天下第二

简介：漫画店打工仔Clarence Worley（克里斯汀·史莱特 Christian Slater 饰）生日的时候，在电影院邂逅了美女Alabama Whitman (帕特丽夏·阿奎特 Patricia Arquette 饰)，两人一夜春宵。第二天，Alabama告诉Cla rence她是个妓女，是Clarence的老板送给他的生日礼物，但她爱上了他。Clarence决定将Alabama从皮条客Drexl Spivey（加里·奥德曼 Gary Oldman 饰）手中拯救出来。夜总会的一阵混战后，Clarence开枪将Drexl杀死，并拿走了一个他以为属于Alabama的手提箱。后来两人发现，手提箱里竟有大量可卡因。两人欣喜若狂，开始流浪，寻找将可卡因换成现金的机会。两人一路来到了洛杉矶，找到了Clarence的老友Dick Ritchie（迈克尔·拉帕波特 Michael Rapaport 饰）。Dick是个在好莱坞混迹的演员，他把一位能转手可卡因的导演Lee介绍给二人。而另一边，被Drexl偷走了大量可卡因的黑帮老大Vincenzo Coccotti（克里斯托弗·沃肯 Christopher Walken 饰）也带着一帮人开始寻找两人的踪迹。一场场大战即将上演，到底这对恋人的罗曼史能否延续下去？

简介：来自于小镇的年轻女孩小露（艾米莉亚·克拉克 Emilia Clarke 饰）应聘成为了一名看护，她所要照顾的对象，是一位名叫威尔（山姆·克拉弗林 Sam Claflin 饰）的男子。曾经的威尔家境优渥，热爱自由，喜欢到世界各地冒险，然而，一场可怕的车祸粉碎了他的脊椎，使他四肢瘫痪，这也就意味着，威尔漫长的下半生只能在轮椅上度过了。　　就这样，小露在误打误撞之中开始了和威尔的共同生活，但威尔很快就发现，小露和之前的看护们截然不同，个性大大咧咧的她从来不会对自己的伤痛避而不谈，但正是这种直面惨淡的勇气给威尔带来了不一样的感觉。在小露的陪伴下，威尔开始渐渐重新体味到了快乐的感觉，小露的坚强亦让威尔开始认真思考起自己的未来。

简介：意大利西部片宗师瑟吉欧·莱昂的传世经典之作，继与克林伊斯威特合作「镖客三系列」之后，瑟吉欧·莱昂这部近三个小时的长篇钜作，被称之为影史上最伟大的西部片。　　故事叙述一名神秘客（查理士布朗逊）来到小镇上，被卷入一名寡妇（克劳蒂雅卡迪奈尔）与铁路大亨的土地抢夺战，此片最有趣的角色，是由一向形象正义的亨利方达，难得在此片中扮演一名冷面的残酷杀手，从头到尾几乎没有表情，只有嘴角偶尔小有动作，让人不寒而栗... 当年影片在美国上映时，曾因为片长过长而被片商修剪，导致故事架构含混不清，语焉不详。

简介：湘四的一个边远小镇砖厂里。砖厂厂长柳门特意赶在巾秋审前给大伙提前发工资。由于砖厂越办越红火，每个工人的工资都有所增加，众人一阵欢呼。这时，远远走来一个背着破包满脸胡子的青年汉自，他就是柳月的丈夫立福。立福因不安于现状在两年前到人城市去闯世界，眼看两手空空而回。阵阵喧闹声中，玉秀的浴室开张了，她正热情地招呼客人。玉秀原是立福的恋人，因嫌立福穷，嫁给了一个有钱的城里人，不料丈夫过早地离开了人世，她又回到了小镇。立福不愿让玉秀看到自己潦倒的模样，急忙躲闪一边，可玉秀已将一切看在眼里。柳月回到家，惊喜地扑入日夜思念的丈夫的怀中，可是，立福却郁郁寡欢，妻子将砖厂办得有声有色，而自己。一个大老爷们却空着双手回来，心里很不平衡。立福决心在小镇办卡拉OK舞厅，向柳月借钱。柳月拿不出钱，立福生气地走了。玉秀赞赏立福的主意，并慷慨地借钱给他。几经周折下舞厅终于开张了。玉秀常去捧场，两人旧情复燃。一天深夜，立福到浴室还钱，玉秀情意绵绵，立福情不自禁将玉秀拥在怀里。全镇人都知道了立福和玉秀的风流韵事，只有柳月蒙在鼓里。好打抱不平的辣婶将真相告诉柳月，柳月伤心欲绝，备了一桌丰盛的洒莱，与立福抟进这“最后的晚餐”，然后毅然离去。这时，人们不满玉秀的所为，玉秀的浴室生意一落干丈。醉醺醺的立福闯进来向玉秀求婚，玉秀冷静地拒绝了他。镇上的大顺和春英举行婚礼，这对新人向柳月敬酒，强作欢颜的柳月推托着。立福来了。接过大顺手里的酒杯，代替柳月一饮而尽。立福和柳月久久对视着……

简介：已經隱退江湖的女歌手Angela Arden（Charles Busch飾）擁有一個不正常的家庭，大兒子Lance（Stark Sands飾）是同性戀，常常為自己起伏不定的情緒所困。小女兒Edith（Natasha Lyonne飾）則從心底蔑視母親，只與父親親近。　　Angela如同坐監般的婚姻生活使她鬱鬱寡歡，她想要重新握起麥克風，但她的老公——電影製片人Sol Sussman（Philip Baker Hall飾）想盡辦法阻止她。他憎惡她，在得知她與落魄失意的男演員，「小白臉」Tony Parker（Jason Priestley飾）有染後，切斷她的一切經濟來源，不准她重回歌壇，并拒絕離婚。Sol對待兒子Lance的冰冷強硬態度也讓Angela下定決心毒殺他。　　Edith不相信父親死於心臟病發，她要求Lance和她一起找出母親蓄意謀殺的證據，但Lance深深愛著母親，陷入了兩難。而另一邊，母親的情人Tony Parker刻意接近兄妹倆，迅速俘獲了他們的心，並使兩人爭風吃醋大打出手。Tony的真實身份是什麽呢？　　隨著調查的深入，最後的真相卻出人意料。陰謀的背後竟牽扯出一樁陳年舊案——當年Angela殺死姊姊Barbara并取代她的身份，一雙兒女其實是姊姊的孩子。而已經死去的Sol居然再度露面，企圖殺死Angela......　　由Charles Busch於1999年撰寫并主演的同名舞台劇改編，導演Mark Rucker憑藉「Die, Mommie, Die」獲得了2003年Sundance Film Festival的特別評審獎。

简介：China O’brien; big city police woman; martial arts trainer, is forced to hand in her badge and head home to her father and the small town where she grew up. The peaceful town she knew is now struggling against the clutches of organized crime. When her father, the town sheriff, is killed China decides to run for his position and clean up the town. The poll results spark a series...

简介：老练的刑警徐道哲（黄正民 饰）和他的重大犯罪调查部门不知疲倦地日夜追踪罪犯，经常以牺牲他们的个人生活为代价。　　当一名教授的谋杀案揭示了与过去的案件的联系时，对连环杀手的怀疑出现了，使国家陷入动荡。随着重案组的深入调查，凶手通过在网上公开发布预告片来嘲弄他们，指出了下一个受害者， 并加剧了混乱。　　为了应对不断升级的威胁，该团队引入了理想主义的新秀警官朴善宇（丁海寅 饰），导致案件的发展轨迹出现意想不到的转折。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：大宝（梁家仁 饰）和弟弟二宝（元彪 饰）孤苦无依，相依为命，彼此之间感情十分深厚。两人整日里游手好闲，不务正业，流连于赌场之中想要获取不义之财，却每每将少得可怜的家底输得一干二净。　　屡屡受人欺负，大宝和二宝产生了想要习武的念头，他们拜了在饭馆里偶然遇见的高手（刘家荣 饰）为师，开始了充满艰辛与汗水的习武之路。一次偶然之中，兄弟两人意外得知他们的师傅竟然是隐姓埋名的江洋大盗，师傅得知此事想要杀人灭口，二宝侥幸逃出，大宝却被师傅残忍杀害。悲愤交加的二宝想要替哥哥报仇，恰巧遇到了曾经有过一面之缘的乞丐（洪金宝 饰），哪只这乞丐的真实身份竟是江湖名捕，在他的调教之下，二宝的武艺突飞猛涨，最终手刃了仇人，报仇了雪恨。

简介：影片讲述了单亲妈妈纳韦尔女士因为儿子保罗被人设计而遭到威胁，被胁迫帮助窃贼盗取宝石的故事。最终纳韦尔女士急中生智，以假乱真，没有让盗贼得逞，而是自己带着真的宝石离开寻找新生活。

简介：报道明星花边新闻，记者迈卡（安尼·玛利克·布普克饰）总比乔尼（奥利弗·布兹饰）慢一ddd。两人分属于不同的报社公司。乔尼工作起来似乎比迈卡更轻松。终于有一天迈卡发现了她的同事向乔尼提供采访资料，于是，迈卡使乔尼所在的报社陷入了法律危机。但现在迈卡却爱上了乔尼，虽然她不知道自己的命运如何，但运气总会来的。最终，迈卡得到了“最佳记者”的奖项，而乔尼也成为了她工作的伙伴，或许有一天，会成为她生命的伴侣。

简介：这晚，纽约州又一名机场管理员巴克暴毙在停机坪上，尸体乾瘪瘪的被人完全抽干了所有的血。这一事件震撼了新闻界，因为先前在缅因州也发生了类似的命案，于是，“吸血鬼复活”的传言传遍了美国的大街小巷，一时人人惊慌。这晚，在马里兰州雷雨之夜，身穿漆黑大披风的夜行者再次驾驶飞机犯案，又两位无辜的市民度惨死在他手中，犯案情节竟和《吸血鬼瑞菲》的电影情节一模一样。报社主编莫里森（丹尼•莫纳汉 Dan Monahan 饰）让拥有飞机执照的资深记者理查德（米高•佛瑞 Miguel Ferrer  饰）越州对这一事件进行深入报导，到底还有多少人命丧恶魔之手？