413
8.0

欢迎来到索多玛

导演:
Christian Krönes,Florian Weigensamer
主演:
未知
别名:
未知
8.0
413人评分
英语
语言
2018-03-20
上映时间
92分钟
片长
简介:

每年有超过 25 万吨的电子垃圾被运往加纳,在几乎世界末日的条件下进行回收。在这里,成千上万的孩子和成年人在露天拆卸平板屏幕、电话和笔记本电脑,在人造的、无尽的垃圾景观中,而其他人则通过在明火上熔化旧电缆来提取铜。《欢迎来到所多玛》(这是电影中一首说唱歌曲的标题)将我们置于这个地方黑暗的中心。但正是工人们的声音带领我们绕过所多玛,并选择了词语——以及意想不到的表演姿势——来描述几乎无法描述的地狱般的条件。奥地利导演二人组 Florian Weigensamer 和 Christian Krönes 创作了一部黑暗而感性的电影,但其中几乎永恒的末日景象之后是对我们现在生活的时代的极其紧急的行动呼吁。在这个数字化发展的时代,我们的生活将越来越舒适和无忧无虑,而互联网的非物质幻觉却为西方所有电子垃圾的倾倒创造了死角。

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简介:Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.  This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.
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