猝不及防

简介：1971 年，一名遇难陆军少校之子被印度调查分析局发掘，在战前作为卧底安插在巴基斯坦。

简介：曾有过一次失败婚姻的35岁女子大森桃子（铃木杏树 饰），现如今正在青森县八户市某眼镜店担任店长。某天，她被仰慕自己的后辈宫内樱（武田梨奈 饰）硬拉着参加联谊会，失败的婚姻经历让她兴致寡然，不过却在联谊会上遇见了一位40多岁的大叔。对方名叫佐久间五朗（宇梶刚士 饰），胡子拉碴的外表让桃子为之一惊，遥远的记忆顿时复苏。佐久间是一位考古学家，而桃子似乎在梦中曾经穿越上古时期的原始森林。她向佐久间讲述着这个童年时代开始便困扰她的梦境，佐久间则带着她观赏绳文时代的遗迹文物。久远的记忆，仿佛穿越时空连接在一起……　　本片根据森泽明夫的同名小说改编，在日本国内33块银幕上同时公映，首周初登场观众满意度排名第六位。

简介：影片围绕失去父母的姐姐在面对追求个人独立生活还是抚养弟弟的问题上展开了一段细腻感人的亲情故事。

简介：故事发生在民国时期，楚楚动人的医学院女毕业生尚华来到著名医学教授柯克恩所在的别墅应聘助手职务，谁知当她走进实验室时，却被眼前的一幕吓得失声大叫，惊慌失措。原来实验台上有一颗女性人头，而且人头仿佛具有生命一般。尚华接受了教授禁止讨论这里一切的要求，成为柯克恩团队的一名成员。那颗人头的主人名叫罗美娜，曾是一个红极一时的舞女，却最终被人残忍杀害。教授利用自己先进的医疗技术将其复活，并四下打听准备为罗美娜匹配一具合适的身体。　　最终实验终于获得成功，重新复活的罗美娜站了起来，而她也瞅准时机跑出了实验室……

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：迷人的杰克（约翰尼•戴普 饰）船长又回来了，这次，他遇到了更为强大的敌人——传说中的不死人大卫•琼斯(比尔•奈伊 饰)，他驾驶着让人恐惧的“飞行荷兰人”号快船，在速度与装备上，没有任何船能够超越它。杰克船长欠下琼斯一个血债，他必须赶在最后时限到来之前，找到破解的方法，否则他会永远背负血债，并且在余生永远成为琼斯的奴隶。　　当然，杰克船长的好朋友威尔•特纳（奥兰多•布鲁姆 饰）也被卷入了他的坏运气当中。因为杰克，威尔和伊丽莎白（凯拉•奈特莉 饰）的婚礼被迫取消，伊丽莎白还被关进了监狱，威尔为了救她，只能去寻找杰克。　　这次两个好朋友遇到了巨大神秘的海洋怪物、不友善的小岛土著、打扮华丽的占卜者戴尔玛，威尔失散多年的父亲--“拉靴带”比尔•特纳(斯特兰•斯卡斯加德)在关键时刻离奇现身，成为全局的转折点……

简介：日前，华谊兄弟宣布与老夫子哈媒体共同出品的《老夫子之小水虎传奇》将于2011年1月27日上映，这既是为动漫迷所熟知的“东宝株式会社”首度牵手华人动漫，亦是华谊兄弟首度加入春节儿童片市场。　　老夫子与大番薯这一对为华人观众所熟知的拍档，将与全新动漫形象“小水虎”一起，与性格各异的四大龙王交手，在神奇精灵的帮助下远涉深海、奔赴大漠，对抗反派“火爆王”引发的海洋危机，展开一段曲折离奇又趣味横生的旅程。　　《老夫子之小水虎传奇》根据“老夫子”系列漫画改编而成，将经典四格漫画以2D复古风再度呈现于大银幕。　　《老夫子》漫画从1962开始在香港星岛、天天、快报、明报，电影等杂志刊载，影响力逐渐延伸到海外，出版遍布香港、台湾、马来西亚、中国、新加坡、欧洲、北美、印度、泰国等，全球各地销售量迄今已近亿本。　　除了惊人的销量之外，《老夫子》漫画还在不同领域广为开拓，1965年“老夫子”的形象被香港政府新闻处用于反吸毒宣传，1981由“老夫子”改编的卡通电影，获第十八届金马奖“最佳卡通片”，1984年香港政府为“老夫子”发行了“储值纪念电话卡”，1998年“老夫子”漫画系列被台北市新闻局选为最佳儿童漫画读物，2006年“全港学界悦读大行动2006”调查报告指出，老夫子为香港中小学生最爱看的漫画。此外，老夫子的原稿还入住苏富比（Sotheby’s，全球最大艺术品拍卖会），成为全球首件动漫拍品。　　老夫子诞生四十七年，作为华人原创的最有影响力的动漫，在华人社会被誉为“漫画界的长青树”，不仅感动过无数人，更丰富了我们的童年记忆。导演李安曾公开表示心中的感激，“谢谢老夫子在我年少时代，在想象力和喜感方面给了我许多滋养”，而著名史学家和作家柏杨更是精辟的道出《老夫子》漫画对他的吸引，“人生有三大致命吸引力，一是政治，二是宗教，三是爱情。我们现在还可以加上第四大致命吸引力，就是《老夫子》漫画”。

简介：Ovreneli Vreneligare是一个固守在自己世界中的善良、纯真的少年，为了心爱的女子Milocrorze（マイコ 饰），他甘愿每天外出辛苦赚钱，营造浪漫小家，只是幸福来去匆匆，他很快便被爱情遗忘。言语粗鲁的熊谷贝松（山田孝之 饰）是拥有极高知名度和人气的青春爱情咨询顾问，他以充满冲击力的语言为遭到爱情困扰的年轻人们出谋划策，劲歌热舞，其乐融融，全然忘忧。独眼武士多闻（山田孝之 饰）当年与花屋女孩百合（石桥杏奈 饰）约定厮守终生，谁知百合被一伙神秘歹徒抢走。为了追寻恋人，多闻踏上了一条充满荆棘和杀戮的旅程。腥风血雨，全然不惧，只为和梦中的恋人再次重逢……

简介：索菲是一名年轻漂亮的警探，本应有着幸福家庭的她，丈夫却在给女儿买生日蛋糕的途中被人残忍地杀害。这使得她不得不在照顾病重的女儿的同时，去解决一次又一次的突发事件。

简介：一个俄勒冈州的女人消失了。她留下了一支黑玫瑰和神秘的字条，上面写着：离去但没遗忘。更为神秘的是她的失踪和这张字条反映了多年前发生在纽约的一系列谋杀案。现在，一个男人被控告有罪；一名私家侦探失踪；一名警员知道的比这神秘女人还多；还有一名强悍的女律师陷入了一个充满奸诈、报复和多重谋杀的迷局中……

简介：平凡女孩筱原绘里香（二阶堂富美 饰）在升入高中后，经常与时尚的朋友们凑到一起聊些关于男朋友的话题。虽然夸夸其谈，但是绘里香却从来没交过男友。为了圆谎，她只得拜托好友三田亚由美（门胁麦 饰）帮忙。为了打消朋友们的疑虑，绘里香在大街上偷拍了某位帅哥的照片，并谎称是自己的男友。意想不到的是，这个帅哥居然正是绘里香所在学校的头号帅哥佐田恭也（山崎贤人 饰）！为了将谎继续编下去，她只能哀求恭也假扮男友。幸运的是恭也居然一口答应了，然而看似温柔阳光的恭也，实则是个促狭腹黑的大男孩。他提议让绘里香变成他的忠犬，以作为假冒男友的报酬。已是骑虎难下的女孩，只能违心地向恭也摇尾乞怜……　　本片改编自八田鲇子于2011—2016期间在《別冊マーガレット》上连载的同名漫画改编。

简介：昆丹小时候玩闹时，无意间瞥见正在祷告的佐娅，从此便一见钟情。可是爱情的道路从来不会一帆风顺。青梅竹马的阻挠，信仰的不同，家庭的反对，世俗的偏见，佐娅的动摇，甚至还有其他更大的阴谋。。。坤丹何去何从，他能真正得到爱情么？　　本片是一部印度宝莱坞爱情喜剧，与其同题材的印度电影还有《巴菲的奇妙命运》、《贫民窟的百万富翁》等等，鲜丽的色彩，动人的音乐，漂亮的女主角，曲折离奇的剧情都是本片的看点。本片配乐由印度著名音乐大师A.R. Rahman原创制作，其代表作有《贫民窟的百万富翁》《127小时》《宝莱坞机器人之恋》等等