杰克和吉尔对抗世界

简介：

两个曾经做过小偷的人，重新聚集在一起，打算去偷他们所知道的最大的小偷——旺尔戴兹，后者主持着一档电视促销节目，每天欺骗拉丁移民们购买根本分文不值的健康食品，赚了许多昧心钱。

简介：

安妮（斯嘉丽•约翰逊 饰），一名出身于普通工人家庭的纽约大学毕业生，带着母亲的殷切希望准备成为一名成功的职业女性。但是，就在安妮对自己的前途与未来感到迷茫的时候，一个意外却打破了她原本的生活轨迹，她在纽约上东区第五大道的X家找到了一份保姆的工作——全天候照顾X家四岁的儿子格莱尔。但是，这份收入不菲的工作却不像自己想象中那么轻松。

简介：

来自摩洛哥的法国社区警察哈基姆奉命潜入葡萄牙社区，调查一名犯罪头目。哈基姆必须在三天内融入这群法裔葡萄牙人。考虑到他极其笨拙，无论走到哪里都会遭遇厄运，这无疑是一项巨大的挑战。在感情和使命之间徘徊的哈基姆，不仅会发现一个社区，还会发现一个属于自己的家庭。

简介：

故事以五十年代中期的纽约皇后区为背景,意大利移民维提利三兄弟之中的大哥是个木匠,自幼受父亲的影响而力求完善,因不满老板盖房子时偷工减料,及集合兄弟之力共同创业,追求美国梦。可惜他个性刚愎自用,为了工作而牺牲了亲情。

简介：

当一名前空降消防员被要求和他疏远的十几岁的女儿一起骑摩托车穿越蒙大拿一千英里时，他必须面对自己痛苦的过去。

简介：本片为程刚导演、辛汉白编剧，可谓早期的「监狱风云」。故事描述，香港在1953至1955年，曾被警方称为最黑暗的时期，那时候罪恶泛滥，百弊丛生，一日可发生三十二宗惊人案件，而犯罪份子有百分之四十是积犯；英廷特派专员来港调查监狱的措施，发现狱中不良份子，滥用权力，公报私仇，歪曲政府的监狱制度，造成犯人越变越黑，监狱变成地狱。影片主角江才（刘永）因不甘受探长侮辱，结果被控妨碍公务，判刑一年零八个月……

简介：

穷女孩受到命运女神满神（陈红）的特殊眷顾，长大成人后做了集万般宠爱于一身的王妃倾城（张柏芝），但是因此也成了被命运咒语所诅咒的“永远得不到真爱，除非时光倒流，人死复生”之人。在与北宫爵无欢（谢霆峰）、大将军光明（真田广之）等人进行的爱情角力中，倾城一次次被对方当作筹码，咒语灵验。

简介：

讲述一位冉冉升起但却问题重重的音乐家的最后时光。

简介：罗拉（拉娜·特纳 Lana Turner 饰）和苏西（桑德拉·狄 Sandra Dee 饰）是一对相依为命的母女。在工作中，罗拉是一位女强人，总是将她的大部分时间都投入到繁忙的职务中，生活里自然而然少了很多对于女儿的关注，久而久之，母女之间的隔阂越来越深。这感情的裂痕在她们都爱上了同一个男人之后，最终导致了悲剧。　　安妮（朱安妮塔·摩尔 Juanita Moore 饰）是一名黑人女子，而她的女儿莎拉（苏珊·柯娜 Susan Kohner 饰）则是混血，莎拉一直以母亲的肤色为耻，这不断的伤害着安妮的感情。然而，母性的本能驱使着安妮一次又一次的原谅的莎拉，并且依然如故的爱着她。

简介：

影片《三傻血战江湖》从浩川，大东，阿强三兄弟进城打拼说起。阿强因为女人和利益出卖了自己的兄弟浩川和大东，并被狼哥的毒烟所控制。狼哥是个野心家，为了自己毒霸天下，开始对之前的老大刀爷下手，让刀爷也抽上了含着毒品的香烟。浩川知道了阿强的境地，想要替阿强出头，威胁了狼哥。但是出于阿强考虑，浩川没敢去报警，他不希望兄弟被警察抓走，但是这样更使得狼哥恨浩川。阿强一无所有了。狼哥找到阿强，希望收拾嚣张的浩川，并且许诺了一些条件，狼心狗肺的阿强居然答应了。阿强再一次出卖了自己的兄弟。阿强和狼哥设计了一个阴谋，让浩川去救米雪，然后可以彻底收拾了浩川。浩川能否重拾兄弟情义。

简介：In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.　　The Devil's Trap is a film directed by František Vláil, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vláil made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.　　As expected from Vláil, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.　　Acting is great all around. Particularly the villains Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.　　The film also features the evocative music of Zdenk Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vláil, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vláil's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

简介：

　　Mariana (42) is part of that Chilean upper class that takes privilege for granted. Despised by both her father and her husband, she feels a strange attraction towards her riding teacher, Juan (60), a former colonel suspected of human rights abuses during the dictatorship. But their affair cracks through the invisible walls that protect her family from the past.