UFO Sweden（瑞典语版）

简介：

一群热心的年轻的医生、准医生组成了一支医疗队，深夜奔赴到一个疫症蔓延的村庄。这群年轻人落脚在当地的一座古旧城堡里，然而令他们没有想到的是，这里竟然有着比瘟疫更可怕的东西——流言。这里流传着幽灵出没的传说，传说一个黑色的幽灵经常在半夜出没，吃人肉、饮人血。这些年轻人当然不会将这个无稽之谈放在心上，特别是心理医生姜洪武（聂远 饰），他认为鬼神都是人类的心理幻想，然而，村民却一个一个的倒下了，就连这些医生们都有些人真的看到了“幽灵”。果真有个吃人的幽灵徘徊在村里？

简介：

被俘虏的人，面对即将到来的处决，五十个陌生人被迫选择一个值得生活的人。

简介：

80年代初期，一座现代化的大剧院在我国南方某省拔地而起，为订购大量的豪华灯具，筹建处决定向国内各生产厂家招标。最有竞争力的彩虹灯具公司和环球灯具公司同时决定投标。一场全面的竞争在他们之间展开。彩虹公司副经理肖原是个精明干练、勤于思考的企业家，为了夺标，他苦心钻研，设计出一张张新颖别致的图样，却因试制单位技术条件不具备等诸多原故，新产品一时未获成功。环球公司副经理兼销售部经理沈亚菲，是个衣着入时的女强人，经常出入各种社交场合。在招标会上，她出人意料地拿出与彩虹公司设计的一模一样的图纸，赢得筹建处的青睐，这使肖原百思不解。后来从实习的大学生乔萌萌那里得知，自己的竞争对手竟是昔日的情人。他们是在农场劳动期间相识并相爱的，那时她叫沈向红，后来彼此产生分歧分手了。

简介：导      演杨竞泽　　编      剧郭晨　　主      演李梦男、胡明、张大礼　　片      种故事片　　类      型儿童、战争　　出品单位中国关心下一代工作委员会、教育发展中心　　长      度100分钟　　出品年代2010　　剧情简介　　电影《红小鬼》讲述的是红军后代“红小鬼”曾百姓，一个机智灵敏的小男孩，在老百姓的乳汁养育下，在解放战争战火的洗礼中，在寻找父辈足迹的情感历程里，迅速成长起来的故事。　　该片运用独特的人物关系和亲情渲染，纯朴厚实的客家乡土气息，饶有趣味的少儿战斗情趣等戏剧元素，形象生动地宣扬苏区精神和红色青少年的英勇战斗精神，对于“优化青少年成长环境，创新青少年教育方式的宣传教育工作”，有重大的现实意义。

简介：

江行健（林志颖 饰）和江行康（郝邵文 饰）两兄弟的父母在一次交通事故中不幸遇难，孤苦伶仃的两人被爷爷（郎雄 饰）收养。爷爷是大企业的董事长，平日里总以一副威严的面孔示人，他对江行健的要求十分严格，希望他能够管好弟弟，做弟弟的好榜样。尽管江行健十分努力，但还是屡屡遭到爷爷的责骂，几经波折之后，爷爷和江行健之间的关系总算有了一丝温馨的味道。然而，一次偶然中，江行康无意将父母生前留下的唯一一盘录像带给洗掉了，这令江行健十分郁闷，不得不借酒消愁，恰好被爷爷撞破。爷爷打算将不成器的江行健送往寄宿学校，愤怒和失望之中，江行健爬上了一个高耸入云的大树。

简介：青春爱情喜剧电影《忠犬情缘》主要讲述了女孩韩梓萱因网游和养狗男孩欧阳俊杰相识、相恋，日后他们俩之间的情感变化，以及女孩对男孩的宠物‘酷吧’的爱恨交织，日久生情最终成为生活中的伴侣。剧中欧阳俊杰应邀伙同好友去探险将他的宠物‘酷吧’托付给韩梓萱后，不料欧阳俊杰意外身亡。为了让沉浸在悲痛中的韩梓萱和宠物‘酷吧’走出阴影，男孩程旭组织了一起网游的朋友们出海游玩，游玩过程中程旭向韩梓萱示爱却遭到‘酷吧’喜剧性的种种阻扰。途中，游船触礁翻船，‘酷吧’在救起韩梓萱后又重返海中救起了程旭，‘酷吧’疲惫之极却被浪卷入海中。程旭自责万分，含泪大哭向韩梓萱说出欧阳意外身亡的真相。　　影片通过一段现代青年的网恋爱情故事同时，也体现了狗与人类生活的情感故事。淋漓尽致的表现了：狗的心中只有主人，为了挽救主人可以牺牲自己的生命，这种精神值得人们崇敬，值得我们去爱护它们，珍惜它们的生命。通过这部影片更能说明了‘狗是人类最忠实的朋友’。

简介：

20 世纪 20 年代，希腊被土耳其人占领。整个国家陷入混乱，整个村庄被驱逐。电影的拍摄地是一个希腊村庄，这里每年都会上演一场耶稣受难剧。在大主教的主持下，镇上的领导们选择那些将在耶稣受难剧中扮演角色的人。一个口吃的牧羊人被选中扮演耶稣。镇上的屠夫（他想扮演耶稣）被选为犹大。镇上的妓女被选为抹大拉的玛利亚。其余的门徒也被选中。随着电影的展开，耶稣受难剧变成了现实。一群因战争而流离失所的贫困村民在牧师的带领下来到村庄。镇上较富裕的居民对这些人毫无兴趣，并策划了一场大屠杀。在 20 世纪 20 年代的背景下，每个角色都扮演着他们在圣经中的角色。

简介：

深入了解四名十四/十五岁高中毕业生的家庭学校历程。

简介：男子爱上了一个控制狂，热恋期他都甘心付出，直到另一个女生出现，他才知道原来爱情可以这么自由。男子在梦中许了一个“换女朋友”的愿望，而愿望居然成真了！这是幸福的开始？还是恐怖的到来？

简介：

一对刚订婚的情侣在小镇里分手，并发现当地人隐藏着一个百年之久的僵尸秘密。

简介：林伟栋得了癌病。他为了筹集供弟弟伟梁到外国攻读医科的学费，替私枭招应强抢劫了一批钻石。他得手后把真的藏起来，偷龙转凤将假的交给招，招发觉便把他枪杀了。　　为了找回钻石，招布下诡计，做成伟梁是杀人嫌疑犯，又安排他的日籍女部下和美救了他，将他藏起来及替他治理枪伤。在和美细心治疗下，伟梁痊愈了，他们亦建立了深厚情谊。　　伟梁好友警探郭少彬被派侦查此案，他和伟梁无意发现伟栋收藏钻石，和美把钻石抢去，招赶到逼伟梁交出，他们交不出，招正想杀他们，和美突然返回和招发生打斗，打斗中和美被招杀死，伟梁亦把招杀死。

简介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.