他们

简介：南侠展昭（林炜 饰）获封“御猫”，五鼠之锦毛鼠白玉堂（李志希 饰）内心不服，潜入皇宫向展昭挑战，结果虽中伏仍全身而退。皇帝有感白玉堂武功高强气概过人，赦免其罪，包拯有心收复五鼠，令他们为朝廷效力，遂派遣展昭远赴陷空岛拜访。另一方面，回到陷空岛的白玉堂被四个义兄：飞天鼠卢方、彻地鼠韩彰（郑浩南 饰）、穿山鼠徐庆（方中信 饰）、翻江鼠蒋平捉弄，又被女剑客丁月华反唇相讥，遂有志行侠于天下，远赴东京。展昭一路跟随白玉堂潜入庞太师府，助其大闹太师府。庞太师权欲熏心，派出手下延揽五鼠意欲收为己用。卢方等四鼠有感包拯与展昭义薄云天，表示归顺，唯独白玉堂倔强，偷走尚方宝剑而不肯就范……

简介：都灵裹尸布，狮身人面像，黄金国，文兰地图，耶稣的妻子五集

简介：

前所未见的大堡礁海洋生物、海景和动物行为的水下镜头。

简介：PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.　　We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.　　PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,

简介：一个自私自恋狂和他囊中羞涩的挚友雇佣了一名腐败的公证人来欺骗他疏远的兄弟。公证人在一场意外事故中死亡后，他们精心策划的计划就失败了。

简介：陨石撞击地球引发海底火山喷发，江边小镇随时有被海水倒灌的风险，人们纷纷逃离。念念在临行前一天，决定跟儿时好友告别，却意外跟小镇上的人们相遇，这座城市在记忆里的样子渐渐清晰起来。

简介：影片改编自天空小说，该片是梁无相首部时装片。刁蛮千金廖莉莉和露露姐妹登报招考丈夫，却未能找到合适佳婿。两人都仰慕歌王萧月白，于是设计令父亲廖伯乐带全家到香港，以制造机会认识他。萧月白本与黄太太有私情

简介：

亚当一直是粉丝们的最爱，他们感到欣慰，因为他们将永远享受快乐时光。了解这位迷人的演员、喜剧演员、编剧、制片人、丈夫、父亲和永远的搞笑男人的内幕故事。

简介：恶毒的不动产从业者吴某因为再开发事业而急匆匆地在山路上驾驶，中途遭遇事故，被山中一偏僻住所的张某所救，张某一家的亲切和善背后似乎藏着什么不为人知的秘密，当吴某得知自己过去的恶行与张某一家的关系时，生命受到威胁…

简介：

讲述的是皇后生了个肉球，皇帝认为是妖孽，命人将其丢弃。但是好人的宰相把肉球把到河里，还把玉配放在襁褓里，希望有人她福大命大。肉球被7个受巫师诅咒的将军（也就是小矮人）无意中拣到，剖开后是个女婴……临国王子迷失在森林，遇到了长大了的女孩，他们一见钟情……两个巫师控制了该国的一切，也从水晶球里得知了女孩就是当年被丢弃的公主，夏洛巫师抓走了公主，王子在小仙女的帮助下踏上寻找消灭巫师宝剑的路……

简介：三名劫匪计划周的去抢劫银行，其中一名化妆成小丑，在银行即将打烊之际潜入，并持枪劫持十多名人质，闻讯赶到的警方，将银行层层包围，试图与劫匪谈判，释放人质，而一阵忙乱之际，劫匪小丑竟离奇消失，甚至挟走

简介：From the creators of TWO WITCHES… a blend of elements from the hellbound genre with that of the slasher one to forge a fresh innovative concept in shock and increase the sensory impact. Employing multiple first-person point-of-view shots to immerse the audience in traumatic childhood experiences, the question is, why is little Mikey terrified of his mother Maybe it’s because o...