爸爸妈妈复婚记

简介：爱丽斯(凯特•温斯莱特 Kate Winslet饰)住在英国伦敦的乡村，而阿曼达(卡梅隆•迪亚兹 Cameron Diaz饰)则是洛杉矶的美国丽人。她们在天南地北的两端，却遇上了同样的问题：在感情上遭受了挫败，令生活灰暗无光。二人在网上聊天，商议在圣诞节到来之前，到对方的环境去生活，交互双方的住所作为度假场地。于是，一场令人兴奋的旅行开始了。爱丽斯来到美国大都市，阿曼达则乘班机前往极具英伦情调的英国乡村。除了新鲜的生活环境，当地男生的魅力更让她们猝不及防。

简介：本片的基调基本阐述妻子和秘书两者的重要性，若男士是工作狂，那他会跟秘书相处的时间会久些；若把家庭排在人生首要位置，那宅家（即是面妻）的时间亦会久些。

简介：影片以乌兰牧骑“扎根基层、服务群众”的乌兰牧骑精神而引发的爱情故事为主题，讲述的是乌珠穆沁乌兰牧骑女歌手萨拉与草原喜爱音乐创作的青年索伦之间由歌而生、由歌而分、由歌而合的爱情故事。

简介：柳承龙、吴娜拉、金熙元、成侑彬及以200：1竞争率获胜的武振成最终加盟电影《嘴巴不可以》，该片讲述陷入已经是第七年低迷期的畅销作家“贤”面前天才作家志愿生“柳振”出现之后发生的喜剧故事。

简介：江湖上突然流传出三箱黄金将路过平安城大三元客栈的消息，各路江湖势力纷纷齐聚大三元，客栈老板娘夏央梨（苑乔饰）斡旋其中，却慢慢发现面对这逐渐失控的局面时，八面玲珑的自己却越来越力不从心，覆巢之下安有完卵，大时代下的个体终究难敌战争锯bbb。各路“鬼神”之间的较量也成就了《烽火逐金》影片一个接一个的剧情高潮，看似歌舞升平的大三元客栈背后巨大的秘密也渐渐浮出水面……

简介：美国唐人街由于越南难民的涌入，形势更加复杂。当局对此更为关注和恐惧，遂暗中策划以华制华政策。一日，的士司机关志华突遭越青帮袭击，关与同伙准备报仇。当他们赶至越青帮聚集地时，发现对方全已遭毒手。警方接报后将此地包围，关被当成凶手为警方通缉，他只好潜返香港暂避。美警方追至香港，关再陷杀机之中。关从律师口中得知此乃政治阴谋。由于关的机智勇猛，越青帮没能奈何他，却捉走他的妻儿作人质迫他投降。关在澳门与越青帮交换人质时爆发了一场血战，他虽救出了妻儿，但料到今后的日子仍将陷于荆棘之中。

简介：美国新英格兰地区的普德顿大学流传着一个名为“斯坦利堂大屠杀”的恐怖传奇，话说25年前，一名异常心理学教授在斯坦利堂大开杀戒随后自杀，这起血腥惨案至今在学生中间广为流传。适值此时，校园内发生一连串的凶杀案。校报记者保罗·加德纳（杰拉德·莱托 Jared Leto 饰）坚信凶手就隐藏在校园内，他的朋友之一娜塔莎·西蒙（艾丽西亚·维特Alicia Witt 饰）更将此事与斯坦礼堂大屠杀联系起来。他们二人携手调查此事，在这一过程中，他们的朋友借二连三遇难。娜塔莎吃惊地意识到，她和保罗已经进入凶手设下的狩猎陷阱之中。　　越逼近真相，危险便离他们越近……

简介：十八世纪末期的纽约，警察们还延用古老的办案方式，对罪犯刑讯逼供，年青的警察伊卡布·克瑞恩（约翰尼·戴普 饰）笃信科学的办案方式，因此受到市内同行的排挤，被派到一个叫断头谷的小镇办理一起连环凶杀案。　　断头谷一直流传着关于“无头骑士”的传说，据说，他是因为嗜血而战的黑森林雇佣军，被敌人割去头颅后，他的孤魂一直在断头谷游荡，在月黑风高之夜，他会骑着快马、 拿着大斧将经过此地的行人的头颅割下。两个月内，小镇中已经三个人惨遭毒手。　　克瑞恩住进了当地富豪范塔索（迈克尔·甘伯恩 饰）家中，他对“无头骑士”的传说不以为然，但是，又有人接二连三的死去，他还亲眼目睹了“无头骑士”砍掉小镇治安官的头颅，他不得不相信传说的存在，也坚定了要查出真相的决心。　　经过一番调查，克瑞恩将疑点放在了范塔索身上，同时，他和范塔索的女儿卡翠娜（克里斯蒂娜·里奇 饰）刚刚萌芽的爱情也被残酷的现实所摧毁。　　就在克瑞恩以为一切真相大白，黯然神伤中准备离开断头谷时，事情发生了意想不到的变化……

简介：Excerpts from the diary of a woman and beautiful images made in the post-war decades by a man combine to weave an enchanting narrative.

简介：江湖中，两个武林世家的争斗绵延数百年，直到其中的悲笛家出现了一位刀法高超的武士（张东健 饰），他血洗敌方铲除了自己师父（狄龙 饰）的心头大患，杀戮之后的武士选择归隐，他带着敌人家最后血脉的一个婴儿，在师父为了惩罚其背叛而派遣的层层追兵中远赴美国西部。　　在荒凉的西部小镇，武士继承了朋友的洗衣店，封印了刀鞘的武士开始努力融入普通人的生活，当地马戏团的飞刀女郎琳恩（凯特•波茨沃斯 Kate Bosworth 饰）被匪帮杀害了双亲，大难不死的姑娘从此苦练飞刀试图报仇，相似的昔日经历让武士和琳恩变得亲近，教授琳恩功夫也成了武士劳作之余最主要的活动。不久，匪帮再次侵袭这个小镇，在武士的组织下，昔日的神枪手罗纳德（杰弗里•拉什 Geoffrey Rush 饰）等居民准备与匪帮决一死战。而武士恩师亲自带队的追杀集团，也在全速向这里赶来……

简介：

简介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor