54
6.0

睡着即死

导演:
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主演:
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别名:
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6.0
54人评分
泰语
语言
未知
上映时间
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片长
简介:
Phi Am是一种恶毒又诡异的超自然灵体,深植于泰国民间传说和神话当中,并被认为是一名遭受悲惨和不公正死亡的女性复仇之魂。在泰国,小时候的姗玩了禁忌的通灵游戏,不仅失去母亲,也成为姗的童年创伤,让她持续被恶灵缠身。她因此向姐姐贝儿和灵媒蒙寻求帮助以打破诅咒。几年后,贝儿的室友阿琳因为儿子车祸过世而陷入痛苦,更时常感受到不明灵体的凝视。在贝儿的引荐下,她也找上了蒙,并发现这一切都与一名同样沉浸在噩梦当中的年轻男子阿泰有关。所有人夜不成眠,而这一切都与他们曾接触过的通灵游戏有关!他们必须与时间赛跑,以防止进一步的悲剧发生。最终他们能否驱逐灵体找到平静,还是将被游戏中的邪恶力量所吞噬呢?
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欧洲的某个地方
693
1.0
已完结
欧洲的某个地方
1.0
更新时间:04月18日
主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
简介:Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
293
1948
欧洲的某个地方
主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
查理和巧克力工厂
143
3.0
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查理和巧克力工厂
3.0
更新时间:04月17日
主演:约翰尼·德普,弗莱迪·海默,海伦娜·伯翰·卡特,克里斯托弗·李,诺亚·泰勒,大卫·凯利,米西·派勒,詹姆斯·福克斯,安娜索菲亚·罗伯,迪普·罗伊,亚当·戈德利,弗兰西斯卡·托格内尔,茱莉亚·温特,乔丹·弗雷,菲利普·韦格拉茨
简介:威利•王卡(强尼•戴普 饰)是一位伟大的巧克力发明人和制造商,经营着全世界最大的巧克力工厂——王卡巧克力工厂。那是座神秘的工厂,大门紧锁,15年来,从来没有看见有工人从大门进去或出来过,可是却能闻到浓郁的巧克力香味。工厂出产的旺卡牌巧克力销往世界各地,深受孩子们的喜爱。  有一天,威利•旺卡先生贴出告示:他在出产的巧克力里面埋藏了五张金券,谁吃到了,就有机会参观工厂,还能得到足够吃一辈子的巧克力糖和其他糖果。小孩子们疯狂抢购,最终五个小客人成为幸运儿。  其中有一个小客人叫查理(弗莱迪•海默 饰),家庭非常贫寒,在经历两次失败后,他发现了最后一张金券,巧克力工厂的大门因此为他打开。  五个孩子开始在这个魔幻工厂中冒险,吸引他们的除了神奇壮观的巧克力制造世界之外,还有威利•王卡的“神秘礼物”……
1770
2005
查理和巧克力工厂
主演:约翰尼·德普,弗莱迪·海默,海伦娜·伯翰·卡特,克里斯托弗·李,诺亚·泰勒,大卫·凯利,米西·派勒,詹姆斯·福克斯,安娜索菲亚·罗伯,迪普·罗伊,亚当·戈德利,弗兰西斯卡·托格内尔,茱莉亚·温特,乔丹·弗雷,菲利普·韦格拉茨
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