金沙江畔

简介：罗德里格斯在上世纪70年代发行过两张专辑《Cold Fact》与《Coming From Reality》，在南非有超过50万的销量且知名度可与滚石乐队相提并论。但与其他知名的美国歌手不同，南非的歌迷得不到任何一点关于罗德里格斯的信息，除了专辑歌曲之外唯一能了解的只有专 辑封面上一张并不清晰的相片。两张专辑后，他好像也就此销声匿迹。　　对于在南非的辉煌成绩，罗德里格斯其实并不知情，他在美国过着截然不同的生活，没有知名度，专辑销量不佳，被唱片公司抛弃，曾经一度做着装修屋顶的体力活…… 南非开普敦一家唱片店老板斯蒂芬与音乐记者克雷格听到罗德里格斯在舞台上奇特自杀的传闻后展开调查，寻找小糖人之路就此开始，一段神秘的传奇故事就此展开……

简介：在东北这片充满活力和挑战的土地上，有一对冤家父子，儿子陆甲全因为和陆天一父子经营理念不同而离家出走。为了证明自己，当上洗浴中心经理的儿子急于求成，最终作茧自缚。在父亲的帮助下，陆甲全解决了问题，二人和解。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：清朝末年，洋人入侵，大厦将倾。大内太监总管程公公（陈惠敏 饰）趁宫中混乱之际，将一件件国宝偷卖给洋人。这天，龙山镇的富家公子、武艺高强的龙少爷（成龙 饰）与朋友外出游玩之际，无意中来到了一处堆满宝藏的地方。看守的人发现了惊奇不已的龙少爷，一路追杀过来。幸好当地王员外暗中相 救，龙少爷才躲过一劫。原来此处是程公公的私藏国宝之地，机关重重。　　同时，一直反对程公公所作所为的副总管于海趁乱偷出了一些国宝，程公公得知后大怒，派人追杀于海。龙少爷拔刀相助，反而给王员外也惹来了杀身之祸。怒不可遏的龙少爷决定挑战程公公这个老奸巨猾的卖国贼。

简介：1992年9月的一天，面的司机发子（谢东 饰）开车接下夜班的女友，女友的衣衫不整令发子心生疑虑，他撇下急待解释的女友忿忿下楼。在楼下，巧遇错过班车的大提琴手英子（孔琳 饰），他送完英子发现其传呼机遗忘在自己车上，上面显示要他把呼机送到某地，不料此时一弱智儿童被人撞倒，发子赶忙送孩子去医院，被撞孩子的父母误以为发子是肇事者，不让他离开医院，正做家教的英子闻讯赶到医院为发子解了围。发子要请英子吃饭答谢，此刻俩男人上车说要去某某地方，车行至僻静处，俩人露出劫匪面目，发子赶紧用钱打点。事后越想越窝囊，决心和英子找到这俩可恶的歹徒......

简介：John Wood left the pieces of a broken civilisation behind, to go back to his roots in the woodland, after a virus pandemic struck the world. Residing in a simple cabin, he only wants peace and to live in harmony with nature. Coming from a long line of timber men, he joined the army and served as a soldier for many years. Rebelling against his superiors for killing civilians under martial law. John feels he got his own wife killed when saving hundreds of innocent civilians from certain death. His wife executed point blank as retribution for John's disobedience and supposed heroic acts. Now, a young woman named Maria Johnson has escaped a pandemic research lab. She's been part of experiments to find a cure for the still raging virus. Carrying the potential cure in her blood, she is hunted by profiteers and mercenaries who knows her secret. Coming upon John's cabin in the woods, Maria is instinctively taken into shelter by John. He wants her to recover fast and leave, but by learning her...

简介：小美和阿雄在一起很久了，到了快结婚的时间，可是当小美和阿雄的两家人在一起见面的时候，父母双方不同意，各自有自己的原因，阿雄家里是农村的，小美家是城里人，两种不同思想的长辈让两个年轻人左右为难。

简介：在上一集中大显神威的特工头子奥古斯塔斯（塞缪尔•杰克逊 Samuel L. Jackson 饰）这次遇到了大麻烦，他和武器专家托尼在国家安全局的地下指挥中心竟遭到杀手追杀。奥古斯塔斯怀疑这些杀手是被政府内部激进分子指派，蓄意颠覆国家政权，于是他希望物色一名合适的特工戳穿害群之马的险恶阴谋。最后，奥古斯塔斯找到了最佳人选前特种兵戴瑞斯（艾斯•库珀 Ice Cube 饰），他因殴打上级军官现在正被军警监禁。奥古斯塔斯想方设法帮助戴瑞斯越狱成功，并说服他接受了这一国家重任。于是，戴瑞斯开始行动了！

简介：主人公一直和母亲住在一起，从不知道自己的父亲是谁。在几经斟酌之后，一场精彩纷呈的寻父大冒险正式展开的《约瑟夫之子》。

简介：黑白密室偵探片，十個角色，一女九男，其中一個是兇手。「過去我沒聽說過這戲，為了拍《8美千嬌》，我看了一遍，令我獲益良多，對那年代的美國電影瞭解得更清楚。」（奧桑）《Marie-Octobre》很寫實，是齣沉重的電影，拍得一板一眼。奧桑往相反方向走　－　輕鬆、非寫實、七彩、諷刺（人物互相指控而來）。 同類克里斯蒂式偵探片，奧桑較喜歡佳咸美頓（Guy Hamilton：《破鏡奇案》(The Mirror Crack'd)，《午日奇屍》(Evil under the Sun)，還有Sydney Lumet的《東方快車》。《8美千嬌》參照此片最多的是佈景設計，像客廳、書房、睡房、飯廳等。

简介：随着国产科幻的崛起，基于本人对星际文明、英雄情结的向往，以及观众和市场对于太空未知探索的热情而创作本片。选取了架空现实的漫画科幻题材，故事发生在大麦哲伦星系中的地星，讲述了拥有超能力量的月星狼人族后裔闻人朗俊，在遭遇父亲失踪、叔父背叛后，认识到自己继承家族血脉的真谛，与企图统治地星的叔父决战，从而再见父亲和拯救地星的英雄成长历程

简介：肥胖的姑娘茱莉亚（艾丽森•汉妮根 Alyson Hannigan 饰）长久以来得不到爱神的眷顾，眼看一生要在家里的餐馆中做服务生度过。她古怪的家庭：希腊黑人父亲、印度母亲和一个日本妹妹不看好茱莉亚的婚姻，然而，一个英俊的顾客格兰特（亚当•坎贝尔 Adam Campbell 饰）再度激发了茱莉亚的爱火。茱莉亚找到神通的矮人红娘，在后者帮助下摇身一变成为窈窕淑女，又借助电视相亲节目成功与格兰特牵手，两人的关系进展迅速，不久发展到互见家长谈婚论嫁的地步。此时，格兰特性感撩人的前任女友安迪（苏菲•蒙克 Sophie Monk 饰）突然出现，并且怀着要将格兰特夺走的野心。情场如战场，昔日的胖妞茱莉亚怎样才能完成梦寐已久的幸福婚礼？