西雅图寻爱记

简介：高超的技艺和天赋曾为骑师本•科恩（科特•拉塞尔）赢来无数奖杯和荣耀，然而随着岁月流逝，他慢慢地被层出不穷的新人抛在身后，成了等待被“处理的垃圾”。与他命运相同的还有老马桑娅，后者曾作为一匹前途无量的种子选手为主人赢得过无数场比赛，但因运动强度过大在某次比赛中折断后腿后，它在主人眼中也就成了“废物”。后来，桑娅被主人当作遣散费送给了本•科恩。　　本•科恩的沮丧被他的女儿凯尔（达柯塔•芬妮）尽收眼底，为了帮助爸爸和桑娅重拾自信，她制定了详细的计划，首先，她说服本•科恩同她一起精心照料桑娅，桑娅一点点恢复健康重新站立起来时，她又想方设法使本•科恩接下看似不可能完成的任务——赢得“育马者杯经典大赛”。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：本片讲述了由一套黄金麻将所引起的迪拜两大黑帮势力一龙帮和虎帮的争夺。虎帮雇佣杀手要暗杀龙帮老大“龙哥”（张德晖饰演），却因乌龙错将替身演员童响（李健饰演）误认为杀手非凡（文苡帆饰演）接回帮中，开始了一场错位闹剧。

简介：电影通过描述社区基层干部服务群众的典型事例，塑造了无私奉献的社区书记形象。社区书记周明秀在面对个人家庭生活的困境时，舍小家为大家，搭建起党群之间的温暖桥梁，传递党对群众关心、关爱，展现了党的民心观、群众观，及亲密美好的党群关系。

简介：传说远古一段不为人知的时期，正气衰竭，人类自命比天高，正气被遗弃，大地之神为警戒世人决定爆发一次大灾难，并引发起天崩地裂，被封锁于黑暗地下的妖魔亦乘机出动，在人间尽情破坏……　　就在这混乱昏暗之期，只有神剑门门主无间道人可以跟妖魔决一死战。因为无间道的灭魔圣剑能够灭魔斩妖，灭魔圣剑是神剑门先师以天外黑铁，倾毕生心血铸练而成，由于用剑者到最后都会人尽灯灭，故将剑与剑诀《天外飞仙》分开埋藏。童年时的三个好友：小错、小逆、小云，分别被道界魔界仙界收养，培养为无间、莫逆、圣女，三人命运一夕被改变，天下苍生命运的改变亦尽在其正邪一念间。　　为争夺剑与剑诀，魔界与道界展开了殊死搏斗……

简介：天地灵气孕育出一颗能量巨大的混元珠，元始天尊将混元珠提炼成灵珠和魔丸，灵珠投胎为人，助周伐纣时可堪大用；而魔丸则会诞出魔王，为祸人间。元始天尊启动了天劫咒语，3年后天雷将会降临，摧毁魔丸。太乙受命将灵珠托生于陈塘关李靖家的儿子哪吒身上。然而阴差阳错，灵珠和魔丸竟然被掉包。本应是灵珠英雄的哪吒却成了混世大魔王。调皮捣蛋顽劣不堪的哪吒却徒有一颗做英雄的心。然而面对众人对魔丸的误解和即将来临的天雷的降临，哪吒是否命中注定会立地成魔？他将何去何从？

简介：尚下是耿直幽默的专车司机，他损友何峰是个好色又烂赌的社会老油条，整日混迹各种圈子。何峰常惹事，通常都找善良的尚下帮他摆平。对外，何峰总说尚下是他专属司机，某天、何峰打牌时候接了一个高额费用活儿，何峰耽误了约定时间，匆忙中找尚下帮忙去接人。

简介：玛格丽特（弗吉尼亚·梅奥 Virginia Mayo 饰）是一名出身尊贵的公主，虽然过着衣食无忧富足奢侈的生活，但玛格丽特却并不感到快乐。因为她无法自由的去选择自己的感情，而是必须听从国王的安排。　　一次偶然中，玛格丽特在一条商船上遇见了名为沙巴斯（鲍勃·霍普 Bob Hope 饰）的演员，此时，意外发生了。贪婪的铁驹船长（维克托·麦克拉格伦 Victor McLaglen 饰）劫持了商船，并且绑架了玛格丽特公主要求巨额赎金。为了救玛格丽特，沙巴斯不惜男扮女装，甚至嫁给了海盗羽毛头（沃尔特·布伦南 Walter Brennan 饰）。羽毛头早就不满铁驹船长的独裁统治，他命令沙巴斯去偷取藏宝图。

简介：交往十多年的女导演与男演员协议分手，决定办一场仲夏派对，挥别旧关系，喜迎新生活。在那之前，同居生活的节奏照旧，只是缓慢地练习拆伙，各自找房子，物品分你我，还得为分手派对自圆其说，张罗场地和乐手。两人合作的新片此时也定剪在即，剪接时间轴上，恋人漫步马德里街头，快进倒退，转场跳接，图像素材与现实生活无缝交错，框里画外的故事是否都终将起承转合，迈向线性的尽头？

简介：尼古拉斯·凯奇（Nicolas Cage）有新片了，这次他要在电影里演自己。　　该片主角就是尼古拉斯·凯奇本人，他疯狂的渴望在昆汀·塔伦蒂诺的下部电影里得到一个角色，他经常会和自己脑海中一个90年代的自己对话，后者不断吐槽他“老是接烂片”、“再也不是当年那个电影明星”了。　　讲述破产边缘的凯奇为了100万美元的酬劳去参加一个亿万富翁粉丝（佩德罗·帕斯卡 饰）的生日派对，但这位富豪是一个危险的毒枭。当凯奇被一名CIA特工招募后，事情发生了意想不到的转变，为了拯救自己和亲人，他被迫出演一个终生难忘的角色——尼古拉斯·凯奇，用他最具标志性和最受喜爱的银幕角色来履行自己的传奇人生。　　《才华不能承受之重》会有多个桥段向凯奇的代表作致敬，包括《离开拉斯维加斯》（Leaving Las Vegas）、《变脸》（Face-Off）、《极速60秒》（Gone in 60 Seconds）等。影片风格酷似凯奇主演过的2002年电影《改编剧本》（Adaptation），后者是导演斯派克·琼斯与编剧查理·考夫曼联手的杰作。

简介：讲述因意外事故被关押在少年监狱的校园暴力受害者车宇瑟（金玟锡 饰）与综合格斗冠军郑道铉（魏化儁 饰）相遇，逐渐突破自己极限的故事。

简介：春节前的这一天，北方复兴煤矿锣鼓喧天。副市长张弓子的到来，引来了矿山不小的动静。张弓子没有按照事先安排好的路线视察，在途中突然提出改道去下井口看看。意想不到的滑罐事故发生了。