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简介：养马小厮王好汉因自家老爷被冤连坐入狱，越狱过程中误打误撞借戍边大将军姚远的身份躲过一劫，王婉儿为了救爹要求好汉冒充能文能武的姚远拿到一块免死金牌，一劫草莽的王好汉因此却卷入了更大的阴谋

简介：1927年4月12日、7月15日，蒋介石、汪精卫先后背叛革命，轰轰烈烈的大革命失败了，白色恐怖笼罩着沔阳洪湖地区，中国陷入了最黑暗的年代。中国共产党为了挽救革命，于8月7日在汉口召开紧急会议，确定了土地革命和武装反抗国民党反动派的总方针。时任中共地下湖北、湖南两省省委宣传部长的邓昌伦（原沔阳县彭场镇沙岭村人），受组织委派，回到沔阳家乡，领导革命斗争。自此，湘鄂西洪湖根据地，沔阳东南方又掀起革命斗争风暴，为湘鄂西洪湖根据地革命斗争史写下了光辉的一页。

简介：年迈的兽医扬先生试图为自己牢笼般的婚姻找寻一条合适的出路，而他岳父的死亡成为压死骆驼的最后一根稻草。他岳父曾和他一样同婚姻做斗争。他岳母现在成了一名寡妇，但仍然主宰着一切事务。扬先生的妻子奥尔加也坚信是她主宰着他们二人的幸福，因此扬先生越来越怕自己步岳父的后尘。他不断用越发奇怪的方式去释放自己，甚至选择去进行一场荒谬又不自在的冒险，最终他发现即使实现了理想中的自由，但一切并没有那么简单。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：A brief trip back home turns into a longer stay when Eric finds himself caught between catching up with his two sisters and conquering his old poker group. The more Eric extends his visit to prove that he is still the best poker player in town, the harder it becomes to steer clear of the old fault lines in his relationship with his sister Rachel. As their little sister Maggie attempts to recreate the intimate world they once shared, Eric and Rachel are faced with the divide between their childhood selves and the adults they have now become.                                                                    Displaying all the sensitivity and wicked humour of his previous works, Dustin Guy Defa’s new film is a shrewd study of the pitiless condition known as adulthood. After growing up in a family unit that constitutes your whole world, with its particular set of habits and a shared language, crossing the border into the realm of adults can feel disempowering, even terrifying. A sense of loss may be difficult to ever really overcome. The film’s meticulous structure and novelistic depth lay bare this fundamental fear, but also the resources that exist to fight it. Setting about this treasure hunt deep within as individuals and as a family is an admirable trio of actors whose interpretation is as nuanced as it is poignant.

简介：高中英文教师李淑敏（余香凝 饰）一直努力教学，却发现学生对她的课程始终兴致缺缺，反而热衷到补习班上课，视补教天王K.K.Ho（王浩信 饰）为偶像。李淑敏决定潜入补习班一探究竟，在课程中被KK发现，两人针锋相对，大吵一架，但竟激起KK对她的好奇心及好感，送花道歉之外更展开追求。　　　　李淑敏对学生热衷补习颇不以为然，更对补习班充满偏见，她还发现KK任教的补习学校校长就是自己的爸爸李龙基（吴岱融 饰），她小时候认为父亲严厉的言语，是间接害死母亲的凶手，父女亲情淡薄，一见面就吵架。　　　　然而KK的出现，让李淑敏改变对补习的看法，也开始用新的方式教学，患有心脏病的她，因过劳而昏倒，但她仍为了学生们重要的文凭检测强行出院，让父亲非常担心，就在一个大雨天中，一场意外骤然而至，让他们都措手不及。

简介：《老广的味道》第三季，将带大家寻找被遗忘的味道，这些被遗忘的味道将会重新出现在我们面前。新一季的美味之旅跨越“山海、东西、主辅、生熟、古今、雅俗”，从两极差异到彼此融合共处，诉说老广美食的无限可能，道尽广东食者对家乡美味的坚守与传承。

简介：六人在马赛乘坐火车到巴黎。 到达后，却发现一名妇女死于车上。 警方随即调查了另外五名乘客，并怀疑其中一人是凶手，但嫌疑犯一一离奇死亡。 最后两个幸存者必须在自己成为下一个受害者之前靠自己调查清楚。

简介：Two homicide detectives investigate the brutal shotgun murder of a crime syndicate member

简介：报道明星花边新闻，记者迈卡（安尼·玛利克·布普克饰）总比乔尼（奥利弗·布兹饰）慢一ddd。两人分属于不同的报社公司。乔尼工作起来似乎比迈卡更轻松。终于有一天迈卡发现了她的同事向乔尼提供采访资料，于是，迈卡使乔尼所在的报社陷入了法律危机。但现在迈卡却爱上了乔尼，虽然她不知道自己的命运如何，但运气总会来的。最终，迈卡得到了“最佳记者”的奖项，而乔尼也成为了她工作的伙伴，或许有一天，会成为她生命的伴侣。

简介：大毕（何家劲 饰）是典型的那种花花公子，身边莺莺燕燕不断，但实际上，他最爱的是名叫小查（周慧敏 饰）的歌手。小查梦想着能够成为歌星，无奈这些年来一直不温不火，不仅如此，她还要忍受深爱的男人大毕四处留情。　　某日，大毕带着新晋女友戴安娜（莫文蔚 饰）前往菲岛度假，哪知道竟然遇到了地震，导致无法按时返回。大毕一直在打理父亲（金超群 饰）的生意，此事被耽搁令老毕大发雷霆，将所有的怒气都发泄到了留在身边的大毕的弟弟小毕（鲁文杰 饰）身上。与此同时，大毕和小毕的母亲（李司祺 饰）忍受丈夫的粗鲁和暴力多年，终于，她决定不再忍耐，离家出走。

简介：前世界拳王迈克·泰森、《权力的游戏》中魔山的扮演者哈弗波·朱利尔斯·比昂森加盟《搏击之王：反击》(Kickboxer Retaliation，暂译)。该片是新版《搏击之王》的续集，故事依旧围绕首部中为兄弟复仇的搏击手展开。首部制片兼编剧迪米特里·罗格特蒂斯将执导续集，主演阿兰·莫西回归。