夏福特

简介：

苏联版的“侠盗罗宾汉”的故事。因为可以接触到客户的财务数据，在保险公司供职的主人公可以推断出哪些客户是诈骗犯或腐败分子。他白天是朝九晚五的公司职员，晚上是“偷车大盗”。 他“抢劫和敲诈”那些坏人的汽车，并把获得的钱都匿名捐给慈善机构。他很快遇到了一个麻烦，他最好的朋友是个警察，正在竭力抓捕那个窃车贼...
目前看过梁赞诺夫最好的作品，一个俄版都市侠盗的故事，简单而精巧，情节紧凑人物丰富，喜剧桥段大都能够跨越语言的界限，之后几部著名作品中使用的的手法也基本成熟，尤其是其中追逐的桥段对空间的立体运用十分独特，效果超越同时期好莱坞公路电影

简介：

害羞又聪明的大一新生史黛西爱上了迷人的研究生本杰明。她的整个世界都在改变，她只想玩得开心，和女孩们一起玩，学习。但不久之后，本杰明的虐待和自恋性格就开始显露出来。她能在为时已晚之前拯救自己并离开吗？

简介：A former cop returns to challenge a plot to escalate gang violence in the streets of Los Angeles.

简介：跨媒體「鬼才」黃霑，對香港的流行文化影響深遠，他參與創作的流行曲、影視作品、廣告等等，也是多代香港人的共同回憶。趁着霑叔離世接近二十周年，節目希望透過舊片重溫，回顧他的生平成就。其生前好友鍾鎮濤、雷頌德、鄭國江，也會憶述關於霑叔的深刻點滴，並讓觀眾再次感受霑叔的才情橫溢。此外，霑叔的長子黃宇瀚一直甚少在鏡頭前出現。這次難得受訪，他會以兒子的視角，細訴霑叔私底下的面貌。

简介：

东汉末年，曹操为补充军饷，首开官家盗墓之滥觞，建立了中国历史上第一支专业的盗墓部队，并设置了摸金校尉、发丘中郎将、搬山道人、卸岭力士等四职，四职术业不同、各司其职，其后更演变成了中国盗墓界的四大门派。曹操南征北讨之余，更着人将多年所探华夏版图内的各大墓址及破解之法编成了一本奇书——《摸金秘术》，交由最信任的摸金校尉保管。临死前，曹操令摸金发血誓世代守护此书，以备后用，与此同时，发丘、搬山、卸岭等三派的九门门人因觊觎书中之财宝，也一代代追寻着摸金校尉一派的下落，一千多年来，四派门人或互相攻伐或合纵连横，但《摸金秘术》的下落始终是个谜……而所谓老九门，实为十门，而这第十门就是天下各门九九归一之不二正门，一本《摸金秘术》相当于华夏墓葬的高德地图，是摸金界的《史记》，所谓秘中之密门中之门也……

简介：

影片讲述了上世纪六十年代末，年轻珠宝商尤金尼奥在巴塞罗那的一辆公共汽车上遇到美丽的康奇塔后，他们立刻坠入爱河。尤金尼奥学会了弹吉他，为康奇塔的音乐生涯伴奏，为此他不得不与舞台恐惧作斗争。而当康奇塔不得不离开两周时，她说服尤金尼奥自己登台表演。出人意料的是，当她回来时，他已经在这个城市的地下喜剧场的演出中引起了轰动。

简介：

故事讲述了肖恩和奥利弗帮助一位身患白血病的小男孩与失散多年的好友重逢，同时筹备婚礼。此外，丽塔和诺曼也面临着组建家庭的挑战。

简介：18世纪，一群被逐出境的女人乘坐一艘从西班牙前往美国的船。在未分级的版本里，有着女同志的投射

简介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

简介：

父母双亡的忠良（张国荣）投靠嫁入庞家的姐姐秀仪（何赛飞）时，处处受到姐夫的挤兑和侮辱，一怒之下用鸦片毒废了姐夫，逃到上海后，阴差阳错投入黑帮头目大大门下，成为利用色相勾引富家太太上钩再勒索其钱财的“拆白党”。   庞府老爷死后，大小姐如意（巩俐）被立为主事，为骗庞家财产，大大命忠良回到庞府引诱如意，岂料两人日久生出真情，不忍再欺骗如意的忠良独身返回上海，而如意也被大大接到上海，眼见了忠良所从事的“拆白党”勾当，心生死灰。

简介：围绕巴西圣保罗最大的日本侨民社区展开，讲述了孤儿Akemi(Masumi饰)发现自己是黑道犯罪集团一半的继承人，她在与一个失忆的陌生人(莱斯·梅耶斯饰)结成联盟后，Akemi相信是一把古老的剑将他们两人的命运捆绑在一起，她向想要她死的另一半犯罪集团发动了战争。

简介：

一个英国女孩（Nicola Cowper饰）在夏威夷被卷入两个男孩（Ilan Mitchell-Smith与Paul Carafotes饰）的探险。他们在一处荒废的海滩钻进一个洞穴，不料遇到火山喷发，出路被堵死，但洞里也震开了一道裂缝，里面竟有一条远古通道一直向下延伸。最终他们在地底发现了失落的亚特兰蒂斯城。