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二樱中学毕业后盼望投身广阔的革命天地，做一个顺应时代潮流的人，可家人为阻止她参加政治运动给她找了个差事，每天担水。与二樱怀揣同样渴望的还有邮递员小李，同样被父母留城，同样不喜欢单调的工作生活。日渐高涨的革命浪潮鼓动着两颗同病相怜的心，二人渐行渐近，一段那个年代特有的初恋故事。

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轰趴狂嗨电音摇头，听来不过是轻狂少年消磨时光的常见公式，拆解后却是伤痕累累的真实情感。酸，是识透愁滋味的废青宣言，是不顾一切的自毁前程。他们没有不变友情、甜蜜家庭、纯洁初夜、美好未来；他们被正能量好好地抛弃隔绝在另一个充斥着家庭、友谊、爱情和机遇等概念的世界里。游离在不见天日的迷幻现实之中，他们吞噬青春，用最狂 暴的方式敲开虚假，洞见千禧新世代的生命曙光。为了寻找问题的答案，他们像腐蚀周围世界的化学物质一样吞噬自己，为了最终学会不听而听，不看而看。找到他们的路。
　　

简介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

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千卉为了帮助方可度过难关，决定将自己作为商品进行拍卖。此举却深深的刺痛了方可的自尊心。两人经过诸多困难，终于袒露心扉，和好如初。 露露登堂入室，却发现一切都是方母精心安排的骗局，不禁崩溃不已。 而刘欣和奔尼也成双成对，两人私定了英雄救美套餐，没想到中途遇到真劫匪。一场巨大的灾难，再次向四个年轻人袭来……   

简介：电影《天眼风云》讲述了1950年上海防空作战中解放军第一个雷达站的故事。解放上海的英雄连连长周长生，一群意气风发的大学生，一队骁勇善战的苏联空军英雄，在充斥着挑战危机和使命担当的战斗中经历着萌发的友情、爱情…，奉献着青春、生命…影片真实展现了新中国第一代雷达兵科技报国的赤胆忠心，还原了知识青年科技报国的使命追求。寄托了几代雷达兵的革命情怀，是一部真正意义上的雷达兵题材的 “军事故事片”。

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影片是以阿尔佛雷多叙述的方式开始的。21世纪初，年轻的...

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波斯尼亚指挥官米洛拉德·克尔斯蒂奇因战争罪接受审判，两名雄心勃勃的律师在审判中对峙。

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这是一部由七个小片段组成的狂风暴雨式浪漫剧，讲述了一段跨种族婚姻，讲述了两个人试图维持关系时的动荡和温柔的故事。

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　　本剧主要讲述一个不韵世事的年轻人小波为了实现心中的明星梦，投靠了阴险狡诈的老板欧阳浩，却惨被欧阳浩踢出局。心灰意冷的小波觉得世间一片灰暗，到处是险恶丑，他看不到人生的光亮，觉得未来无望。在搭档强仔的鼓励下，小波正视自己的问题。他找到了同样被欧阳浩伤害过的火火，说服了火火跟随自己一同创业，并且发奋图强，从头开始学习民间杂耍技艺，打败欧阳浩之后又不忘初心急流勇退，回归平凡的家庭生活。

简介：该影片以辽宁省营口市老边区刑释解教人员焦基发的事迹为原型，反映了刑释解教人员出　　狱后不被社会理解，处处受到歧视，最终在政法委书记和社区主任等社会各界的关怀下，自强不息、重塑人生、艰苦创业的真实感人故事。