百万富翁-横财就手

简介：抗战时期，上海地下党员们不惜性命行走于刀锋，代号名为“秋蝉”的地下组织屡屡破坏日军的重要行动，让日军司令部人心惶惶。最终“秋蝉”夺取日军战略部署重要情报，为抗日斗争赢得战略先机。

简介：影片讲述了单亲妈妈纳韦尔女士因为儿子保罗被人设计而遭到威胁，被胁迫帮助窃贼盗取宝石的故事。最终纳韦尔女士急中生智，以假乱真，没有让盗贼得逞，而是自己带着真的宝石离开寻找新生活。

简介：丹尼（亚当·桑德勒 Adam Sandler 饰）年轻时经历了一场失败的恋爱，深感被女人欺骗的他偶然间发现了婚戒的妙用，从此伪装成已婚男人四处逢场作戏。多年后丹尼已是一名成功的整形医生，他在一次派对上认识了美丽的女孩帕莫尔（布鲁克琳·黛克 Brooklyn Decker 饰），两人一夜定情。次日醒来，发现了婚戒的帕莫尔误以为丹尼已婚，表示要退出复杂的关系。为挽留心仪的女孩丹尼只得再次编造谎言，并央求医院的助手凯瑟琳（詹妮弗·安妮斯顿 Jennifer Aniston 饰）扮演即将与自己离婚的妻子。　　只是谎言如同雪球般越滚越大，凯瑟琳的两个孩子、丹尼的兄弟艾迪等人都被卷入其中。当一行人来到夏威夷度假并遇上凯瑟琳的死对头德芙琳（妮可·基德曼 Nicole Kidman 饰）后，失控的事态朝着意外的方向发展了……

简介：年轻有钱又置身于意大利的艳阳下，这是汤姆·瑞普利（马特·达蒙 Matt Damon 饰）所渴望的生活，却是迪基·格林利（裘德·洛 Jude Law 饰）早已拥有的东西。　　瑞普利是个出身平凡，生活也毫无值得炫耀的年轻人，他受到一个富商之托，到意大利去游说他号荡不羁的儿子迪 基，重回他的家乡美国。但是当瑞普利一到那里，就深深地被迪基的生活形态所迷惑：美丽的别墅、高级浮华的度假饭店、一掷千金的奢靡生活，以及他美丽温柔的女友，都令他羡慕不已。　　由于瑞普利一心觊觎迪基的生活，最后这样的欲望竟扩张成想要将迪基取而代之，他缜密的心思不仅令人咋舌，而冷静的犯罪手法更教人措手不及。就在他陶醉于亲手打造的美梦中时，瑞普利因为一次意外的巧合害他露出了马脚，于是引起警方的注意并展开调查……　　本片改编自女作家派翠西亚·海史密斯写于1955年的同名小说，法国导演雷内·克莱芒曾于1960年拍摄过一部以该小说为蓝本的电影《太阳背面》，由法国影星阿兰·德隆主演。

简介：千妍秀（朴正雅 Jeong-ah Park 饰）的父亲因为投机倒买土地成为富有的暴发户，而千妍秀更是集合性感美丽的外貌与多金雄厚的家庭背景而成为异性追逐环绕的中心点。然而一向高傲的妍秀阴错阳差的认识了外形俊朗的大学生政道（朴镇宇 Jin-woo Park 饰），生活的轨迹发生转变。为了报复政道不为自己美色所动，妍秀不惜亲自出马诱惑政道，不料虽然计划成功而自己也对政道产生了真挚的爱情。但是政道告诉妍秀，他是乐安邑城古老氏族的嫡长孙，而自己不久后就要回去接受长辈给自己安排的婚礼。而此时，黑道老大罗大镇（李元宗 Won-jong Lee 饰）也因为盯上了千会长的家财而欲取妍秀为妻。然而，这段可能无疾而终的感情峰回路转，因为妍秀发现自己怀孕了，而孩子神秘的父亲成为众人追踪的重点对象！

简介：囿于经济危机给西班牙带来的困境，一对身无分文的年轻情侣无法“离巢”。同时两个菜鸟还要学会如何在家庭束缚下，处理好彼此的感情这一恼人问题。他们对发生关系日益绝望的时候，开始着手寻找在年轻人中受欢迎的公共性场所。然而事情并非如想象中简单，他们试图打破经济危机的枷锁的时候，关系也受到了考验。

简介：为了阻止他的恶梦，一个小男孩从一个神秘的邻居那里偷走了一个追梦者，迫使他的家人把他从噩梦中救出来。

简介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

简介：The story of the notorious Tom Monfils murder investigation, and how various pursuits of the truth would only serve to muddy it for 22 years.

简介：夜总会歌女朱莎娇（薛家燕 饰）爱上了港大学生祝展辉（郭峰 饰），朱莎娇的腹中更是怀上了后者的孩子。然而，祝展辉要前往纽约深造，朱莎娇只得独自生下女儿祝君好（佘诗曼 饰），抚养他长大。之后，善良朱莎娇又收留了好姐妹的儿子文初（张智霖 饰），无奈文初的嗓子被毒药烧坏，无法发声。　　一晃眼二十二年过去，祝君好和文初都已经长大成人。某日，朱莎娇再度遇见了祝展辉，继而结识了祝展辉的弟子司徒礼信（马浚伟 饰），与此同时，文初遇见了曾经抛弃他的生母，两人尽释前嫌，文初更是帮助母亲还债。随着时间的推移，文初和司徒礼信都爱上了善良美丽的祝君好。

简介：根据吉学霈的短篇小说改编。叶俊英是农业生产合作社的副社长，是出了名的好媳妇。她的丈夫李良玉是第三生产组组长，两个人生活的幸福美满。在一次生产竞赛中，因丈夫没把地锄净，被妻子插上白旗，丈夫大发脾气。李良玉的妹妹小苓批评哥哥的态度不端正，第二天在社干会上，大家都对李良玉的行为的出了批评。李良玉躲在隔壁偷听，他听到妻子不但没有批评他，而为他开脱，说他已经重新锄了遍麦地。

简介：On a hot summer afternoon in New York, Emma Jones gossips with other neighbors in her residential building about the affair that Mrs. Anna Maurrant and the milkman Steve Sankey are having. When the rude and unfriendly Mr. Frank Maurrant arrives, they change the subject. Meanwhile, their teenage daughter Rose Maurrant is being sexually pressured by her married boss Mr. Bert Easter. She does however very much like her kind young Jewish neighbor Sam, who has a serious crush on her.　　The next morning, Frank Maurrant tells his wife that he is traveling to Stamford on business. Mrs. Maurrant meets the gentle Sankey in her apartment, but out of the blue Frank comes back home. He realizes his wife is upstairs with Sankey, and runs upstairs. We hear shots and see the two men struggling as Sankey tries to escape through the window. Maurrant runs out with a gun. He has killed Sankey and fatally wounded his wife.　　Maurrant is apprehended and is led away by police. He apologizes to his daughter Rose, who will now have to take care of herself and her young brother without either parent. Rose's boss offers once again to set her up in her own apartment, but she refuses. Then she sees Sam, and tells him she wants to leave the city. Sam pleads with her to let him go with her, but she tells him it will be better for the two of them to have a couple of years apart before they consider becoming a couple. Rose walks off down the street by herself.