847
5.0

男狐聊斋3

导演:
知竹,何司佳
主演:
漆培鑫,高凯,谌玮琦,高智洋,罗佩,路顺
别名:
未知
5.0
847人评分
国语
语言
2022-06-11
上映时间
未知
片长
简介:
《长生劫》是一部双男主电影,为系列人气电影《男狐聊斋》的第三部作品,讲述了凡人少年云月(高凯 饰)独活世间三百年,一直追寻自己长生的秘密。而青丘山狐族少主白辰(漆培鑫 饰)得姑姑白九颜指点,还了尘世恩情,便可飞升成仙。机缘巧合下尘世中白辰与凡人云月的相遇,让这段因缘蒙上了神秘面纱。
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主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
简介:Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
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简介:美国历史上著名的密苏里号战列舰即将退役,盛大的庆典连总统也莅临。而老舰长的生日亦在这一天,舰上的厨师——雷白下士(史蒂文·席格 Steven Seagal 饰)正在全力筹备宴席,讨人嫌的副舰长奎尔与雷白发生冲突并将其关入冷藏室。一支劳军演艺队伍来到舰上,正当表演掀起高潮之际,劳军艺人们突然与奎尔同时行动,袭击船员并控制了密苏里号。“艺人”中的史崔尼(汤米·李·琼斯 Tommy Lee Jones 饰)原是中情局特工,精通舰只,他与奎尔合作,获得了舰上多枚携带核弹头的战斧导弹发射密码。军方被这一恐怖袭击彻底震惊,却又应对无法,此时从冷藏室逃出的雷白成为了他们唯一的希望……
3635
1992
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1.0
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美国行动
1.0
更新时间:04月18日
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5.0
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简介:三个钻石王老五:建筑师彼得(汤姆•塞立克 Tom Selleck 饰)、艺术家麦克(斯蒂夫•古根伯格 Steve Guttenberg )和演员杰克(特德•丹森 Ted Danson 饰)合住在曼哈顿的一套高级公寓内,三人风流成性,过着悠然自得的生活。然而,这种生活就在杰克出外地拍片的某天早上被打破了。另外两个室友在公寓门口发现了一名被遗弃的女婴,据遗弃者留下的字条称,这是杰克的亲生女儿。彼得和麦克只得将女婴抱进屋内,开始了“初为人父”的生活。虽然两人经常应付各种各样的女人,然而应付女婴还是第一次。他们被女婴搞得手忙脚乱,焦头烂额;然而通过一阵子的相处,他们内心的父爱情结又油然而生……
4860
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锁麟囊
770
4.0
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锁麟囊
4.0
更新时间:04月17日
主演:Steffen Led Sørensen,张扬,田青
简介:薛湘靈無父無母,得山東登州巨富薛夫人收養為女。湘靈美貌無雙,與周廷訓早有婚約,因知府之子劉金虎苦苦相纏,薛夫人為怕夜長夢多,乃與廷訓商議早日完婚。  出嫁之日,薛夫人贈湘靈一只滿載珠寶的「鎖麟囊」,願湘靈早誕麟兒。湘靈出閣途中遇雨,至一破廟暫避,未幾又來了一乘花轎,轎中新娘趙守貞因家貧受湘靈轎伕之白眼,一時感懷身世,於廟外哭訴起來,湘靈大感同情,於是將「鎖麟囊」轉贈守貞,雨停之後,兩人各自上路,匆忙之間,兩人均不知對方姓名。  不料湘靈提早出嫁之事己為劉金虎所悉,乃與媒婆合謀插贓嫁禍,誣陷庭訓私通大盜,搶劫官銀,更將廷訓判死罪。湘靈於是急返娘家與母親商量救夫之法,以財寶賄賂劉知府。  劉知府收下賄銀,庭訓改判充軍,卻又暗中命解差於途中殺死庭訓。廷訓被解差逼至失足跌下山崖,解差又將庭訓之鞋子帶回作證,劉金虎大喜,即前往薛家告知湘靈,並乘時向湘靈提親。  湘靈得知丈夫死訊,悲痛欲絕,又疑心其中別有內情,遂假意答應劉家親事。湘靈孝滿之日,宴請劉金虎,與侍婢梅香施計騙得劉金虎說出眞相,湘靈得知丈夫乃是劉金虎所害,驚怒不已,劉金虎欲借醉強暴湘靈,湘靈誓死不從,糾纏間劉金虎失足墮樓身亡。  知府師爺聞訊後派人將湘靈拿下,劉知府得知愛子喪生,判湘靈死罪,薛夫人更因此一病不起,不久病逝。未幾周廷訓大難不死,平安歸來,梅香勸他上京趕考,以便將來為湘靈雪冤。  梅香乘探獄之時告訴湘靈庭訓未死之消息,又與湘靈交換衣服,吩咐她取得盤纏後上京尋夫。不料湘靈途中遇上強盜,盤纏盡失,淪落為丐。幾經辛苦,終於來至萊州,當地盧知府一家憐其孤苦,留她於府中照顧少爺,湘靈為怕身份敗露,乃改名「朱蘭英」。  一日,湘靈聞得山東巡撫下令緝捕自己,慌忙離開,被盧府婢女看見,以為她挾帶私逃,湘靈匆忙間乃到盧夫人平日拜佛之「龍珠樓」暫避,樓中香案內,湘靈看到盧夫人所供之物,竟是當年的添妝之物——「鎖麟囊」,往事湧上心頭,念及慈母,泣不成聲。盧夫人見湘靈撫囊痛哭,問其故,湘靈於是將當日贈囊之事和盤托出。  原來盧夫人正是當年的窮新娘趙守貞,守貞得囊中珠寶之助,資助丈夫上京赴考,方有今日,無奈不知恩人姓名,唯有將囊兒供於樓內,遙祝恩人福壽康寧。盧知府得知湘靈際遇後,為報恩情,乃與湘靈冒險到巡撫衙前告狀。不料巡撫正是周庭訓,最後廷訓終於將劉知府等有罪之人繩之於法,為愛妻雪冤,夫婦團圓,從此薛盧二家亦結為莫逆之交。
2428
1966
锁麟囊
主演:Steffen Led Sørensen,张扬,田青
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