314
5.0

骆驼言

导演:
曹圭章
主演:
金贤珠,金乐行
别名:
未知
5.0
314人评分
韩语
语言
未知
上映时间
未知
片长
简介:
在监狱里服刑许久的永光终于获释回到了故乡,然而等待他的却是母亲去世的消息,以及兄弟们冷漠的眼ccc。依靠母亲留下的那点遗产,永光买了即将开发的土地还和村里的寡妇谈起了恋爱结了婚。然而正当他开始幻想自己的新生时,固执而倔强的脾气总使得事事都不顺心——听闻妻子在外边有男人,同时自己土地的再开发产业也面临被取消的危机……
猜你喜欢
换一换
欧洲的某个地方
693
1.0
已完结
欧洲的某个地方
1.0
更新时间:04月18日
主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
简介:Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
293
1948
欧洲的某个地方
主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
美国派
799
9.0
已完结
美国派
9.0
更新时间:04月17日
主演:贾森·比格斯,克里斯·克莱因,西恩·威廉·斯科特,托马斯·伊恩·尼古拉斯,艾丽森·汉妮根,莎诺·伊丽莎白,塔拉·雷德,艾迪·凯伊·托马斯,尤金·列维,娜塔莎·雷昂,米娜·苏瓦丽,詹妮佛·库里奇,克里斯·欧文,埃里克·里夫利,莫莉·曲克
简介:四个美国大男孩吉姆(贾森•比格斯 Jason Biggs 饰)、凯文(托马斯•伊恩•尼古拉斯 Thomas Ian Nicholas饰 )、芬奇(艾迪•凯伊•托马斯 Eddie Kaye Thomas 饰)、奥兹(克里斯•克莱因 Chris Klein 饰)即将高中毕业,但四人都还是愣头青(处男)。四人因此遭人嘲笑,他们亦耿耿于怀,发誓在毕业前要告别处男。  他们在毕业晚会前就举办了一场派对,企图在派队上找到自己的女孩,告别处男之身。谁知告别处男并没有想象中简单,也没有按设想进行,他们总是在最后关头因为这样那样的原因而失去机会。  毕业晚会即将到来,这是他们毕业前的最后一次机会了,四人又开始加紧准备步伐。怀揣着父亲教授的一套性知识的吉姆,最喜欢看图书馆性爱“圣经”的凯文,最喜欢大龄女人的芬奇,还有多才多艺的奥兹,在这场派队中纷纷为自己的誓言而奋斗,于是有了笑料百出的一幕幕。
8208
1999
美国派
主演:贾森·比格斯,克里斯·克莱因,西恩·威廉·斯科特,托马斯·伊恩·尼古拉斯,艾丽森·汉妮根,莎诺·伊丽莎白,塔拉·雷德,艾迪·凯伊·托马斯,尤金·列维,娜塔莎·雷昂,米娜·苏瓦丽,詹妮佛·库里奇,克里斯·欧文,埃里克·里夫利,莫莉·曲克
潜龙轰天
282
5.0
已完结
潜龙轰天
5.0
更新时间:04月17日
主演:史蒂文·西格尔,汤米·李·琼斯,加里·布塞,埃丽卡·埃伦尼克,戴米恩·查帕,特洛伊·伊万斯,李·辛顿,帕特里克·奥尼尔,格伦·莫肖尔,伯尼·凯西,雷蒙德·克鲁斯,科尔姆·米尼,理查德·琼斯,乔治·张,Hiram Bullock,Richard Davis,Tom Wood,Ousaun Elam,Sandy Ward,康拉德·E·帕尔米萨诺,Luis J. Silva,迈克尔·德·巴雷斯,尼克‧曼库索,Andy Romano,丹尼斯·利普斯科姆,代尔·戴,芭芭拉·布什,乔治·布什,迪克·切尼,老本内特·韦
简介:美国历史上著名的密苏里号战列舰即将退役,盛大的庆典连总统也莅临。而老舰长的生日亦在这一天,舰上的厨师——雷白下士(史蒂文·席格 Steven Seagal 饰)正在全力筹备宴席,讨人嫌的副舰长奎尔与雷白发生冲突并将其关入冷藏室。一支劳军演艺队伍来到舰上,正当表演掀起高潮之际,劳军艺人们突然与奎尔同时行动,袭击船员并控制了密苏里号。“艺人”中的史崔尼(汤米·李·琼斯 Tommy Lee Jones 饰)原是中情局特工,精通舰只,他与奎尔合作,获得了舰上多枚携带核弹头的战斧导弹发射密码。军方被这一恐怖袭击彻底震惊,却又应对无法,此时从冷藏室逃出的雷白成为了他们唯一的希望……
3635
1992
潜龙轰天
主演:史蒂文·西格尔,汤米·李·琼斯,加里·布塞,埃丽卡·埃伦尼克,戴米恩·查帕,特洛伊·伊万斯,李·辛顿,帕特里克·奥尼尔,格伦·莫肖尔,伯尼·凯西,雷蒙德·克鲁斯,科尔姆·米尼,理查德·琼斯,乔治·张,Hiram Bullock,Richard Davis,Tom Wood,Ousaun Elam,Sandy Ward,康拉德·E·帕尔米萨诺,Luis J. Silva,迈克尔·德·巴雷斯,尼克‧曼库索,Andy Romano,丹尼斯·利普斯科姆,代尔·戴,芭芭拉·布什,乔治·布什,迪克·切尼,老本内特·韦
首页
电影
电视
综艺
动画