葬礼上的角斗

简介：逆转人类最黑暗的时刻！　　“必看佳片！令人心忧、触目惊心”——曼诺哈·达吉斯，《纽约时报》。　　“欢欣鼓舞……令人百看不厌。”——《洛杉矶时报》。　　“寻找改变世界的方法。”——《ELLE》。　　人类已经濒临绝境！扭转危机、阴止全球陷入生态灾难大爆发的最后时刻已经到来。影星莱昂纳多•迪卡普里奥作为出镜旁白和制片人，为全球观众呈现这部以环境保护为主题的影片，以刻不容缓且引人深思的画面内容展示了人类过往行为造成的恶果及其发展趋势，更重要的是，影片告知我们该如何改变这一切。　　本片邀请大批思想家参与访谈，包括政治家戈尔巴乔夫、科学家史蒂芬•霍金、持续性发展设计专家威廉•麦克多诺等数十人，这些智者的言论向我们提示了今时今日地球上所有生命所面临的严酷现状。洪水、火灾、飓风、冰山倾覆、不断增长的巨大垃圾山……所有的画面都令我们震惊，催促我们行动起来。我们会否采用令人振奋的新科技并改变自己的行为，以此拯救我们的地球？濒临绝境之际，为了我们下一代的将来，拯救这个独特蓝色星球的方法就在你眼前！

简介：胡八一、雪莉杨、王胖子三人受雇于林教授，加入到保护文物的队伍。在一次任务中，意外得到了关于雪莉杨父亲的线索，与罗布泊古城有关。胡八一知道父亲的失踪一直是雪莉杨的心结，决定与她一起探寻父亲的下落和罗布泊古城的秘密。于是三人组与林教授等人一起上路前往罗布泊，寻找罗布泊古城。一路上危机四伏，几经困难，终于寻找到了罗布泊古城，但更大的危机还在等待着他们。

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《最坏的女人》讲述的是每次面对不同的男人都会改变自己形象的女人的故事，在同一时期和三个不同的男人见面而引发的混乱爱情故事。《宝丽莱的使用方法》、《再近一点》的导演金钟观执导。韩艺璃饰演的女主角“恩熙”把生活过得像一场戏，在不同的男人面前演绎不一样的自己。曾出演《仲夏幻想曲》的日本演员岩瀬亮将饰演日本小说家亮平。李熙俊饰演的是经营一家咖啡店的纯情派离婚男“云哲”。权率则饰演在爱情面前就变的无比幼稚的新人演员贤伍。

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2012年1月13日，史上最大的客轮沉没事故——歌诗达协和号在意大利托斯卡纳海岸附近撞上暗礁。这艘半沉的邮轮曾是一座漂浮的游乐宫殿，载着超过4200名乘客和船员，但在随后的两年里，它却成了一个令人毛骨悚然的旅游景点……以及一颗生态定时炸弹。让我们重温邮轮上乘客拍摄的沉船之夜。然后，见证随后的艰巨工程挑战：来自24个国家的500名专家齐心协力，将这艘11.4万吨的邮轮从暗礁中打捞出来。

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　道奇城，这个地方在历史上被称为「美国最邪恶的小镇」，是流氓盗贼出没的是非之地，弗林饰演为小镇确立秩序的治安官韦德·哈顿

简介：因警方的一批枪械丢失，飞虎队简sir（冯淬帆 饰）被上峰怒批，并受命重新组建训练霸王花。简sir与吴长官（胡慧中 饰）的婚后生活如同经受特训，看着家中“霸王花之家”的牌匾每日心神不宁。简sir与忠诚手下阿南（楼南光 饰）将所有不顺迁怒于再度集合受训的五名霸王花，试图将她们全部淘汰来挽回飞虎队面子。岂料阿南反与Susana（叶子楣 饰）、May（惠英红 饰）、Amy（吴君如 饰）等五名队员勾结，摆了简sir一道。五名霸王花各有所长，终于从简sir的地狱训练中全部合格，开始执行卧底任务，今次霸王花将登山赌船，查探日本、台湾、马来西亚三地赌届高手挑战赌王一事的幕后真相……

简介：一名杀手在秘密地下组织中，在噩梦与现实之间来回穿梭。当她的最新任务是杀死一位悲伤的母亲时，她发现她的目标比她想象的更接近她的家。

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本片是周润发早期英雄片的代表作之一。一夜，一名警官在搜查红灯区时，却意外遭枪击身亡，警局高层意识到了这里潜藏着一班不寻常的匪徒。刘帮办联系上了警局一直部署在江湖的卧底，也是他的外甥――高秋(周润发 饰)，要他尽快打入这帮匪徒的内部，获知他们的犯罪计划。高秋化身作枪械贩子，和匪首南哥与他的手下阿虎（李修贤 饰）取得了联系。刘帮办恐自己的外甥出意外，派人暗中跟踪。不料歪打正着反而因为警方的派人跟踪令高秋顺利取得了匪帮的信任，南哥正式拉高秋一起加入他们的抢劫金铺的计划。在与阿虎的点滴接触中，高秋发现自己与他逐渐建立了兄弟情谊。一边是兄弟情谊，一边是社会公义，高秋将如何取舍?©豆瓣

简介：在一个破旧的乡下豪宅，住着Merrye家族的最后一代,由于近亲结合,Merrye 一家有着一种退化性疾病，导致他们从心理上年龄只有10岁或者更低，承受着身体与精神的双重诅咒。家庭司机精心的为他们掩盖真像。但是当贪婪的律师和远方亲戚发现这一切后...

简介：Two closeted actors on their way to their first high profile awards ceremony fight both expectation and each other, as intimacy and insecurity collide in the back seat of a car.

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一位标新立异、极具煽动性的心理治疗师采用对抗性的方法引导患者认清自己的真实情况。但当他无法帮助最困扰的患者时，情况开始恶化。

简介：This 1992 Japanese film tells the story of a scientist who sets out to create the new super Adam and Eve, humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects.　　comments from imdb　　This modern tale of an attempt to build a creature is one of the best horror films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films.　　This film was introduced to me by someone who told me I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it. Intrigued I asked what did he mean, and he said, Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage. My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away.　　The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking.　　I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever.　　15 out of 10 and then some. 1010　　Also known as The Last Frankenstein, this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy.　　And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy.　　The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic Freaks.　　Intelligent, emotional, tragic and real, this is an absolute gem. 910