只是爱着你

简介：

1973年的第四次中东战争中，一架携带着核武器的以色列战机在叙利亚被击毁，核弹随之便被时间和风沙掩埋。然而29年后，核弹却被一对平民夫妇掘起，并廉价变卖给军火商，最后兜售给了恐怖分子，而这些恐怖分子正在策划一场在美国繁华集会地点的核爆，并将其嫁祸给俄罗斯，意在挑起新一轮世界大战。年轻警觉的CIA情报分析师杰克·瑞恩（本·阿弗莱克 Ben Affleck 饰）在与俄罗斯新任总统会面时，隐约感到事有蹊跷，并通过眼线很快洞察了恐怖分子的惊天阴谋。然而瑞恩的判断却未能得到局里的重视，在一筹莫展之际，他得到了资深睿智的老分析顾问威廉·卡伯特（摩根·弗里曼 Morgan Freeman 饰）的信任与合作，然而仅凭他们二人之力，能否赶在恐怖分子下手前找到核弹，阻止这一毁灭性的悲剧发生呢？

简介：

　　HBO电视电影《烛台背后》入围第66届戛纳电影节主竞赛单元。该片根据名人传记改编，主人公李勃拉齐（迈克尔·道格拉斯 Michael Douglas 饰）是20世纪50~70年代好莱坞家喻户晓的钢琴艺术家，不但演出费用高居世界之冠，而且以极尽华冶艳丽的造型获得了“闪耀之王 ”的舞台称号。他从不承认自己是同性恋并为此打过多起名誉官司，但在晚年却不得不与22岁的男助手兼保镖斯科特（马特·达蒙 Matt Damon 饰）对簿公堂。后者声称与他有着5年的地下情并主张天价的抚养费，该事件引发了美国娱乐圈的地震。双

简介：

特遣队得到可靠消息，日军关东军司令部正在伪满洲国边境内的富锦筑垒区域实施一项绝密的“鬼城计划”。美军情报部门获悉这个情报后也表示出极大的兴趣，并特请苏军情报部帮助侦察具体情况。接到命令，特遣队奉命出发，来到伪满州国境内的富锦地区。但在伐木场与地下工作者王十八接头时，王十八却装聋作哑。原来，此时的王十八已经引起了敌人的怀疑。特遣队的侦察员们在转移住处时，张飞虎、安哲民、木日图三人的不幸被捕，更加重了侦察员们对王十八的怀疑。直到王十八帮助周金锁他们劫了囚车，救出了张飞虎等三人，一场误会才算彻底解除。这其中，富锦日本特务机关里的刘香小姐起了关键的作用。一天，特遣队得到刘香传出的情报后，安哲民带人在半路上截获了一名日军工程师，并乔装打扮冒名顶替，混入日军总部偷看了要塞防务沙盘。正在此时，奇怪的事情发生了。日本驻富锦特务机关机关长小松良荣大尉突然来到，与安哲民等人照了个正面，但小松良荣却装做没认出安哲民等人。这让特遣队员们对小松良的真实身份表示怀疑。就在特遣队员怀疑小松良荣的身份时，由于接连发生几次泄密事件，小松良荣开始怀疑刘香的身份。但苦于刘香和王十八在审讯时坚持声称互不认识对方，小松良荣也只好放了刘香，将王十八暂时关押起来。利用总机关长河西太郎好色贪酒的弱点，刘香设法偷拍了特务机关里藏着的一份绝密文件。可文件交给张飞虎并火速送回苏军大本营后，这才发现胶卷里的绝密文件却是假的。在连夜赶回富锦的路上，王天晓无意间发现了一名已死亡的美国空降兵。经过一番细致的侦察和分析，张飞虎和特遣队员终于揭开了“鬼城计划”的秘密面纱。原来，“鬼城计划”就是将富锦地区的地下工事改造成监狱，用来关押在太平洋战场上抓获的盟军士兵，而美军一支由哈斯勒上尉率领的特种部队已经空降在富锦地区。最终，张飞虎说服哈斯勒上尉，将计就计，引敌入瓮，不仅生擒了狡猾的小松良荣，并且还协助哈斯勒上尉成功营救出了被俘的盟军。

简介：

准新人 Andi 和 Lu 原本只打算在婚礼前，相约三五知己狂欢一番。然而，一段意料之外的小插曲，竟令这个“单身女子周末”演变成一场真心话告解大会。一班三字头女同志加一个男仔，会揭出几多不为人知的秘密，又会碰出几多笑料？超强卡司联手打造，一部关于女性性高潮的爆笑喜剧。这个周末，酒后吐真言，秘密大解放！

简介：

一辆老式汽车载着三个性感美丽的女子在荒无人烟、热气腾腾的无边沙漠中肆意奔驰。她们是女囚卡梅洛（阿美莉嘉·奥利沃 America Olivo 饰）、OL职业装赫尔（艾琳·库明斯 Erin Cummings 饰）、脱衣女郎特里克茜（朱丽娅·沃斯 Julia Voth 饰），这三个身份各异的女子走到一起，只为一颗价值200万美元的钻石。钻石属于心狠手辣的黑帮老大盖奇（迈克·赫斯特 Michael Hurst 饰），当然，这三个蛇蝎美人用更加毒辣的方法让他吐露了钻石的埋藏地点。

简介：

戴禄宝（黄百鸣 饰）是一个爱吃醋的小男人，偏巧老婆小娴（钟楚红 饰）又如花似玉，美艳动人，害得他时时提防，处处小心，生怕被绿帽子砸到脑袋。而周遭形势又分外险恶，戴的老板和同事无一不对小娴垂涎三尺。每每吃醋时，戴禄宝便感胸口疼痛，他去好友Peter的诊所检查，阴差阳错竟以为自己得了乳腺癌，还有不到半年的活头。他绝望至极，反倒改掉了胆小、抠门的毛病。唯一让他担心的是，自己这一死就让老婆无人照顾。戴和最佳损友蔡森（岑建勋 饰）商量，决定亲自为小娴找一个合适的丈夫…

简介：

本片是一部十分有趣的惊悚喜剧，在牢牢把握观众的同时，影片中新奇神秘的事件也吊足了观众的胃口。故事的背景是一个保守并迷信的小村庄，信奉婆罗门教的马诺吉守护着祖庙，虽然大家都说祖庙一直闹鬼。某天，马诺吉定居美国的侄子阿胡加及侄媳薇蒂雅回到小村庄，并要在祖庙住上一阵子。薇蒂雅无意间打开了一扇锁着的房间，于是，奇怪的事情开始发生。祖庙真的闹鬼了。马诺吉请了一些江湖术士驱鬼降魔，可并不见什么效果。大家开始抱怨。幸运的是，在薇蒂雅的一个精神病学专家的帮助下，他们找到了真凶并揭开了谜题。本片作为一部将喜剧及惊悚元素融合得很好的作品，导演从不同的角度审视了藏于人类内心的超出我们想象的精神层面，是一部不可多得的惊悚喜剧影片。

简介：七十年代经典科幻片。公元2024年，核战后的废土上，一个男孩Vic和他的狗Blood相依为命，他们能通过心灵感应交谈。男孩被一个女孩引诱，误入地底深处一个奇异的反乌托邦社会。最终，他需要在女孩和狗之间做出抉择……

简介：The life and career of the three sisters inimitable Fontana. Micol is only a seamstress Emilia with 500 pounds in his pocket when he arrives in Rome with John and Zoe. The effort is matched by the beginning of a passion for fashion, until the day when the world sees them. The event is the marriage of Tyrone Power and the wedding dress is packed by Atelier Fontana. In the 50 sets Americans have brought Hollywood on the banks of the Tiber and the Via Veneto, felt the Dolce Vita. When the great American divas call the Fontana sisters, that's their dream come true. From Ava Gardner Rita Hayworth, Audrey Hepburn, Grace Kelly, the success was immediate and the suffering of the rewards of private grief. From a tailoring of the three sisters in the fashion district will bring the elegance of Italian style worldwide.

简介：

在《综艺》杂志“导演谈导演”节目采访斯派克·李时，奥利弗·斯通透露，他拍摄的关于约翰·F·肯尼迪总统的纪录片将于今年在戛纳电影节首映。

简介：

故事发生在1996年的白俄罗斯，低迷的经济让年轻的女孩维尔亚（Alina Nasibullina 饰）失去了自己的工作，她决定移民美国。想要移民，维尔亚必须有一个正式的工作，她伪造了就业证明，并且提供了一个假号码作为她那不存在的公司的联系方式。让维尔亚没有想到的是，移民局决定调查她的就业情况，为了不让谎言穿帮，她先移民局一步找到了假号码主人的所在地——一间破败而又拥挤的老公寓，住在这里的一家人正在为家里的儿子筹备婚礼。维尔亚请求女主人帮助她撒谎，但是被女主人拒绝了。之后，维尔亚又请求这个家庭让自己暂时留下来，以便接听移民局的电话。

简介：In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.　　The Devil's Trap is a film directed by František Vláil, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vláil made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.　　As expected from Vláil, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.　　Acting is great all around. Particularly the villains Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.　　The film also features the evocative music of Zdenk Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vláil, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vláil's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.