豺狼入室

简介：独行杀手剑琢磨（千葉真一 饰）得到最新任务，他故意犯罪进入警察局，在众目睽睽之下杀害一名嫌疑犯，随后又成功杀害另一名携带金佛的外国人。他的大胆举动以及出色身手引起了警员山上七郎（島直樹 饰）的注意，他继续调查的想法未得到上层支持，于是辞职展开独立调查，并从师傅正武馆馆长政冈宪道（鈴木正文 饰）了解到琢磨的来历。　　指示剑琢磨完成两宗命案的幕后黑手为龙虎殿堂主太田黑（田中浩 饰），他表面经营亚洲综合格斗中心，暗中从事非法活动。他邀请正武馆参与综合格斗中心的建设，在遭到拒绝后，太田黑转而要求琢磨杀害政纲。琢磨不愿谋害这位良师益友，他与太田黑正式决裂，于是不得不去应付来自各个流派、身怀绝技的杀手，更要面对他的宿敌志坚原楯城（石橋雅史 饰）……

简介：抗战时期，上海地下党员们不惜性命行走于刀锋，代号名为“秋蝉”的地下组织屡屡破坏日军的重要行动，让日军司令部人心惶惶。最终“秋蝉”夺取日军战略部署重要情报，为抗日斗争赢得战略先机。

简介：一把大刀沾尽血腥无数 刀客沦为钦犯 问世间谁是英雄.无限电视电影“大刀王五”，剧情紧凑，武打动作出色。　　清末年间，有一捕快王五（郑浩南），专替朝廷缉拿钦犯归案，由于擅用一把大刀，人称”大刀王五“。当时，御史安晓仁直言上疏，弹劝太监李连英干预朝政，触怒慈禧，命王五剿杀安史全家，王五为免杀错忠良，竟公然抗命，并且招致灭门之祸。王五之妻（蓝洁英）亦修遭杀害，从此王五携同幼子流浪天涯，闯荡江湖，朝廷派出大内都统萨多（尹杨明）追杀父子，斩草除根。在流浪途中，王五遇到留洋回来的女医师程心兰（翁杏兰），两人曾共患难，兰更因而倾慕五，及后兰得知五竟是自己的杀父仇人，陷于情义两难的局面。另一方面，王五与萨多交手数次，两人虽惺惺相惜，然而命运作弄，最终仍不能避免一场生死决战……

简介：歌女江枫（叶枫 饰）是黑蜘蛛夜总会的主理人，与此同时，黑蜘蛛夜总会亦是犯罪集团的总部。警方派干探田康华（王侠 饰）隐瞒真实身份，潜伏在夜总会中，默默的接近江枫。内心极度寂寞的江枫轻信了田康华捏造的富商身份，坠入了情网之中。                                                                    　　很快，田康华就取得了确凿的证据，在他的帮助之下，犯罪组织遭到了灭顶的打击。此时，江枫已经开始怀疑田康华是始作俑者了，当田康华意识到自己的身份败露，为时已晚，江枫将田康华囚禁在地下室中，严刑逼供。之后，为了引出集团中的老大，田康华假意投靠江枫，在江枫的引荐之下，他见到了幕后黑手李三，正邪之间大战一触即发。

简介：天球交汇，天降异象，宇宙中飞出九龙拉着青铜巨棺划过北斗星域，生命禁区葬天岛降世。传言葬天岛留有帝器宝藏，可助力修士大幅提升修为。 北斗星域各大宗门、散修齐聚云霄圣地白虎场，欲登岛夺宝，其中就有孤儿虚空。虚空自小被师傅收养在剑庐，师傅察觉他天赋异禀便付出巨大的代价，为圣地锻打千万把剑才将他送入云霄圣地修炼。此番葬天岛降世，虚空与剑庐的师兄弟一同登岛争夺帝器，一窥成帝之路。谁知在葬天岛上，竟发现异兽横行，层出不穷的洞窟里也隐藏着万年来最大的阴谋

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：电影通过描述社区基层干部服务群众的典型事例，塑造了无私奉献的社区书记形象。社区书记周明秀在面对个人家庭生活的困境时，舍小家为大家，搭建起党群之间的温暖桥梁，传递党对群众关心、关爱，展现了党的民心观、群众观，及亲密美好的党群关系。

简介：《雨傘學院》帕特里斯古德曼參與演出！安吉拉一直渴望有個美滿家庭，現在她和她恩愛的丈夫基斯如願以償。然而，美夢才持續持續了不久，當她發現前男友可能在跟蹤她時，她驚恐萬分並向凱斯尋求保護。但無論她再怎麼努力，似乎都無法擺脫這個破壞她生活的詭異跟蹤者，她開始懷疑這一切。

简介：未来某天，灾难降临世间，天灾人祸让地球濒临毁灭。更为可怕的是，恐怖病毒肆意蔓延，人类相继化身为丧失人性、嗜血如命的恐怖僵尸。并且随着时光的流逝，僵尸的智商不断提升，已经成为规模庞大的恐怖大军。经过几个月的厮杀，居住在得州某小镇的哥伦布（杰斯·艾森伯格 Jesse Eisenberg 饰）是少数的幸存者之一，他唯唯诺诺，行事谨慎，却凭着总结出来的经验一次又一次逃出生天。某天，哥伦布遇见作风骠悍的塔拉哈西（伍迪·哈里森 Woody Harrelson 饰），两人一路同行，继而邂逅性感美艳的姐妹花薇奇塔（艾玛·斯通 Emma Stone 饰）和小石头（阿比盖尔·布莱斯林 Abigail Breslin 饰），他们由此开始了一段妙趣横生、惊险刺激的旅程……　　本片荣获2009年Sitges – Catalonian国际电影节观众奖。

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简介：东北松花江畔的一个小村庄里，人们都盼望着来年丰收的年景。一个青年和一个大汉赶着粮食车到集市上出售，傍晚时分，两人赶着车在一个车店门前停下，青年早已和车店店家的孙女相爱，店家家中还有女孩的祖父和父母。第二天早晨，青年又得赶车出发，他和店家的孙女相约下次再见面。不久后，“九·一八”爆发，日本入侵东北，孙女的父母亲均被日本人杀害。青年被抓走，半途义勇军偷袭日寇，青年趁乱逃回车店，碰见日寇正欲污辱车店孙女，青年打死日寇带孙女逃离此地，“七七事变”后，青年孙女等人不屈日寇的压迫，参加了义勇军，抗击日寇。

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电影《金刚川》纪录片