引起了情报局的恐慌，为了将他制服，情报局请求业务能力优秀的杰克重新出山，杰克欣然应允。　　在一次交锋中，杰克对仕达罗妻儿的仁慈让仕达罗得以逃脱，而杰克也因此遭到了被情报局软禁的命运。不幸的是，杰克的仁慈并没能挽救仕达罗妻儿的性命，悲愤之中，仕达罗绑架了凯瑟琳。在狱中听闻此噩耗的杰克当即下定决心，不惜越狱也要将仕达罗捉拿归案。

简介：影片讲述一个欧洲骗子和她儿子的故事，他们来到奥克拉荷马州，奥利弗依靠自己的骗技进行了一次又一次冒险，她极力想摆脱过去的生活，给儿子美好的未来，在离开她所爱的人与给儿子博比美好未来之间，她必须做出决定。

简介：一名女模特儿被公然迷奸，此事涉及一个从事地下色情活动的黑帮，警方即派莹、琳、美三名女警卧底查证。他们身着性感迷你裙，频频在夜总会抛头露面，把自已当作诱饵，以待时机与黑帮靠近。不久，她们遇上年轻帅气的艺术家Dan，竟被百般挑逗，莹的男友亮为保全她们，适时的帮一些倒忙，让人啼笑皆非，不可理喻。终于，她们的真实身份被戳穿，Dan及亮竟成了这个抓贼小组的智囊团，他们怪招百出，与黑帮老大玩起了高智商。 羊入虎口，她们能否套出色狼，查出真凶？这场游戏危险而刺激……

简介：2000年香港，女权运动不断高涨，为了对付妇解份子，“防止虐夫会”因而成立，在必要时以暴易暴，消灭妇解中的恐布份子。　　郑则士受到妻子虐待及迫害，甚至人身自由亦被剥夺，郑遂向“防止虐夫会”求助，可惜其畏妻症太深，最后被认为无药可救，自愿接受人道毁灭。　　其宝郑并未死，暗中观察其妻举动，知妻对他尚有深厚感情，于是接受“防止虐夫会”林主席建议，携手榴弹与妻展开谈判，若她仍不悔改，则同归于尽，怎料郑妻见夫归来，高兴之余，却意外炸死了林主席，而男女权斗争也随之结束。

简介：莫妮卡是在网络上活跃的当红网络明星，某一日，在公众面前向来表现的十分正常的她突然自杀身亡，在网络上掀起了一阵议论纷纷。悲剧发生一年后，一段莫妮卡自杀的录像开始在网络上传播，录像里，许多和她一样出名的网红的名字被提及，玛丽莎（Klai-Udom Sarantorn 饰）就是其中之一。　　之后，玛丽莎的身边开始出现种种科学无法解释的诡异事件，与此同时，名字在自杀录像中被提及的网红们开始一个接着一个的死去，不断受到惊吓的玛丽莎的精神开始走向崩溃的边缘。看到日渐憔悴的玛丽莎，她的男友阿杰决定寻找这一连串事件背后的真相。

简介：A claustrophobic survival thriller set beneath the Yellow Sea off the coast of North Korea where the pilot of a small submersible craft and a three man Special Ops team on a secret recovery mission become trapped underwater in a fight for survival.

简介：电影讲述陷入电话诈骗组织的陷阱，失去一切 的徐俊(卞约汉 饰)潜入中国组织的本部与电话诈骗行业的设计者郭普罗(金武烈 饰)相遇后展开的故事。

简介：本片是《坏小子》的续篇，故事仍发生在迈阿密。迈阿密的毒品交易于一夜之间变得异常猖獗泛滥，各个贩毒集团之间的火拼也接连不断，为了调查贩毒集团内部的重重矛盾，迈阿密警局的一对“黄金”搭档，潇洒的劳瑞（威尔•史密斯）和神叨的宾纳（马丁•劳伦斯）再度临危授命，很快，两人摸清事情的来龙去脉：一股外来的贩毒势力正在侵入迈阿密的毒品市场，为首的毒枭野心勃勃，意图控制整个美国乃至欧洲的毒品交易，建立贩毒王国。　　警方展开行动围剿贩毒集团时，一位DEA的女卧底西德妮（盖布瑞亚•尤妮恩）被毒贩劫持，对方开出的条件是，劳瑞和宾纳必须去干违法的事，这可难倒了两人，因为漂亮的西德妮不但是宾纳的亲妹妹，还是劳瑞的情人。