OK！大肚罗汉

简介：

　這個感恩節，著名魔術師將打破魔術第一法則：用魔術幫助平凡人實現生命中最重大的時刻。不管是幫助美國士兵「神奇地」重現在家人面前，還是教緊張的小伙子「水上行走」來求婚，這位魔術師都令大家驚嘆連連、美夢成真。

简介：Marius is faced with a choice whether to fulfill his passion by sailing the seas or stay and marry the woman he loves.

简介：

喜剧演员乔什·约翰逊特别脱口秀节目，谈论他与金钱、父亲和跟踪者的关系。

简介：

年轻的保姆从英国来到马略卡岛照顾两个英国孤儿。起初，她对孩子们和他们的财产感到着迷，后来，他们奇怪的行为和发生的神秘事件让她感到震惊。她坚持不懈地遵循自己的直觉，而慢慢浮现出来的真相却让所有人，包括她自己，都走向了毁灭。

简介：

 这一天，已经当了外祖母的赫尔加收到了一封粉红色的信，信中的内容让她大惊失色。原来信件是说赫尔加的母亲即将生命垂危，...

简介：

黑暗时代的英国，傲慢的女王达甘在被一个有魅力的革命者琼推翻后，在自己的土地上成为逃犯，当她踏上夺回王位的航行时，她必须面对困难和危险，踏上夺取王位的旅程。

简介：

影片讲述了从遥远外星来到地球的Angela为了寻找因爱而离家出走的哥哥，无意间遇到她命运中的宿命-天意，她的灵魂寄托在人类的身体里最多三天，尽管Angela每次变身成不同身份后都对天意加以戏弄及欺骗，但天意却依旧对她的每一个身份都加以照顾。其后Angela更被疯狂罗博士盯上并展开全力抓捕，天意为了保护她甚至不惜拼命舍身相救，终于令不信爱情的Angela开始被天意感动。为了实现自己的科学理念，疯狂的罗博士竟然不惜代价，向研究院假传情报，动用特种部队全力追捕Angela……

简介：

坎（托尼·贾 Tony Jaa 饰）是一位武艺高强的拳师，精通碎象拳。他厌倦了尔虞我诈的江湖，和心爱的大象一起归隐田园，过着风平浪静的生活。然而，某日，黑社会出高价想要买走坎的大象，坎当然不会同意，谁知道第二天，大象便神秘失踪，这定和黑社会脱不了干系。

简介：亚汉与亚明同是医院杂工，为了勤奋有正义感，一日，亚汉偶然发现梁医生与一病人何太家属密谈而产生怀疑，女友李玉芝告之何太已在手术中不幸逝世，亚汉让亚明为何太验尸找出致死的原因，不料女友实为梁的同党，亚明遭灭口，更安排杀手欲除掉亚汉，经过多次死里逃生，几经辛苦，亚汉最后终将这些凶徒送上法庭。

简介：

《未解之谜》带着新剧集回归，其中有更多令人费解的悬案和超自然事件。《未解之谜》由原纪录片系列的创作者 Cosgrove/Meurer Productions 和《怪奇物语》的制片人 21 Laps Entertainment 共同制作。

简介：本片讲述了三个因误会而分道扬镳的好友，7年后重遇，摒弃前嫌并携手创业的故事。主人公池岳与陆徙曾是the FIT最优的毕业生——一个是备受瞩目的时装设计师，一个是才华横溢的天才画家，彼此是最好的朋友亦是最强劲敌。因毕业前的一场误会分道扬镳，直到七年后，他们共同喜欢过的女孩陈斗带着当初三人一起创业的誓言从国外学成归来。三个年轻人在追逐梦想的过程中被卷入森海CEO Emma的连环阴谋之中。面对重重阻挠、离间与挑唆，他们从沮丧、受挫，到冷静后选择彼此信任、一路越战越勇，为了自己的梦想而努力！

简介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.