闪亮三姐妹

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巴西农民网络占领了亚马逊雨林的保护区，一位年轻的土著领袖和他的导师必须反击，以保卫这片土地和生活在森林深处的原始部落。

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影片的女主角“圣女”是一个超级肥胖的女人，她试图成为“世界上最污秽”的人。她可以把在肉店偷来的肉塞进阴道，也可以把地上的狗屎放进嘴里吃掉。影片另外的主角是更加变态的马波尔夫妇，他们专门强迫被绑架的妇女受孕，再将刚出生的孩子贩卖挣钱。“圣女”跟这对夫妇展开了激烈的暴力冲突，最后“圣女”解放了那些被关押的妇女，并枪决了他们。影片中，随处可见人工受精、拉屎吃大便（演员所吃的大便是真实的）、鸡奸等一系列赤裸裸的镜头，所以，小心你的心脏和胃。　《粉红色的火烈鸟》号称有史以来最淫秽最恶心的电影，如果你口味太轻，请慎重。

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冷战时期，布鲁斯·班纳（艾瑞克·巴纳 Eric Bana 饰）的父亲是美军的一位科学家，致力于研究通过基因改造让人类获得超强的能力，想以此为美军打造超级士兵。可是他的项目没有获得美军的支持，不能进行人体试验，疯狂的父亲为了完成试验就在刚出生的班纳身上进行基因试验。多年后，班纳成为了出色的科学家，专职为军方开发新型的高能炸弹。在一次例行的试验中，由于操作失误，班纳为了保护同事，受到了一场伽马射线的强力辐射。常人如果在这场射线爆炸下肯定必死无疑，可是班纳却活了下来。多年前，父亲在其身上做的试验也因这场核辐射生效。一旦班纳发怒时，就会诱发身体里的神秘力量，变为毫无意识的绿巨人，拥有超强的破坏力和反抗意识。因此，美国军方为了深入研究，开始围追堵截绿巨人……

简介：姚嘉伟（品冠 饰）和热衷于工作的陶晓琪（曾永醍 饰）是一对十分恩爱的情侣。晓琪为了工作极其投入，而且接下来即将调到纽约工作在精心筹备了求婚仪式后，两个人结伴前往马来西亚享受甜蜜的假期，这里正是他们当初相遇的地方。南国的天气说变就变，瓢泼大雨突然而至，此时夜幕降临，两人在路上搭载了受困的神秘美女美妍（韩宝凛 饰）。美妍有着宛如天人般的绝美容颜，但是她的周身又散发着极其阴冷的气息。他们的旅途仍在继续，旅途中接二连三发生意外状况。　　拥有悲惨过去的美妍，即将引领这对热恋中的男女走入恐怖的腥风血雨之中……

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《大自然的女王》以世界各地的母系氏族和女性领袖为主角，讲述了一个关于牺牲和坚韧的故事，同时也是一个关于友谊和爱的故事。这些女王并不总是和蔼可亲或温文尔雅，她们为了家庭的成功和安全不惜一切代价。在奥斯卡金像奖终身成就奖得主安吉拉·贝塞特铿锵有力的旁白引导下，《大自然的女王》首次以女性视角聚焦自然世界。制作历时四年，由来自世界各地的女性领导的制作团队掌镜。

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1960年2月，在山西省平陆县，数万名民工为支援三门峡建设工程，正在热火朝天地修筑风南公路。县委书记郝世山正在组织召开县委扩大会。突然，县公安局燕局长向郝书记汇报：风南公路第三连有6l位民工发生食物中毒，情况很危险。郝书记立即宣布休会赶赴现场。郝书记一面亲自领导抢救，一面派公安局燕局长调查案情。医院的医护人员全力投入抢救，经过会诊和化验的结果，证明是砒霜中毒，因民工中毒太深，非用特效药“二巯基丙醇”不可。当得知三门峡市药店有这种药时，郝书记立即派两名司药员火速前去寻找。可那里只有20支，离所需的1000支相差甚远。郝书记一边给省委陶书记打电话求援，一边派人四处寻找。虽然找到一些，但数量很少，而且因路途较远，救不了急，61条生命危在旦夕。消息终于传到北京，中央和毛主席都很关心。卫生部积极组织人力，从药品商店、药品仓库寻找此药，当药品准备齐后，卫生部药政...

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简介：月黑风高的夜晚，戚近荣（张国荣饰）独自行驶在路上，电台里播放着鬼故事，这时车子突然驶离轨道，戚停下车检查，等他再次上车后蓦地发现后座竟多了个清纯的白衣女子（钟楚红饰）！　　下车后，白衣女子突然主动向惊魂未定的戚近荣献上热吻，待戚带其去舞厅后伊人却随即失去了踪影。经此一见， 戚像失了魂般心中全是佳人的影子，并在第二天回到旧地寻找。不料找到的却是一座坟冢。　　尽管朋友们都说戚是大白天撞鬼，戚还是对白衣女子念念不忘，他在街上苦候数日，终于发现了她的踪影，而此时她的身份是亿万富翁曹三（黄锦燊饰）的情人？戚决定不论人鬼，都要对女郎展开不舍不弃的追求……

简介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

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Davis plays a woman at rock bottom who must find her way across Los Angeles in order to crash her ex-boyfriend’s engagement party.