亡命徒

简介：

萨曼莎和约翰·格雷的婚姻走到了十字路口。萨曼莎被认为是现代脱口秀电台的“亲爱的艾比”，也是一名心理学博士；萨曼莎对细节一丝不苟，主张沟通是所有成功婚姻的关键。她感觉到自己的生物钟在滴答作响，准备开始一个家庭——只要她能说服丈夫约翰就行了。

简介：

在奥利韦里奥的父母宣布离婚的那个晚上，他的父亲因动脉瘤死亡。13岁的他责备他的母亲，责备自己。所有的行为都失去了意义，一切都没有了目的。现实就是，砰的一下，你就死了。为了抗议，奥利韦里奥决定永远不再从躺椅上移开，生命的延续被他带到了池边。朋友和家人给他送来食物，试图说服他离开；他的父亲的双胞胎叔叔莱姆斯来看望他，他是唯一没有试图劝服他的成年人；他的同学玛丽安娜也来了，她起初很不情愿地帮助奥利韦里奥做功课。虚无主义、失落感和内疚感使他的心理治疗师母亲莉莉着了魔。莉莉的新男友使她把责任归咎于自己，但她的内疚感以蟑螂大灾的形式表现了出来。在奥利韦里奥对静止不动的强烈追求中，他学会了原谅自己。他开始理解他已故父亲的心情，并开始与母亲沟通。最后，奥利韦里奥也坠入爱河，将躺椅和泳池抛之脑后。

简介：

《最坏的女人》讲述的是每次面对不同的男人都会改变自己形象的女人的故事，在同一时期和三个不同的男人见面而引发的混乱爱情故事。《宝丽莱的使用方法》、《再近一点》的导演金钟观执导。韩艺璃饰演的女主角“恩熙”把生活过得像一场戏，在不同的男人面前演绎不一样的自己。曾出演《仲夏幻想曲》的日本演员岩瀬亮将饰演日本小说家亮平。李熙俊饰演的是经营一家咖啡店的纯情派离婚男“云哲”。权率则饰演在爱情面前就变的无比幼稚的新人演员贤伍。

简介：马耳他渔业日渐萧条，出身渔民世家的杰斯马克为了养活妻儿，不得不铤而走险尝试黑市捕鱼交易。影片极具现实主义风格，从马耳他本地渔民的视角出发，将对多种社会议题的探讨，巧妙地穿插在一个感人至深的家庭故事之中，呈现了地中海美丽风光背后的悲情真相。片中包括男主角在内的多个角色，均是由当地渔民出演，他们朴实无华的本色出演真实而自然。本片是第一部亮相圣丹斯电影节的马耳他电影，并最终荣获2021年圣丹斯电影节世界电影单元评审团特别奖。

简介：讲述她被美国联邦麻醉品管理局派卧底设局，黑人特工Jimmy Fletcher领导此行动，与荷莉戴展开了一场热烈的情事，展现她挣扎于药瘾、名声和让人心碎的爱情。

简介：

影片讲述了纽约警局警犬麦克斯（卢达克里斯 Ludacris 配音）与它的人类搭档FBI探员弗兰克（威尔·阿奈特 Will Arnett 饰）联手破案的惊险经历。本互不相识且性格迥异的一人一犬，因为一宗珍稀动物偷盗案被强行组队。随后更被派遣到拉斯维加斯参加全球知名犬展，通过卧底行动缉拿罪魁祸首。而此次行动对于“厌狗”的探员弗兰克和不修边幅的麦克斯，远比想象中的艰难…

简介：

简介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

简介：两个原互不相识的陌生人，但共同点就是他们在各自的生活都已是筋疲力竭。正当他们对自己的人生感到无望且束手无策之际，却在水象变幻莫测的密西根湖中心相遇了…。

简介：Whether the Weather is Fine, director Carlo Francisco Matanad (The Philippines). Production Cinematografica Films (The Philippines), Armi Rae Cacanindin. Feature film. Funding 30,000 €

简介：围绕巴西圣保罗最大的日本侨民社区展开，讲述了孤儿Akemi(Masumi饰)发现自己是黑道犯罪集团一半的继承人，她在与一个失忆的陌生人(莱斯·梅耶斯饰)结成联盟后，Akemi相信是一把古老的剑将他们两人的命运捆绑在一起，她向想要她死的另一半犯罪集团发动了战争。

简介：胖女孩贝卡在一所小学当音乐老师，热爱歌唱的她经常到酒吧献唱，也因此邂逅了一段美丽的爱情。男友亚当是酒吧老板，他刚刚向贝卡求了婚，贝卡将这个好消息告诉了家人，全家人都为他们感到高兴。对于婚礼贝卡和亚当都没有什么太多的要求，只是希望能够到个风景优美的地方度蜜月。但两个人收入有限，对于蜜月还需要精心计划一下。　　贝卡在试婚纱时巧遇中学同学利比，此刻利比正在为选美做准备。上学时利比总是嘲笑贝卡的身材，令她十分难堪。这一次相见利比更是对她冷嘲热讽，这让贝卡感到十分尴尬。为了打击利比的嚣张气焰，同时赢得夏威夷双人免费游，贝卡决定参加松鼠山小姐大赛。妈妈担心女儿受到伤害，全力阻止。但贝卡却十分自信，在其他家庭成员和好友的支持下，贝卡参加了比赛，并意外获得了第二名的好成绩。　　虽然没能获得去夏威夷旅行的机会，但贝卡对选美却一发不可收拾。利比为了让贝卡出丑，设计取消了松鼠山小姐第一名的比赛资格，名列第二的贝卡被选为参加更严格的一轮选美大赛。为了让自己看起来更漂亮，贝卡重新做了头发并购置了礼服。这让贝卡的妈妈和亚当都难以接受。在他们心中贝卡是个自信快乐的女孩，她从不会因为别人的眼光而改变自己，也正因为如此，才引起了亚当对她的关注。而这一次却不同了，贝卡从外表到内心都改变了，妈妈和亚当都不支持她再参加比赛。　　但贝卡心意已决，她要证明并不是只有瘦骨嶙峋的女孩才能赢得选美比赛，只要敢于面对生活，充满自信，谁都可以是最美的女孩。贝卡的妹妹雷切尔和外婆都十分支持她，没有工作的雷切尔充分发挥了自己在服装设计和裁剪方面的特长，为贝卡量身制作了参加比赛的服装。　　大赛开始了，和几十名佳丽同场竞技令贝卡十分兴奋。妈妈在外婆的劝说下也来到赛场为她助阵，这让贝卡感到一丝安慰。但亚当却始终没有出现，其实他依然关心贝卡的比赛，只是选择在酒吧观看现场直播。经过几轮的淘汰，贝卡、利比和几个女孩脱颖而出。最后一个环节前，贝卡找到利比，并告诉她在贝卡心中利比一直都是非常漂亮的女孩，只是自尊心促使自己从不肯承认。利比被贝卡感动，其实她早已厌倦母亲为她安排的这条选美之路，她希望能过自己的生活，两人冰释前嫌。　　比赛结果出来了，尽管贝卡得了第二名，但无论是对她自己还是家人这都是个非常满意的结局。贝卡终于证明了自己，她兴奋地跑到酒吧，将这个消息告诉亚当。而亚当则早已等候在那里，他知道自己深爱的那个自信、乐观、不畏艰难的女孩又回来了。