总统千金欧游记

简介：

警察费舍尔（Michael Elphick 饰）避居开罗多年，最近被召回欧洲，参与一起连锁彩票杀人案的侦破。费舍尔拜会了恩师奥斯本，老人被警队开除后状况不佳，心血之作《犯罪元素》未受重视，而当年的同事克拉玛摇身一变成为警察局长。卖彩票姑娘的尸体在矿井中被发现，是连锁杀人案的最新受害者，费舍尔从奥斯本处得到嫌疑人格雷的零碎信息，按照《犯罪元素》提出的理论，费舍尔将自己想象成格雷，按照对方三年前的路线前进以求获得线索。费舍尔在路线上的妓院结识了一位东方女子金，自此被对方跟随。费舍尔逐渐迷失在混乱的欧洲，而金和格雷的关系也出乎他的意料。本片是导演Lars von Trier的长片处女作，获1984年戛纳电影节技术奖等多项褒奖。

简介：

迪斯科诞生于民权运动和石墙起义之后的地下，后来成为一种充满活力的音乐流派、激进的社会运动和充满活力的反主流文化——后来它被吸收、利用和暴力消灭。在我们的集体流行文化想象中，迪斯科已成为一种时尚，沦为《周末夜狂热》和 Studio 54 的柔焦回忆。但现在是时候澄清事实了：迪斯科从未消亡。《迪斯科的复仇》是一场激动人心的、体验式的深度探索，深入探究迪斯科音乐的灵魂及其对流派和历史的持久影响，由创造它、培育它并在舞池中发现自己的人讲述。它不仅讨论了为什么迪斯科如此重要，而且讨论了为什么在这个分裂的时代，迪斯科比以往任何时候都更重要。其中包括 Nile Rodgers 和 Chic、Billy Porter、Nona Hendryx 和 LaBelle、Grandmaster Flash、Fab Five Freddy、Nicky Siano、Earl Young 和 The Trammps、Jellybean Benitez、Kevin Saunderson、Sylvester 和 Martha Wash 等人的采访和表演。

简介：自由摄影师玛拉（萨拉·海蓝德 饰）一直奉行及时行乐遇到渣男迅速分手的原则，结婚根本不在她的规划内。她与新男友愉快的相处不久后收到一年内参加15场婚礼的邀请函，两人经过筛选决定一起去参加了其中的7场，这7场婚礼每对新人都各有各的问题。通过他们的婚姻，玛拉也发现了自己和男友的问题，两人关系开始变得紧张起来。同时，男友的家人也开始向他俩催婚催生子……

简介：

当一个精神病患者遇到一个全美国的精神病患者家庭时，会发生什么？ 认识尤金，这是一种精神病性的低生活，其成瘾包括毒品，酒精和性行为。 当他找到下一个解决方案时，一个名叫玛丽的美丽房地产经纪人，发现他不是他所期望的。 尤金即将发现有时会遇到疯狂。

简介：

一名巴西爸爸与女儿的阿根廷公婆针锋相对，巴里洛切之旅由此变为一场关于地域自尊和争强好胜的搞笑闹剧。

简介：在一场瓢泼大雨之中，孱弱的女子苏西（杰西卡·哈珀 Jessica Harper 饰）孤身一人来到德国，前往那里的芭蕾舞学校学习舞蹈。刚刚抵达的苏西看到一位女子从学校的大门里狂奔而出，口中念念有词，随后消失在了雨幕之中，让苏西没有想到的是，第二天，她便听闻了这位女子的死讯。　　很快，苏西便发现这所学校里的同学并不如她想象的那样友善，她的室友更是一个唯利是图的女人，而苏西结交到的唯一一个朋友，竟然同先前死去的女生是好友。在她的口中，苏西听说了学校里女巫作祟诅咒横行的传言，而接连出现的诡异现象亦让苏西慢慢察觉到，在这所阴森的学校中，隐藏着不可告人的秘密。

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暂无简介

简介：人生失意的B超师曹卢医（金世佳 饰）经人介绍来到了东山庭院疗养院工作。在这里，曹卢医看到了另一个如世外桃源般不同寻常的世界，也结识了刘英俊（邱泽 饰）和吴燕子（张钧甯 饰）这一对特殊的恋人。他们笨拙却无比坚定的爱情慢慢改变了隐藏着秘密的曹卢医。而直到一场意外的降临，让所有人都陷入了艰难的抉择……

简介：Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.　　The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).　　Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH).　　As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.　　The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome.　　For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.　　The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!)　　Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.　　This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from.　　As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.

简介：

Anamika 的母亲是印度人，父亲是英国人，她回到家乡照顾患有痴呆症的母亲。但母女关系并不轻松。母亲年轻时是一位前途光明的歌手，但一系列意想不到的情况，包括搬到英国、意外怀孕以及独自抚养女儿，使她变得情绪化和固执。皮肤白皙的 Anamika 曾经谎称自己是被收养的，十岁时父亲去世后，她从母亲那里得到的伤害成为了她的创伤。留给她们摆脱阴影、重新和解的时间太短了。随着母亲病情的恶化，Anamika 必须为医疗和法律问题以及她的职业生涯和未来做好准备。这部电影的剧本非常精良，通过对话展示了她们关系的变化。

简介：

二战后的某个冬夜，在北海道的渡轮上，性格张扬的复员兵赤间（三船敏郎 Toshiro Mifune 饰）遇到了宅心仁厚的龟田（森雅之 Masayuki Mori 饰）。赤间被龟田的简单真挚打动，于是二人成了朋友，赤间对龟田讲述了自己的一段旧日恋情，博得了龟田的同情。在某商店的橱窗口，两人驻足停留，只为一幅女明星的画像。赤间觉得女人笑得灿烂而阳光，龟田却说从中看到了她的苦闷。龟田来到大野家寄宿，得知大野即将成婚。

简介：

女主角“昨天”生活在南非祖鲁兰一个遥远的村庄。她在那里的生活并不容易：物资缺乏，也没有现代的便利设备，并且，她的丈夫去了很远的约翰尼斯堡当矿工。但她拥有晴朗的大自然和给她极大喜悦的七岁女儿美丽。这些使昨天在飘摇的生活下获得平衡。但突然间她被诊断出得到爱滋病，必须去远处治疗她的病症。美丽是她的生活重心，并将于一年后入学。而昨天却从未有机会去学校念书，因此她立了一个心愿——希望在美丽入学的第一天，她能与所有其它的母亲在一起，为自己的孩子感到骄傲。「永不遗忘的美丽」是一部南非影片，主要在描述一位被丈夫传染而罹患爱滋病的母亲昨天，独立在贫瘠的土地上耕作，含辛茹苦地抚养六岁大的爱女美丽长大成人。在死亡威胁下，她要抵抗病魔、照顾已发病的丈夫，还得面对村人无情的排挤，但她告诉自己，在看到女儿上学之前，绝对不能倒下去，坚强的生命力，值得大众欣赏学习。