我眼中的宠儿

简介：故事简介：清朝达固伦亲王(陈星)为称霸武林，派各路高手(洪金宝扮演其中之一）到处抢夺武功秘笈。达固伦先命金钹法王(洪金宝扮演）夺昆仑派的“大极两仪剑谱”，掌门古振风不从，力据之，无奈战败致死，其子小虎带剑谱逃跑。小虎偶遇普慧大师（超级高手，太厉害了），得其帮助，金钹法王一伙被打的屁滚尿流，但金施计弄盲普慧，剑谱被夺。金再到大风堂取“武当派记传”，杨堂主不敌战死。金后前往少林寺，假传圣旨，欲夺秘笈未果，谱慧失明后，在山上授小虎武功，望其续掌昆仑派，联合各派反清。达固伦假扮和尚亲往少林寺，施苦肉计每夜潜入藏经阁偷学秘笈。金则追杀普慧，达胁持普法与方丈交出少林三宝，小林高僧率领降龙、伏虎及六罗汉合力杀达，救回方丈，小虎亦夺回剑谱重掌昆仑派。

简介：影片围绕失去父母的姐姐在面对追求个人独立生活还是抚养弟弟的问题上展开了一段细腻感人的亲情故事。

简介：莫塞斯（瑞安·奥尼尔 Ryan O'Neal 饰）并不是一个本分的商人，即使干的是推销圣经的行当，也并不能阻止他使用一些上不了台面的手段。一场车祸夺取了莫塞斯的情人的性命，情人留下的一个小女儿埃迪（塔图姆·奥尼尔 Tatum O'Neal 饰）成了莫塞斯的负担。在向肇事者要得200美元后，莫塞斯决定将埃迪送往她的姨妈家去。　　在路上，埃迪展现了她天才般的口才和推销才能，让莫塞斯大赚了一笔，这对假父女之间也产生了真感情。然而，得意忘形的两人不慎掉入了一个圈套之中。一番波折之后，有惊无险的二人终于抵达了终点，但看着即将离自己而去的埃迪，一种名叫“不舍”的情感充满了莫塞斯的内心。

简介：美国新英格兰地区的普德顿大学流传着一个名为“斯坦利堂大屠杀”的恐怖传奇，话说25年前，一名异常心理学教授在斯坦利堂大开杀戒随后自杀，这起血腥惨案至今在学生中间广为流传。适值此时，校园内发生一连串的凶杀案。校报记者保罗·加德纳（杰拉德·莱托 Jared Leto 饰）坚信凶手就隐藏在校园内，他的朋友之一娜塔莎·西蒙（艾丽西亚·维特Alicia Witt 饰）更将此事与斯坦礼堂大屠杀联系起来。他们二人携手调查此事，在这一过程中，他们的朋友借二连三遇难。娜塔莎吃惊地意识到，她和保罗已经进入凶手设下的狩猎陷阱之中。　　越逼近真相，危险便离他们越近……

简介：少年谢尔盖·克拉维诺夫（亚伦·泰勒-约翰逊 饰）的父亲（罗素·克劳 饰）崇尚“强者为王”，对后代施行野蛮残酷的狼性教育，而在一次狩猎之中，经历野生雄狮袭击的谢尔盖被父亲抛弃。他在濒死之际意外因为狮子血液而产生变异，成为拥有超常力量的猎人克莱文，从此踏上向父亲的复仇之路，而犀牛人的出现，似乎也预示了更大的阴谋。

简介：Two young women, torn apart by a childhood tragedy, unexpectedly reunite and embark on an illuminating 24-hour journey, where they unlock memories of long-forgotten innocence and what it means to truly believe.

简介：保安员英叔被人拍下失职照而被降职,保安公司持牌人ANN亦接获警方通知,如有再犯保安公司将会被停牌,Ann为保父业,决定招募新人加强培训,肥波,伍光,亚龙等人被派往协助肥英,龙的女友亚恩对龙贵为大学生而从事保安员的工作,令恩非常担心龙的前途,在人手不足之情况下,Ann到来协助,此时有歹徒到来破坏,肥波受伤,但最后成功制伏歹徒,Ann见歹徒年青,不忍交给警方令他们前途尽毁,于是放走他们,歹徒为报.

简介：这部三部分的纪录片记录了阿诺德·施瓦辛格从奥地利农村到美国梦最高梯队的旅程的从未见过的镜头和故事。在这个系列中，施瓦辛格、他的朋友、敌人、合作伙伴和观察人士对他进行了前所未有的最坦诚的采访。我们看到很多人谈论他在好莱坞取得胜利的日子，一直到他统治加利福尼亚州的时候。他的家庭生活的欢乐和动荡在一个与他的传奇人物相匹配的故事中被揭开。

简介：从未被劫的银行，三千万无记认钞票，引爆连环盗计。一群以梅雷亚（巴勃罗·施瑞博尔 饰）为首的高智罪犯，手法高超、火力强横、而且沉迷打劫；纵使犯案累累，却甚少破绽，令警方束手无策。一次押款车劫案后，他们的党羽唐尼（奥谢拉·杰克逊 饰）被辣手神探尼克（杰拉德·巴特勒 饰）识破，更从他身上知道匪帮下一个目标，是攻破从未遇劫的洛杉矶联邦储备银行，从中盗取三千万即将销毁的旧钞！于是尼克布下天罗地网，想趁机把他们一网成擒。然而，魔高一丈；梅雷亚以声东击西之法，引开警方注意。尼克错失擒获他们的良机，唯有尾随追击，双方展开连场枪战。虽然最终截获贼匪，但赃款竟全数不翼而飞！局中有局，究竟谁是取得巨款的幕后赢家？

简介：热爱音乐的高风（谢霆锋 饰）理想是当一名音乐家，年幼时父亲离世，因为过度伤心而大病一场，康复后便就此失去了听觉。他一下子变得孤僻起来。后来他邂逅了喜欢跳舞的陈静（林嘉欣 饰），陈静性格开朗，对生活充满了憧憬。但好景不长，陈静因为车祸死去了。但七天后她就要参加一场舞蹈比赛的决赛，她希望可以借高风的身体让自己的灵魂寄居，让她可以参加比赛，高风答应了、高风也因为把身体借给了陈静，再次听到了音乐，却不肯弹奏音乐。鬼差要把陈静带走，高风誓死挽回。决赛当晚，静出场跳舞时由于体力不支倒下了，高风决定为她弹奏曲目……

简介：The lockdown in March broke off years of hard work by Verena Paravel and Lucien Castaing-Taylor, filmmakers, anthropologists and creators of Leviathan revealed at Locarno in 2012. Their new movie focuses on five hospitals in northern Paris neighborhoods, using the latest medical imaging technology to paint a triple portrait of the human body, the medical profession and the French capital.

简介：Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.