847
2.0

亡儿

导演:
Hoang Tuan Cuong
主演:
Quoc Huy Hanh Thuy Ngo Pham 日金英 黎芳
别名:
未知
2.0
847人评分
越南语
语言
未知
上映时间
未知
片长
简介:
一對有理想生活、經濟穩定又相愛的夫妻「東」(國輝飾演)和「桃」(莊楊黎芳飾演),雖然已經結婚四年,卻始終沒有懷孕的消息。某天,桃終於懷上兩人的第一個孩子,在迎接新生命到來的同時,家中卻開始出現奇怪的笑聲,甚至閃過神秘小女孩的身影,以及種種無法解釋的離奇現象,讓一連串噩夢不斷縈繞在桃身上。桃認為有某種超自然力量在折磨自己,於是尋求巫師協助,希望自己跟肚子裡的小孩能夠平安。只是她意外得知,她所遇到的怪事,似乎跟她多年前一場失誤造成的事故,似乎有所關連…
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更新时间:04月18日
主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
简介:Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
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更新时间:04月17日
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海豚湾
304
9.0
HD中字
海豚湾
9.0
更新时间:04月17日
主演:Richard O'Barry,路易·西霍尤斯,Hardy Jones,Michael Illiff,Joji Morishita,Ian Campbell,Paul Watson,Doug DeMaster,Dave Rastovich,Charles Hambleton,Hayato Sakurai,Mandy-Rae Cruikshank,Kirk Krack,伊莎贝尔·卢卡斯,海顿·潘妮蒂尔
简介:日本和歌山县太地,是一个景色优美的小渔村,然而这里却常年上演着惨无人道的一幕。每年,数以万计的海豚经过这片海域,他们的旅程却在太地戛然而止。渔民们将海豚驱赶到靠近岸边的一个地方,来自世界各地的海豚训练师挑选合适的对象,剩下的大批海豚则被渔民毫无理由地赶尽杀绝。这些屠杀,这些罪行,因为种种利益而被政府和相关组织所隐瞒。  理查德•贝瑞(Richard O’Barry)年轻时曾是一名海豚训练师,他所参与拍摄电影《海豚的故事》备受欢迎。但是,一头海豚的死让理查德的心灵受到强烈的震撼。从此,他致力于拯救海豚的活动。不顾当地政府和村民百般阻挠,他和他的摄影团队想方设法潜入太地的海豚屠杀场,只为将罪行公之于众,拯救人类可爱的朋友……  本片荣获2010年第82届奥斯卡金像奖最佳纪录长片奖。
486
2009
海豚湾
主演:Richard O'Barry,路易·西霍尤斯,Hardy Jones,Michael Illiff,Joji Morishita,Ian Campbell,Paul Watson,Doug DeMaster,Dave Rastovich,Charles Hambleton,Hayato Sakurai,Mandy-Rae Cruikshank,Kirk Krack,伊莎贝尔·卢卡斯,海顿·潘妮蒂尔
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