摘星梦难圆

简介：电视购物女主持人金孝真（柳真 饰）人生陷入困境：年轻后辈青春美貌兼备，势头逼人；男友是个不成器的电影导演，百无一用。在一次老友聚会时，当年备受嘲笑的丑小鸭善花（李英珍 饰）竟变成绝世美女，这令孝真她们甚为惊奇。事业面临危机，孝真转而向善花求教美颜秘诀。在善花的指引下，她来到简美希所开办的瑜伽学院申请为期一周的深化训练。　　孝真和尚妍珠、李宝拉等四名女孩一同进入学院，她们被要求严格遵守这里各种奇怪的规则，更要与外界切断一切联系。在接下来的一周时间里，她们各自为了心中理想的美貌而进行魔鬼训练，却不得不去面对恐怖黑暗的一面……

简介：《末路雷霆》原名《拳戒》，讲述的是在法殖民地时期殖民政府与抵抗组织之间的一场相互渗透的“无间斗法”。1922年，越南正处在法国的殖民统治之下，在法殖民当局的压迫下局势已经变得暗潮汹涌危机四伏，反法统治的游击队和民族运动已成星星之火之势不可收拾，针对法殖民当局的暗杀更是此起彼伏。为了彻底镇压民族独立组织，殖民当局派出卧底潜入反法的革命组织，妄图将其一网打尽，与此同时抵抗组织也从没有放弃对殖民政府内部的策反工作，双方在南亚丛林中展开了一场尔虞我诈的“无间斗法”。

简介：最近，城市里发生了可怕的杀人事件，一具被切割成6块的女尸的曝光和凶手的逍遥法外引起了社会的恐慌。作为休假的交换条件，搜查科研究员姜民浩（薛景求 饰）接下了这个棘手的案件。行事雷厉风行的他和推理天才闵瑞英（韩惠珍 饰）联手，调查取得了突飞猛进的进展，嫌疑人李圣浩（ 柳承范 饰）的名字渐渐浮出水面。　　李圣浩一经逮捕就对自己所犯的罪行供认不讳，可是姜民浩却发现事实并不是他所说的那么简单。就在这个节骨眼上，姜民浩的女儿突然失踪，他明白这绝对和李圣浩脱不了干系。李圣浩告诉姜民浩，若想要得知女儿的下落，就必须和他玩一个解谜的游戏——解开他留在尸体上的谜题。一场以生命为筹码的赌注开始了。

简介：雷蔵の死により12作に及んだ“眠狂四郎“シリーズは終了したが、その3ヵ月後、早くも松方弘樹主演によって復活した。ベテラン監督・森一生も“狂四郎“シリーズは初めての演出。将軍・家斉の世継ぎ・家慶になりすました双子の弟の、陰謀に巻き込まれる狂四郎の活躍を描く。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：A brief trip back home turns into a longer stay when Eric finds himself caught between catching up with his two sisters and conquering his old poker group. The more Eric extends his visit to prove that he is still the best poker player in town, the harder it becomes to steer clear of the old fault lines in his relationship with his sister Rachel. As their little sister Maggie attempts to recreate the intimate world they once shared, Eric and Rachel are faced with the divide between their childhood selves and the adults they have now become.                                                                    Displaying all the sensitivity and wicked humour of his previous works, Dustin Guy Defa’s new film is a shrewd study of the pitiless condition known as adulthood. After growing up in a family unit that constitutes your whole world, with its particular set of habits and a shared language, crossing the border into the realm of adults can feel disempowering, even terrifying. A sense of loss may be difficult to ever really overcome. The film’s meticulous structure and novelistic depth lay bare this fundamental fear, but also the resources that exist to fight it. Setting about this treasure hunt deep within as individuals and as a family is an admirable trio of actors whose interpretation is as nuanced as it is poignant.

简介：Jamez Bond is the lead character in Spoof, a frustrated one, since he's not able to figure out a way to complete his famous sentence My name is..., before getting shot. Yep, this is the news finally, after 50 years, the gun in the gun-barrel sequence shoots our hero and several other challenges will arise, till the sky-fall... Leatherfaze from the Texas Chainzaw Mazzacre and the Alfraid Hitchcock silhouette, from the TV show will face no lesser complications in trying to turn a chainsaw on and in overcoming common fears, because the Master of Suspence will appear to be surprisingly more fearful than the victims in his movies... But he's in good company, since an animated Inspector Clouzeau, from The Pink Panfher's saga title sequence, won't prove to be brave enough in fighting a pink panther that's much wilder than we used to know... Rochy Balboa will show the other characters what it takes to fight your inner enemies, in Rochy vs Ranbo, but won't be prepared for an unexpected ...

简介：一个不听任何修改意见的编剧（宋木子 饰），一个什么修改意见都听的编剧（合文俊 饰），一个自大，一个胆大，组成银河系最强（ruo）乙方，向顶级甲方公司发起才华挑战。　　影片荣获第17届FIRST青年电影展评委会大奖、最佳编剧两项大奖。

简介：1938年初，国际主义战士诺尔曼•白求恩（谭宁邦 饰）远渡重洋来到中国，支援中国人民的抗日战争。毛主席在延安接见了他，军区卫生部安排他做医疗顾问，白求恩发现边区的医疗条件比他想象的还要差很多。他向司令员（吴雪 饰）请示办一个后方示范医院，调各分区医生来参加培训，他还不顾个人安危，亲自到前线为重伤员做手术。由于缺少必要的医疗器械，好多重伤员得不到及时救治，白求恩心急如焚，他决定回加拿大一次。但突发而至的战斗阻挡了他回国的步伐，他对送他的方大夫（村里 饰）和童秘书（英若诚 饰）说：我不走了，这里更需要我。黄土岭战役后，在一次给战士做手术中，他不小心划破了手指，悲剧不可避免地发生了......　　本片根据周而复同名小说改编。

简介：讲述拥有特异功能小人物“冷钢”赶走西方列强，一路成长的故事。

简介：《放牛班的春天》法国导演克里斯托夫·巴拉蒂执导，凯萨奖男星亚瑟·杜彭主演。　　电影改编自真实事件，九年前震惊全球的「500亿欧元交易弊案」，描述2008年时，31岁的巴黎交易员杰宏柯维耶在未经授权下进行金融买卖，涉及的投资金额高达500亿欧元，几乎导致法国兴业银行（Société Générale）倒闭，更引发全球金融大暴泻。这位人称「魔鬼交易员」的柯维耶，如何偷天换日、秘密进行500亿欧元的交易？由于金额太过庞大，让人怀疑内情不单纯，不仅国际议论纷纷，更成为金融机构的职训教材。　　拜该案知名度之赐，《巴黎交易员》各国版权狂卖，不仅电影获伊斯坦堡金桔奖提名最佳影片，导演巴拉蒂更获好莱坞报导讚誉「挖掘出事件的娱乐性」。　　剧情讲述，杰宏来自布列塔尼，他幸运挤身法兴银行，在获主管同侪欣赏下，摇身成为巴黎交易员。人生鲤跃龙门，眼界自此大开，而他在股价期货交易赚到的钱，更远超过父亲几十个劳碌的人生。　　杰宏的父亲是个锅炉工人，母亲则是理髮师。顶著金融硕士头衔的他，彷彿有弹指魔法，总能帮银行赚进惊人利润，却也逐渐沉迷于一场场的金钱游戏。杰宏每投必中宛若神助，在银行默许下，他越发大胆展开最疯狂交易，不仅买卖金额逐步超越权限，投资金额更超乎银行股本，导致不可收拾局面，引发那斯达克、道琼欧盟指数崩盘暴泻，银行跟著摇摇欲坠。　　银行愤怒对杰宏提出控告，使他面临49亿欧元的天价求偿！这位「魔鬼交易员」如何能瞒天过海、暗地进行500亿欧元的投资？他坚持没有私吞一毛钱，但凭空消失的钜款，究竟去了哪裡？一场关乎人性与欲望的金钱游戏于是登场。

简介：电影讲述了经历中年危机的郝帅突然得知10岁儿子多多与自己没有血缘关系，于是带着多多踏上了“西部换子之旅”，并告诉多多这是一次”暑期成长计划“。火车上，多多得知爸爸的真实计划后而赌气出走，人小鬼大的多多一个人抵达西部，开始享受独特的”美好时光“，而下错火车的郝帅追悔莫及，一路经历各种囧事，寻找多多。而另一边在西部乡间的多多生父金大发知道多多走失后，也派人寻找。虽表面配合郝帅，实则暗藏私心，想尽办法准备将养子和生子都据为己有。最终，郝帅辗转千回在金大发家找到多多，他们也见到各自的儿子；但此刻一场”鸿门宴“也即将展开。站在人性的十字路口，是血缘还是真情重要？这就像上天开了一个玩笑，也更像是馈赠给彼此的一份礼物。