恶警蛋碎

简介：一个被抛弃的孤儿，问神父他的名字是什么，神父回答他是”Ram Jaane“，即天晓得、上帝知道的意思，于是，他把”Ram Jaane“作为自己的名字。长大之后的Ram Jaane (Shahrukh Khan)成了一个职业罪犯。他深爱着童年的玩伴Bela (Juhi Chawla)，而且他也相信Bela也是爱他的，但实际上Bela爱的是善良的 Murli (Vivek Mushran)...

简介：贪欲和邪念横行世间，愚蠢的人类不断开发大规模杀伤性武器，原子弹、氢弹，甚至足以毁灭地球和宇宙的太阳弹也在开发之中。某高度发达的外太空文明为了阻止地球人的自毁行为，想尽办法进行劝阻。但地球人拒绝外星人的规劝和存在，转而兵戎相向。万般无奈之下，外星长官依洛（Dudley Manlove 饰）启动第九号计划，将已死去的人类复活，让僵尸四处为虐已警示人类。　　一时间飞碟和凶案接连出现，军方、警方以及民间纷纷联合起来，以摧毁外星人的入侵计划……

简介：在不久将来的2025年，奥西讯技术总工艾比·狄克逊，前往修理遏核电设备，根据神秘的线索和一些奇怪行为，艾比对该站两名员工的神智和身份产生了怀疑。

简介：梧桐中学高二十八班是远近闻名的问题班级，后进生、艺术生、体育生、不良少年聚集在此，以宋宸（柯焱曦 饰）为首的男生帮派和以秦淼淼（熊婧文 饰）为首的女生帮派互相不服，班级混乱无序。一天，高二十八班收到了一封信，这封信自称是由一年后的他们集体寄来。信上说，即将调来的班主任谭 睿明（秦海 饰）会改变十八班，成为对他们最重要的人。然而在一年后的未来，谭老师却永远地离开了他们。为了实现一段没有遗憾的青春，扭转历史，少年们决定按照信上所说，挑战一个个不可能实现的任务...

简介：《狂暴飞车3D》由帕特里克·卢西尔执导，是尼古拉斯·凯奇的第一部3D电影。　　弥尔顿（尼古拉斯·凯奇 Nicolas Cage 饰）是一个十恶不赦的暴徒。为了阻止邪教徒在月圆之夜用他的唯一孙女的鲜血完成祭祀，从监狱逃脱了。可他只有三天时间，同时也面临着三面夹击。第一，要对 面被恶魔附体的邪教头子乔安王。第二，警察因为一桩杀人案找上了门来。第三，撒旦派来神秘杀手The Accountant（威廉·菲德内尔 William Fichtner 饰）将他带回地狱。还好路遇性感女招待派伯（艾梅柏·希尔德 Amber Heard 饰）义无反顾地和他一起复仇。　　三天之内，弥尔顿可以救出自己的孙女、搞定难缠的警察、消灭撒旦的杀手，完成自己的救赎之旅吗？

简介：柔情硬汉石头和强势萝莉艾嘉在机缘巧合下卷入是非，由此产生误会。艾嘉为达到目的套路石头从猫捉老鼠到女仆游戏，轮番上演爱情三十六计。相爱相杀的两人开启一段5g升级爱情故事。然而种种意外导致背后秘密浮出水面，非正式爱情该如何继续......

简介：一群年轻人为了证明自己的能力，开起了网络直播，为了解决资金短缺继续直播，摄影师打算变卖自己的跑车，小雨悄悄给妈妈打电话寻求帮助，暗中购车。因为一件小事，缇娜和小萱吵了几句，小萱愤然离队。也许是天生默契，摄影师和小雨的拍摄配合的天衣无缝，直播的气氛非常好，最后一刻，两个人竟然同时拥抱了对方。很久后的一天，摄影师接到了缇娜的电话，她急促的让他马上去见面。在酒桌上，缇娜带来了自己的男朋友安东尼，摄影师收到了几位姑娘赎回给他的、很熟悉、也很喜欢的跑车钥匙。摄影师和小雨开始了人生的浪漫旅途。

简介：这是一个坚毅的女人和一群刚刚毕业还很稚嫩的老师，带着一百多个女孩成功逆天改命的故事，是关于爱、青春、热血和命运……　　影片根据云南丽江华坪女子高级中学校长张桂梅真实事迹改编。

简介：孙文虎（黄正利饰）是一名具有日本血统的忍者杀手，闯入中原进行教会的计划——除去一切判教人士；武林高手狂龙(巨龙饰）无端被卷入一场无辜的杀戮，当他的爱人被残害，他决定不惜牺牲自己的生命来拯救他的同胞...

简介：该片主要反映老百姓平常生活中不寻常的事情，围绕寻找主人公丢失的小女儿而展开的关于家庭、情感、婚姻的故事。

简介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

简介：唐敖、林子洋、多九公拿着意外救得的若水所给地图，去女儿国游历，到了女儿国后发现国王竟然就是若水，而女儿国的风俗竟然是女子男装主外，男子擦脂抹粉生育子女主内，而这一切的发生竟然都源于国舅的诅咒…