前程未卜

简介：怀揣梦想的90后小鲜肉诸葛戈和他的团队创造了智能点单系统并且小有成效，但是苦于没有资金不能有更大发展，一次偶遇霸道女总裁霍天宇，磁场相合的双方虽然彼此内心有好感，表面上却针锋相对，有钱任性的富二代王四宠在追求霍天宇的同时还怀有不可告人的其他目的，身份并不简单的土豪李通看似傻豪粗实则不简单，随着几人人生交错在雾都重庆演绎了一出荒诞的人间现实版喜剧。

简介：维罗尼卡和鲁克接到了任务他们要把尤尼索尔的计划公布于众并且粉碎曼多尔数亿美金的阴谋。邪恶的沃克博士为了摧毁维罗尼卡和鲁克特别研制了尤尼索尔GR87。

简介：年轻人巴萨尼奥（约瑟夫·费因斯 Joseph Fiennes饰）一心要向富商千金鲍西娅小姐（琳恩·柯林斯 Lynn Collins饰）求婚，为了这个愿望，他必须付出三千达克特，无奈中他只好向热心肠的商人安东尼奥（杰里米·艾恩斯 Jeremy Irons饰）借钱。碰巧的是，安东尼奥因为生意周转的问题，只能问犹太人夏洛克（阿尔·帕西诺 Al Pacino饰）借来这笔钱。　　安东尼奥对犹太人历来抱有强烈的厌恶感，而夏洛克则提出了让人吃惊的要求：安东尼奥必须如期如数的归还这笔钱，否则，他将会切下安东尼奥身上的一磅肉。　　巴萨尼奥终于如愿以偿的娶回了鲍西娅，安东尼奥却因为生意失败，在夏洛克的讨债中陷入困境。夏洛克还要趁这个机会，一雪安东尼奥对犹太人侮辱之耻。安东尼奥那一磅肉，看来非割不可了，聪明的鲍西娅却用绝妙一招，化险为夷。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：

简介：讲述男主弗雷迪(贝克饰)在抢劫他的前犯罪头目失败后，带着装满现金和可卡因的袋子逃跑的故事。由于可能受了致命伤，他偷偷上了一辆开往加州沙漠的公交车。他的老板和其跟班紧追不舍，生死时速，他几乎没有什么选择。

简介：前世界拳王迈克·泰森、《权力的游戏》中魔山的扮演者哈弗波·朱利尔斯·比昂森加盟《搏击之王：反击》(Kickboxer Retaliation，暂译)。该片是新版《搏击之王》的续集，故事依旧围绕首部中为兄弟复仇的搏击手展开。首部制片兼编剧迪米特里·罗格特蒂斯将执导续集，主演阿兰·莫西回归。

简介：麦克进入居住了大批僵尸的坟场中，他遭到了来自四面八方僵尸的攻击。四周一片漆黑，恐惧和惊慌吞噬着他的心。为了生存，他只有拼命地漫无目的四处奔跑。然而，僵尸和恶魔在他气息的指引下紧紧地追赶着他，不知他能否逃出生机……

简介：飞云镖局的二当家姚仙在三年前因在押镖的途中遇到一个少年被众人追杀，心生怜悯之心而救了这个少年，也因此得罪了武林黑道。从此之后镖局经常失镖，而飞云镖局的生意也越来越差。三年后的今天，同样是二当家押的镖又被黑道劫走，并抓了二当家的，此时一位壮士出手相救。回到镖局后才知这位壮士正是二当家当年救下的少年君不悔，君不悔现在已是身怀绝技，并愿意同飞云镖局一起抵挡外侵。原来君不悔所练也正是失传多年的盖世神刀“傲爷刀”。

简介：一名女模特儿被公然迷奸，此事涉及一个从事地下色情活动的黑帮，警方即派莹、琳、美三名女警卧底查证。他们身着性感迷你裙，频频在夜总会抛头露面，把自已当作诱饵，以待时机与黑帮靠近。不久，她们遇上年轻帅气的艺术家Dan，竟被百般挑逗，莹的男友亮为保全她们，适时的帮一些倒忙，让人啼笑皆非，不可理喻。终于，她们的真实身份被戳穿，Dan及亮竟成了这个抓贼小组的智囊团，他们怪招百出，与黑帮老大玩起了高智商。 羊入虎口，她们能否套出色狼，查出真凶？这场游戏危险而刺激……

简介：主人公黎明和雅楠就像我们身边的大部分年轻人一样，在走进社会，面对工作抉择和生活情感的压力，渐渐丢掉了自己梦想，迷失了生活的方向，缺少了爱的勇气。黎明有对漫画的热爱，但却迫于现实的压力不得不做着自己反感的工作。雅楠乐观正义，却受到父母婚姻的影响，在感情中缺乏安全感的她却不断给生活失意的黎明勇气，让他坚持梦想。二人在相处的过程中彼此建立了信任，情感也随之逐渐发生了变化，彼此从中也都获得了成长。

简介：A family reunion at a remote mansion takes a lethal turn when they are trapped inside and forced to play a deadly survival game where only one will make it out alive.