像蒲公英的灰尘

简介：影片改编自著名漫画大师弗兰克•米勒的经典同名漫画，由三个故事组成，都发生在虚拟的罪恶之城，这里，警察和暴徒已无分别，暴力摧毁一切，也保护一切。　　故事一：罪城　　容貌丑陋，脾气火爆的马福（米基•洛克 饰），遇上了金发美女歌蒂，一夜情给了马福从未有过的温暖。然而，醒来之后，马福发现躺在身边的歌蒂被谋杀，自己则面临着杀人凶手的指控。　　马福的心被愤怒和复仇的火焰点燃，他在歌蒂的姐姐温蒂的帮助下，调查事实的真相，寻找杀害自己爱人的凶手......　　故事二：狙杀　　迪怀特(克里夫•欧文 饰)以前是罪犯，整容后，他成了酒吧招待雪莉的男朋友，并且帮她教训纠缠不清的前男友，有暴力倾向的杰奇(本尼西奥•德尔托罗 饰)。　　迪怀特跟踪杰奇一伙到了由妓女帮派统治的老城，杰奇不按规则办事，被妓女们杀死，之后，她们才发现，杰奇是警察，他的死，破坏了妓女们和警察之间的协议。迪怀特必须帮她们掩盖犯罪事实，并且保护她们的权利......　　故事三：黄杂种　　哈迪根(布鲁斯•威利斯 饰)由于心脏病快退休了，在他警察生涯的最后一小时，哈迪接到情报，参议员的儿子罗杰绑架了11岁的少女南茜，罗杰是几起奸杀案的主要嫌疑人，落到他手里凶多吉少。　　哈迪根单枪匹马的救出了南希，废掉了罗杰，自己也身受重伤。随后的八年，罗杰的参议员父亲，利用权势将他关在监狱中，逼他为罗杰顶罪，哈迪根一直没有屈服，而南希化名为科里迪娅的来信则是她生活中的唯一慰藉。　　南希的来信突然中断了，这让哈迪根很不安，他不得不放弃反抗，以认罪来换取假释，寻找保护南希。他并不知道，一直在暗中跟踪他的怪物黄杂种，将让他和南希重新陷入危险之中......

简介：The Price of Desire tells the controversial story of how Le Corbusier effaced and defaced Eileen Gray's moral right to be recognized as the author of her work and as one of the most forceful and influential inspirations of a century of modern architecture and design.

简介：《士兵的荣耀》是由上海腾讯企鹅影视文化传播有限公司、深圳市腾讯计算机系统有限公司、浙江思成影业有限公司出品的军旅题材献礼片，该片发行方是重庆铂凌影视传媒有限公司，由80后导演胥明文执导，黄奕，周浩东，黄一飞，何文辉等主演。于2019年10月1日腾讯视频独家上线。　　剧情简介　　公安边防支队侦查大队特勤排排长秦胜男在一次处突行动中，因违抗上级命令导致自己重伤，被撤消职务，作老兵退伍处理。临别前，支队长勉励她：有缺点的战士终归是战士，完美的苍蝇毕竟是苍蝇。并嘱咐，让她永远记住这句话。　　退伍的胜男，拖着假肢在工地干活，偶遇曾到体院招兵的海军陆战队副连长马远征，两人在不知不觉中被搅进了和前男友钱鑫有关的一场暴恐分子偷运武器的战争当中，却发现当初胜男的撤销职务只是一个蒙蔽敌人的手段。于是，一场智与力的战斗在士兵与暴恐分子之间展开......　　角色介绍　　黄奕饰演秦胜男，公安边防支队侦查大队排长，汶川地震中失去双亲，后被武警救出，体院毕业后特招入伍。体院自由搏击冠军，狙击手。　　刘超饰演马远征，前海军陆战队连长。到体院特招秦胜男时一见倾心，转业途中获悉胜男被“撤消干部职务，作士兵退伍处理”，南下寻找胜男。　　刘述饰演钱鑫，秦胜男大学同学，富二代。暗中资助秦胜男赢得芳心，因其严重的拜金主义，加之胜男入伍后一再推迟婚期，两人最终分手，后战死。　　马仑饰演黄兵，钱鑫舅舅，玉石商人，参加过对越作战，受蒙蔽协助暴恐分子偷运武器入境，幡然省悟后被杀害。　　宋禹饰演林队，前连防指挥学校教官，后为边防支队侦查大队副大队长。曾到体院招收特长生，秦胜男的直接领导。　　柯志凌饰演卡尔，西突暴恐分子，其组织曾策划实施昆明“3.01”暴恐事件,后在偷运武器入境，欲在湄公河沿岸五国首脑会议期间制造恐怖事件被击毙。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：导      演张祥林　　编      剧谢文礼　　主      演王诗槐、张盼盼、舒长青、任孝复、苏建宇　　片      种故事片　　类      型历史　　出品单位湖北方琳影视传媒有限公司　　长      度96分钟　　出品年代2009　　剧情简介　　春申君为“战国四君子”之一。楚国江夏人，姓黄名歇，楚考烈王时期拜其为相。　　　　黄歇才高八斗、胸怀大志，成年后游历四方，广交贤能志士。时值楚国天灾人祸，百姓生灵涂炭，楚王急需贤能之士帮其渡过难关，得知黄歇的才能之后，楚王三次登门相请，黄歇也觉该为富国安民作点贡献，于是入朝担任左徒之职。　　　　秦国欲称霸天下，出兵攻楚，战火烧到都城附近，楚王惶惶不可终日。在国破家亡的紧要关头，黄歇主动请缨愿意前往秦国说服秦王罢战。楚王应允后，黄歇只身亲赴秦国，凭借口舌之伶俐，学识之渊博，对时势进行精辟论述，终于说服了秦王罢兵休战。但秦王要求将楚国太子送到秦国作人质，黄歇禀明大义忠君爱国，说服家里亲人男儿活在世上，必须要有所作为，本人更应该为黄氏争光。于是，他毅然决定陪太子完赴秦作人质，并且培养太子完学会治国之道。　　　　公元前263年，楚襄王病重，想要太子回国继位，秦王不允，黄歇设计让太子化妆逃出秦国。秦王知道后，欲杀黄歇，在秦相的劝说下，秦王终于答应让黄歇归国……

简介：传说远古一段不为人知的时期，正气衰竭，人类自命比天高，正气被遗弃，大地之神为警戒世人决定爆发一次大灾难，并引发起天崩地裂，被封锁于黑暗地下的妖魔亦乘机出动，在人间尽情破坏……　　就在这混乱昏暗之期，只有神剑门门主无间道人可以跟妖魔决一死战。因为无间道的灭魔圣剑能够灭魔斩妖，灭魔圣剑是神剑门先师以天外黑铁，倾毕生心血铸练而成，由于用剑者到最后都会人尽灯灭，故将剑与剑诀《天外飞仙》分开埋藏。童年时的三个好友：小错、小逆、小云，分别被道界魔界仙界收养，培养为无间、莫逆、圣女，三人命运一夕被改变，天下苍生命运的改变亦尽在其正邪一念间。　　为争夺剑与剑诀，魔界与道界展开了殊死搏斗……

简介：平民小伙子查尔斯·莱德（马修·古迪 Matthew Goode 饰）怀着一腔梦想进入牛津大学，不久便结识了引人注目的塞巴斯蒂安·弗莱特（本·卫肖 Ben Whishaw 饰），并和他成为好友。塞巴斯蒂安英俊得惊人，又出身豪门，生性满怀敏感和忧愁，他带着查尔斯进入自家豪宅——布赖兹赫德庄园，介绍他认识自己的家人，查尔斯很快迷恋上其姐茱丽叶（海莉·阿特维尔 Hayley Atwell 饰），但茱丽叶迫于母亲压力和天主教徒雷克斯（Jonathan Cake 饰）订婚，令查尔斯恋情无果，而塞巴斯蒂安对查尔斯的感情也只能止于暧昧。十年光阴过去，查尔斯已经是知名画家，在渡轮上偶遇茱丽叶，试图重续旧情再度失败，又得知塞巴斯蒂安已经远走国外。再度回到布赖兹赫德庄园，查尔斯已经是一名军官，大宅已经在战争中彻底破败……

简介：在孟买，三名20多岁的好友应对生活的方方面面，他们的爱情、抱负和心碎与无处不在的社交媒体发生碰撞

简介：影片改编自弗朗西斯·勒洛尔的同名畅销读物。西蒙·佩吉在片中饰演的赫克托是一位心理医生，常年做病人的情绪垃圾桶，有时他也怀疑——快乐、幸福这玩意儿到底是不是真的存在？于是，他决定出门找找幸福，也找找自己的生命意义。

简介：克劳德（克里斯汀·克拉维尔 Christian Clavier 饰）和玛利亚（尚塔尔·罗比 Chantal Lauby 饰）结婚多年，感情十分要好。两人育有四个女儿伊莎贝拉（福德莉奇·贝尔 Frédérique Bel 饰）、奥迪尔（茱莉亚·皮雅顿 Julia Piaton 饰）、赛格利亚（艾米丽·卡恩 Emilie Caen 饰）和劳拉（艾罗娣·方坦 Elodie Fontan 饰），一眨眼，如花似玉的四姐妹都已经长大成人，到了谈婚论嫁的年龄。　　克劳德和玛利亚是虔诚的天主教徒，两人当然希望他们的女婿能够和自己有着相同的信仰，然而现实却往往不尽如人意，前三个女儿分别爱上了阿拉伯人、犹太人和中国人，老夫妻两将最后的希望放在了小女儿的身上，让两人没有想到的是，小女儿却领着一位非裔黑人站在了他们的面前。

简介：年轻的外交官被指派任务，携带赎金营救被绑架的外交官。　　1986年黎巴嫩内战期间，一名韩国外交官在贝鲁特被绑架为人质，下落不明。　　2年过去了，人们早已遗忘此事。外交官敏俊（河正宇 饰）接到了证明人质还活着的电话。带着既定的任务，敏俊携带赎金被派往贝鲁特营救人质。　　但是敏俊一踏上贝鲁特就遇到了麻烦。幸运的是，敏俊在当地的出租车司机潘秀（朱智勋 饰）无意中的帮助下成功逃离了机场。　　尽管潘苏的恶作剧令人不信任他，但这两个不太可能的盟友必须穿越被摧毁的、战火纷飞的贝鲁特街道，才能将这名等待已久的人质带回家

简介：从没失过手的杀手老赵（王志文 饰），得了帕金森，准备退休，却同时接到两个订单。同一时间，同一地点。一个订单的目标，却是另一订单的委托人。为了弥补心中一个久远的愧疚，老赵决定利用这最后的机会，倾力一搏，把两笔钱全挣了。而一个巨大而复杂的深渊，在静静地等候着他……