冲浪冒险电影

简介：1992年，中央电视台开办“电视书场”栏目，由汪文华主持，陆续播映了田连元、单田芳、刘兰芳、王林茂、袁阔成等评书大师的作品。 　　20世纪90年代，电视上出现了一股评书热，从地方台到中央台，很多频道都开播了电视评书类节目。央视的《电视书场》是其中的一个，虽然不是最早的评书节目，但有赖于央视的覆盖面，《电视书场》无疑是影响最广的一个。相信不少人至今能哼唱《电视书场》的片头曲——盘古开天地，地久天长，长话短说，谈古论今…… 　　CCTV-1每天中午12点35分，在播完《新闻三十分》后播出电视书场，每期20分钟。播过的评书包括： 　　田连元《杨家将》《水浒传》 　　刘兰芳《朱元璋演义》《岳飞传》 　　袁阔成《三国演义》《西楚霸王》 　　单田芳《封神演义》《曾国藩》《栾蒲包与丰泽园》《林则徐》 　　刘立福《聊斋志异—宫梦弼》 　　王林茂《罗汉擂》《双合印》 　　张少佐《豪气惊天》《杨家神枪》等...

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讲述一位冉冉升起但却问题重重的音乐家的最后时光。

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汤姆（大卫·休默 David Schwimmer 饰）的生活一团糟，失业半年还找不到工作，每天赖在家里混吃等死，是大家眼中的失败者。有一天，他突然接到一通陌生女子的电话，要求他为她已故的儿子抬棺。尽管汤姆对这个人一无所知，但他还是出席了葬礼。在葬礼上，汤姆才发现原来大家将他误认为另一位同名同姓的同学，包括一位他仰慕已久的美丽女孩茱莉（格温妮丝·帕特洛 Gwyneth Paltrow 饰）都对他另眼相看。汤姆开始利用这个误认的身份为所欲为，一切看来都很顺利。然而，他的人生是否真正改变了，以及这一切误会会导致什么后果呢？

简介：A producer decides to reopen a theater, that had been closed five years previously when one of the actors was murdered during a performance, by staging a production of the same play with the remaining members of the original cast.

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20世纪70年代初，契奇和钟声（Cheech & Chong）横空出世，在喜剧舞台上崭露头角。他们的作品融合了毒品、性和摇滚乐，使他们成为脱口秀偶像、反主流摇滚明星和好莱坞传奇人物。他们那玩世不恭的“瘾君子”式幽默，不仅带来了爆棚的笑料，也成就了爆满的演唱会、白金唱片和票房大卖的电影。契奇和钟声是如何点燃全球观众的想象力，并在50年（甚至更久）的流行文化中保持其影响力的？这部首部获得完整授权的契奇和钟声纪录片，将带您踏上一段辛酸而又爆笑的旅程，了解这对史上最伟大的喜剧搭档之一的生活和他们的伙伴关系。

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一队女童军在教练带领下准备前往英国伦敦拉练，六个队员Ann（柏安妮 饰）、May（罗美薇 饰）、Fanny（袁洁莹 饰）、阿珍（李丽珍 饰）、阿朱（罗明珠 饰）、阿玲（陈加玲 饰）性格各异、活泼好动，甫一上飞机，她们便捉弄同机的推销员王初一（黄百鸣 饰），令初一被教练认定为色狼。飞行半路故障失事，女童军和初一流落一座荒岛。八人解除误会后，在潜藏着大猩猩和各种怪异生物的岛上通力合作，将荒岛改造成一个小小乐园，不久，因阿珠受伤，他们结识了在战争年代就来岛上定居的老兵邓伯还有猩猩伙伴“靓仔”。邓伯透露在岛上的后山有一片毒贩种植的罂粟，如果想返回香港，就要趁毒贩来岛上的时候借用他们的船……

简介：尚导是小镇电视台的导演，看了一场老同学演即兴创作的演出，他想做个真人秀节eee。电视台领导正为收视率犯愁，小镇电视台观众少，资金少，更没有广告收入。尚导制作真人秀《全民大编剧》的创意得到了台长的认可，但台长有一个要求，收视率必须达标。为了达到收视率，小尚的节目虽遭受了各种风波，但收视率终于破2。但又一场网络暴力风波让节目再没有了人气，收视率也一塌糊涂，冠名商找上门来，要求退钱，尚导在多方的压力下，尚导决定铤而走险花钱买通收视率数据，然而最终不但损失了金钱，还触犯了法律，关进了监狱。两年后，尚导出狱，知道十九大以后，电视台不再盲目追求收视率，而是要制作真正有品质的节目，尚导重新燃起了创作的激情。

简介：Zaynab, a thirty-something Pakistani, Muslim, lesbian in Chicago takes care of her sweet and TV-obsessed mother. As Zaynab falls for Alma, a bold and very bright Mexican woman, she searches for her identity in life, love and wrestling.

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纽约长岛，1961 年夏天：青春期前的爱丽丝在街对面关注着 17 岁的谢丽尔和保龄球馆主里克的迷人爱情生活。爱丽丝帮助谢丽尔认识里克，两人的友谊也由此发展。

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十年前，田归农集结手下强将设局，引大侠苗人凤与胡一刀为抢夺宝藏而战，苗胡二人因此丧命。十年后，胡一刀之子胡斐摩厉以须，替父报仇。一场复仇之战拉开帷幕，一场“猎杀游戏”就此……

简介：Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.　　This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.

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