虚幻罗曼史

简介：本片讲述了父子两代缉毒警察为了铲除贩毒集团前赴后继的故事。主人公宋文涛为了揪出幕后黑手，伪装身份深陷贩毒区。为了禁毒事业，为了无数百姓的安危，宋文涛舍弃小我，上演惊心动魄的“无间道”，最终将毒贩绳之以法，正义战胜邪恶，并实现自我成长蜕变的故事。

简介：导演黎妙雪180度大变，由拍问题少女到痴恋少女后，转向惊悚血腥之作。一间于大澳的度假屋，住了不少年青人，当中有小说家、悠手好闲的小混混等等。一日一男子从九龙到了那儿度假，及后发生多多怪事……

简介：电视购物女主持人金孝真（柳真 饰）人生陷入困境：年轻后辈青春美貌兼备，势头逼人；男友是个不成器的电影导演，百无一用。在一次老友聚会时，当年备受嘲笑的丑小鸭善花（李英珍 饰）竟变成绝世美女，这令孝真她们甚为惊奇。事业面临危机，孝真转而向善花求教美颜秘诀。在善花的指引下，她来到简美希所开办的瑜伽学院申请为期一周的深化训练。　　孝真和尚妍珠、李宝拉等四名女孩一同进入学院，她们被要求严格遵守这里各种奇怪的规则，更要与外界切断一切联系。在接下来的一周时间里，她们各自为了心中理想的美貌而进行魔鬼训练，却不得不去面对恐怖黑暗的一面……

简介：南方边陲小镇，绰号“钉子李”的老人自恃棋艺高超，他将老将钉在棋盘上，声称无人能令他拔钉挪将，独孤求败。在那个特殊的时代，百万青年上山下乡。小镇新来的书记（牛犇 饰）输棋后愤愤不平，派下属去城里寻找擅长琴棋书画的人才。外号“棋呆子”的北京青年王一生（谢园 饰）稀里糊涂成了破坏文化大革命的现行反革命，最后被寻找他的人救了出去。他似乎对所要去的地方根本没任何想法，只要有饭有棋就一切都好。“何以解忧，惟有下棋。”呆子一心只在棋局，他将在那个陌生的所在和各路高手留下令人神往的对决……　　本片根据阿城的同名小说改编，并荣获1989年度金鸡奖最佳男演员奖（谢园）。

简介：「佐々木、イン、マイマイン」は内山と、「ヴァニタス」でも彼とタッグを組み、本作にも出演する細川岳との共同企画。主人公・三谷悠二は、俳優になるために上京したものの鳴かず飛ばずの日々を送っていた。ある日、高校の同級生・多田と再会し、悠二は在学当時に絶対的な存在だった“佐々木”との日々を思い起こす。後輩に誘われ、ある舞台に出演することになった悠二だったが、稽古が進むにつれ、舞台の内容が過去と現在にリンクし始め、日常が加速していく。そんな矢先、数年ぶりに佐々木から着信が入り、悠二の脳内に「佐々木コール」が鳴り響いた。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：讲述了暗影魔城之主摩璎为控制唐三藏夺取永恒之火，使用魔城能满足一切欲望的能力引出唐三藏心魔。最终，唐三藏克服心魔，重新觉醒，他与徒弟们联手打败摩璎，瓦解了祸害一方的魔城，重新踏上了拯救天下苍生的旅途。

简介：出品单位 北京丰泽恒业影视传媒有限公司　　本片讲述了唐立朝和张平夫妇收养了女儿田田，田田七八岁的时候发现得了淋巴癌，治疗两年后，病情有所控制。而此时唐立朝却迷上钓鱼、上网，家里的事也不管，为此唐立朝和张平夫妇大吵一架，唐立朝也离家出走，再也没有出现。唐立朝的大姐最终说出了实情，原来唐立朝在给田田治病期间，发现自己已是肺癌晚期，决定放弃治疗。他去网吧是为了看田田的照片、查询肺癌的晚期症状。为了给田田治病，唐立朝卖肾不成，就在街上捡垃圾，到建筑工地搬砖，终于累倒在雨中……

简介：《狂暴飞车3D》由帕特里克·卢西尔执导，是尼古拉斯·凯奇的第一部3D电影。　　弥尔顿（尼古拉斯·凯奇 Nicolas Cage 饰）是一个十恶不赦的暴徒。为了阻止邪教徒在月圆之夜用他的唯一孙女的鲜血完成祭祀，从监狱逃脱了。可他只有三天时间，同时也面临着三面夹击。第一，要对 面被恶魔附体的邪教头子乔安王。第二，警察因为一桩杀人案找上了门来。第三，撒旦派来神秘杀手The Accountant（威廉·菲德内尔 William Fichtner 饰）将他带回地狱。还好路遇性感女招待派伯（艾梅柏·希尔德 Amber Heard 饰）义无反顾地和他一起复仇。　　三天之内，弥尔顿可以救出自己的孙女、搞定难缠的警察、消灭撒旦的杀手，完成自己的救赎之旅吗？

简介：In 1900, Naomi Murdoch deserted her small-town family to go on the stage. Some ten years later, daughter Lily invites Naomi back to see her in the Riverdale high school play. Her arrival sets the whole town abuzz, wakes up old conflicts, and sets off new emotional storms.

简介：Two young women, torn apart by a childhood tragedy, unexpectedly reunite and embark on an illuminating 24-hour journey, where they unlock memories of long-forgotten innocence and what it means to truly believe.

简介：男主角博是一个极度焦虑但看上去和蔼可亲的男人，因为从未见过父亲，导致他和专横的母亲关系紧张。博在一个神秘的情况下得知母亲去世，回家路上却发现关于自己的令人震惊的过去。在这旅途中，他遇到了各种疯狂的超自然威胁。