天皇巨星

简介：传奇摄影师罗德里戈·普列托（《花月杀手》）的电影处女作在一个看似废弃的墨西哥小镇展开，在这个小镇上，过去和现在迷人地共存，这是一个关于欲望、腐败和继承的迷人故事。

简介：China O’brien; big city police woman; martial arts trainer, is forced to hand in her badge and head home to her father and the small town where she grew up. The peaceful town she knew is now struggling against the clutches of organized crime. When her father, the town sheriff, is killed China decides to run for his position and clean up the town. The poll results spark a series...

简介：中国西部，黄土高原，年过半百、退居二线的市工商局原副局长李仁民受组织委派深入民营企业开展党建工作，并担任党建指导员。为改变企业困境，他不顾嘲讽和排挤，终于赢得了工人们和老板的信任。春华秋实，李仁民不辞辛劳，并成功组建了当地首家民营企业党支部，他所带领的党支部在新时代下也真正成了企业的好参谋和好帮手。

简介：影片讲述黄杰撞伤了小鹿和小鹿爸爸，事后他选择了逃逸，留下孑然一身的小鹿和他生死难料的爸爸。之后肇事者黄杰陷入了终日寝食难安的生活，自首呢，家庭条件本就不佳将会更加的雪上加霜。继续逃跑呢，天网恢恢疏而不漏，跑得过初一跑不过十五。当妹妹黄霖和妻子知道这件事之后，会作何打算？黄杰究竟最终会因为自责而选择自首吗？还是对于自己的罪行以逃避来对待？此时警察的侦查工作也到了关键阶段，黄杰究竟该何去何从

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：斯蒂芬·兰德里是一个屡战屡败的老拳手，给新晋拳击冠军当陪练当他的人生开始不一样起来。

简介：Inspired by stories of Polish musicians from the 1930-ies40-ies Music, War and Love is an uncommon love story; its romantic heartbeat is sustained by the love of music that draws its characters together. Two young lovers, ROBERT, a catholic opera singer and RACHEL, a Jewish violin virtuoso, dream of one day performing together at legendary Carnegie Hall. When they're torn apart by the German invasion of Poland, Robert vows to find Rachel, no matter what the war may bring. His search leads him on a life-threatening journey through the heart of Nazi Germany, to a reckoning that Rachel may be lost to him forever.

简介：该片讲述了一个被诬陷的小小推官君无咎，虽身陷刑部大牢，但仍以惊人的智慧屡破奇案，从而掀开了震惊朝野的惊天秘密。

简介：乔，十七岁，和酗酒的母亲相依为命，却总得不到母亲的关爱；乔遇见了黑人水手吉姆，共度人生的第一次，然而吉姆跟母亲相继背弃了她。就在乔被迫自谋生路时，纤细的同志杰夫走进了她的世界，伸出温暖的友谊双手……

简介：威利•王卡（强尼•戴普 饰）是一位伟大的巧克力发明人和制造商，经营着全世界最大的巧克力工厂——王卡巧克力工厂。那是座神秘的工厂，大门紧锁，15年来，从来没有看见有工人从大门进去或出来过，可是却能闻到浓郁的巧克力香味。工厂出产的旺卡牌巧克力销往世界各地，深受孩子们的喜爱。　　有一天，威利•旺卡先生贴出告示：他在出产的巧克力里面埋藏了五张金券，谁吃到了，就有机会参观工厂，还能得到足够吃一辈子的巧克力糖和其他糖果。小孩子们疯狂抢购，最终五个小客人成为幸运儿。　　其中有一个小客人叫查理（弗莱迪•海默 饰），家庭非常贫寒，在经历两次失败后，他发现了最后一张金券，巧克力工厂的大门因此为他打开。　　五个孩子开始在这个魔幻工厂中冒险，吸引他们的除了神奇壮观的巧克力制造世界之外，还有威利•王卡的“神秘礼物”……

简介：亚马逊影业击败威秀、派拉蒙、华纳等强劲竞争对手，拿下Casey McQuiston撰写的，将于5月14日上市的小说《红，白，皇家蓝》(Red White Royal Blue，暂译)的电影改编权。Berlanti影业负责制作，Ted Malawer负责改编剧本。而究竟是怎样的故事引来如此多的好莱坞片方竞相争夺呢？小说是一出浪漫喜剧，描绘了美国女总统艾伦的儿子埃里克斯因为一次国际性质事件，不得不假装和来自英国威尔士的亨利王子成为好友，却因此爱上了后者。埃里克斯大概是大西洋这一侧最接近王子属性的人，他和他勇敢的妹妹、副总统的天才孙女组成了白宫三剑客。然而这样的组合，其实只是他身为美国总统的母亲艾伦的营销策略。然而当一张埃里克斯的长期克星亨利王子的王室婚礼照片被泄露给小报后，美英关系受到严重威胁。如何止损呢？那就是让埃里克斯与亨利建立虚假友谊。紧绷的王室关系，并没有让埃里克斯放慢处理他母亲如饥似渴的对手和他自己政治野心的脚步。但在亨利的白马王子外表下，虽然拥有一个善良的内心，却缺乏幽默感，并且不止一个“鬼魂”困扰着他。随着艾伦总统开始连任竞选，埃里克斯发现自己正在与亨利建立秘密关系，而这可能会破坏竞选活动，并使两个国家断交。

简介：一个普通男人的秘密在他的辞职事件中开始显示出端倪。历史教授约翰奥德曼（David Lee Smith饰）说自己身上有一个让大家都匪夷所思的秘密，而为了保守这个秘密他不能在一个地方超过十年。他的朋友们试图去发掘他的故事中的秘密，这一举动让约翰非常生气，而他的朋友却发现约翰的故事是无法被否定也无法查证的，究竟约翰身上有着怎样的秘密？一幕幕碎片联系起来，带给我们一个意料之外的故事高潮。