无果之路

简介：所谓的催眠者是经过训练的人员，平时低调生活在普通人中间，不显山露水，被形象地称为进入“催眠”状ccc。一旦需要，他们会马上复苏，执行他们的任务。迪哈因为犯罪而被捕，于是他威胁说要唤醒他手下的被催眠者。犯罪调查处的特工人员尼科·海林和维克多·罗斯想尽一切办法保护首席检察官科宁，还是让催眠者得了手。他的一下个目标是政府总理。为了防止悲剧发生，警察不得不决定暂时释放迪哈。令人意想不到的是，迪哈在出狱前突然死于突发心脏病。现在只有靠特工们来阻止催眠者了。

简介：这是《男人的争斗》（Rififi）的搞笑版。两个小偷带领一群小混混进行一个宏伟的偷盗计划。他们打算从一处公寓挖一个地道，进入附近一家商店，结果地道挖进了公寓的另一个房间，这只是一个小差错。反正这群笨贼该犯的错全犯了，而那个要偷的保险箱似乎唾手可得，但他们就是没本事得手。　　影片有一流的表演，每人都有闪光的机会。1987年推出续集。该片在一定程度上开创了“笨贼漫天飞”的喜剧类型，很多国家的此类影片均受到本片的影响，美国曾推出两部正式重拍版。

简介：州政府为节省财务开支，计划把分别由拉萨雷和毛瑟所领导的两所警校撤销一所，为了从生存竞争中胜出，两位校长各施所能，毛瑟在州长与学监面前大拍马屁，并且暗中在拉萨雷警校中安插了两名内线；而拉萨雷则召回了昔日优秀学生担任教官助阵，于是马哈尼（斯蒂夫•古根伯格 Steve Guttenberg 饰）、黑巨人高塔、泰克布雷等六人再次回到警校。毛瑟为了获胜，将看不顺眼的学员赶到拉萨雷处，很快，一班古怪学员汇聚拉萨雷警校：从上一集中出现的懦弱眼镜男和流氓头子，到精通空手道的日本交换生应有尽有。马哈尼等人必须在短期内将学员们打造成合格的警察，但这个任务并不简单，除了学员本身的素质限制，毛瑟一伙也在暗中破坏……

简介：一个亿万富豪企业家冲动地制作一部经典电影，于是找来知名电影人萝拉（彭妮露古丝 饰）执导这部野心勃勃的大制作，众星云集的主演阵容里有两位重量级、但麻烦多多的演员：荷里活型男菲力斯（安东尼奥班达拉斯 饰）和偏激的舞台剧演员伊凡（奥斯卡马提涅兹 饰），两个传奇人物同时也是死对头。经过萝拉设下一连串光怪陆离的试炼之后，菲力斯和伊凡不只要正面交锋，还要保全各自的名声。当电影终于开拍时，谁能笑到最后？

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：西恩（亚当·加西亚 Adam Garcia 饰）和米切尔（萨姆·沃辛顿 Sam Worthington 饰）两兄弟同在钢铁厂打工，每天都过着按部就班的生活，这样的日复一日令这两个正值壮年的小伙子感到非常的窒息。　　西恩个性活泼，且极具跳舞的天赋，他相信，自己不可能一辈子都被埋没在钢铁厂里，总有一天他能够走出去，让全世界都看到自己耀眼的舞姿。而米切尔则比较现实，他觉得什么都不如赚钱来的稳妥，西恩与其将精力花费在不切实际的幻想之中，不如和自己一起做生意。渐渐地，志趣并不相同的两兄弟之间产生了隔阂，而当一个美丽的女人出现在他们的生命里后，兄弟两人的关系再度受到了强力的挑战。

简介：实验三中学校是一所私立学校，来自全国各个地方的学生在此求学，暑假里一批学渣被安排补课，代课老师却没人愿意担任，在“山寨”训导主任的带领下，各怀秘密的社会各界人士被招聘，做起了他们的代课老师，于是奇葩横行闹剧不断，同学们也在欢声笑语的暑假里明白了许多做人做事的道理。

简介：A couple's ailing marriage is put to the test when they are held hostage in an isolated vacation rental by an unseen Voice that commands their every move.

简介：The Speed Sisters are the first all-woman race car driving team in the Middle East. Grabbing headlines and turning heads at improvised tracks across the West Bank, these five women have sped their way into the heart of the gritty, male-dominated Palestinian street car-racing scene. Weaving together their lives on and off the track, SPEED SISTERS takes you on a surprising journey into the drive to go further and faster than anyone thought you could.

简介：比利怀特自小热衷棒球，在球场上表现优异，并得到邻居大姊凯蒂的鼓励，誓以棒球为终身的事业，凯蒂的关爱，使她与比利之间建立起情同姊弟又如知己的友谊。　　比利因一次球赛失利而灰心丧志，遂放弃棒球球往大城市谋生，并与一女侍同居，过着混混噩噩的日子，某日接获母亲来电得知凯蒂因意志消 沉自杀，遗书中指名骨灰由比利负责处理，比利束装返乡，见得老友艾普比再度重返球场，并将凯蒂骨灰下葬，然而旧日一切早已不堪回首......

简介：肥胖的姑娘茱莉亚（艾丽森•汉妮根 Alyson Hannigan 饰）长久以来得不到爱神的眷顾，眼看一生要在家里的餐馆中做服务生度过。她古怪的家庭：希腊黑人父亲、印度母亲和一个日本妹妹不看好茱莉亚的婚姻，然而，一个英俊的顾客格兰特（亚当•坎贝尔 Adam Campbell 饰）再度激发了茱莉亚的爱火。茱莉亚找到神通的矮人红娘，在后者帮助下摇身一变成为窈窕淑女，又借助电视相亲节目成功与格兰特牵手，两人的关系进展迅速，不久发展到互见家长谈婚论嫁的地步。此时，格兰特性感撩人的前任女友安迪（苏菲•蒙克 Sophie Monk 饰）突然出现，并且怀着要将格兰特夺走的野心。情场如战场，昔日的胖妞茱莉亚怎样才能完成梦寐已久的幸福婚礼？

简介：影片改编自弗朗西斯·勒洛尔的同名畅销读物。西蒙·佩吉在片中饰演的赫克托是一位心理医生，常年做病人的情绪垃圾桶，有时他也怀疑——快乐、幸福这玩意儿到底是不是真的存在？于是，他决定出门找找幸福，也找找自己的生命意义。