死亡之域

简介：

　《天坑寻龙》讲述了探险途中遭遇意外的考古学家张啸天（赵亮 饰）之子张枫（林枫烨 饰）与好友艾佳（胡雪儿 饰）、腰子（郜玄铭 饰）合开一家古玩店，一天古玩店来了一群以李仲先（高海龙 饰）为首的不速之客带来伏竭王墓棺的钥匙——“龙王石首”，张枫为寻找父亲下落决意下天坑，不料却发现了李仲先等人的阴谋意图，并遭遇会发出龙吟之声的巨蜥袭击，伏竭王墓背后隐藏千年的“龙王祭”真相也逐渐浮出水面。

简介：

一位从事真实案例写作，并获得普利策荣誉奖的作家回到家乡，不久即开始研究一个搁浅了40年的少女被杀案例，在同少女的父亲的接触过程中，他渐渐发现他已经倦入了一场可怖的阴谋之中……

简介：

一次偶然中，当红明星路其（史可 饰）和默默无闻的场务夏语（阿部力 饰）相识了，路其早就厌倦了充满了虚伪和炒作的娱乐圈，对于夏语平静又平凡的生活充满了向往。某一次，再也受不了媒体刺眼闪光当的路其夺门而出，夏语找到了路其，将她带回了自己租住的简陋小屋里。在短短几天的时间内，路其和夏语之间的距离越来越近，两人很快就擦出了感情的火花。终于，路其和夏语之间的关系曝光了，这让制片人勃然大怒，他让路人假扮受伤的夏语，欺骗路其说出有利于电影营销的言论，单纯的路其受了骗，她不仅在记者会上撇清了自己和夏语之间的关系，还承认了她和绯闻男友李想（乔振宇 饰）之间并不存在的恋情。真正的夏语看到了这场让他心碎的记者会，但他相信，路其的所作所为一定有她的苦衷。

简介：

当一名前空降消防员被要求和他疏远的十几岁的女儿一起骑摩托车穿越蒙大拿一千英里时，他必须面对自己痛苦的过去。

简介：

　一名脆弱的女子被一名持枪歹徒劫持为人质，枪手唤醒了她内心的黑暗过去，她很快就对自己的行为感到后悔。

简介：

金章、薄康、小齐三人都是某医学院附属医院的青年大夫，他们是好朋友，他们都喜欢叶素萍，而叶素萍却只爱金章。因此，在他们的友谊中便笼上了不和的阴影。金章的医术好，但有些自满情绪。一次勘探大队的唐队长患病，由于金章粗心大意，误断病情，错施手术，受到严厉的批评。薄康嫉妒心重，由于爱情上的失意，借此打击金章，说他是拿病人做试验品，但领导和群众并没有听信薄康的话。事后，叶素萍主动去找金章，想帮助他认清自己的错误，可是金康不但不领情，反而埋怨叶素萍不了解他，叶素萍一气之下离他而去。后来在老教授和同志们的帮助下，金章慢慢认识到自己的错误。不久，他被派往勘探大队工作，大队长正是被金章误诊的唐队长。一天，唐队长病倒了，需要再次动手术，由于金章的诊断及时准确，使他化险为安。出于感激，唐队长把自己用生命换来的华北战役纪念章送给了金章。在事业与爱情的风波中，自私自利的薄康想阻拦叶素萍去勘探队工作，遭到叶素萍的拒绝。叶素萍来到勘探队和金章一起面对新的生活。小齐和勘探队的护士夏兰也幸福地走到了一起。

简介：

　讲述了一个小偷闯入一辆豪华SUV，却意识到自己掉进了一个神秘人物设置的复杂而致命的陷阱。

简介：

暂无简介

简介：

作者南希·乔·塞尔斯 (Nancy Jo Sales) 调查了在线约会行业对性别问题的影响，研究了它如何改变人们约会、交配和看待手机应用程序的方式，并探讨了滑动行为如何影响寻找真实持久联系的能力。

简介：走村窜乡的何班主表演的精彩皮影戏吸引了山圪崂村的寡妇婵儿，而美貌的婵儿也令何班主心动。何的前妻因无法忍受其经常在外演戏不归家，把儿子屎蛋子留下后离开了。何一心希望屎蛋子能继承自己的事业，但屎蛋子始终对皮影戏没有兴趣，而男孩子八抬却处处跟着他。十年动乱时，皮影戏停演了，何成了“牛鬼蛇神”，婵儿也不得已另嫁他人。改革开放后，何又重新演起了皮影戏，屎蛋子却在镇上放起了外国电影，失望的何终将自己的艺术传给...

简介：奢曼（汤姆·汉克斯 Tom Hanks 饰）是在华尔街工作的金融精英，他拥有着一份收入丰厚的工作，一位娇俏可人的妻子，每天西装革履出入高级场所，可谓过着十分体面的生活，堪称典范。然而实际上，奢曼有着自己的秘密，他一直不忠于自己的妻子，有着一位情人。　　一天，奢曼像往常一样同自己的情妇幽会，两人开着车行驶在高速公路上，没想到竟然撞到了一个孩子。因为害怕自己的出轨和行踪暴露，奢曼决定逃离事故现场，可是，一位狡猾而又贪婪的小报记者目击了这一切，并记下了奢曼的车牌号。奢曼的生活就此被彻底的改变了。

简介：In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.　　The Devil's Trap is a film directed by František Vláil, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vláil made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.　　As expected from Vláil, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.　　Acting is great all around. Particularly the villains Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.　　The film also features the evocative music of Zdenk Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vláil, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vláil's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.