767
7.0

魔女韵事

导演:
José Miguel Juárez
主演:
未知
别名:
未知
7.0
767人评分
西班牙语
语言
2003-01-17
上映时间
102分钟
片长
简介:

1980年在圣胡安,阿里斯特尔/希龙萨(Arístel & Gironza)联合公司的副老总米格尔·希龙萨Miguel Gironza(何塞·桑乔饰)用爆炸的方式除掉了他的合作伙伴阿里斯特尔,恰巧让一对老夫妇做了他实施罪案的见证人。阿里斯特尔的葬礼上,老夫妻告诉他梦想定会成真但必有报应,他将在未来可能用天价来为此买单。22年后。信使塞拉芬Serafin(安东尼奥·奥特拉诺饰)生性腼腆,除了送信,平日独自一人过活,并无其它特长,爱情对他来说可谓望而生畏,因为他患有严重的心脏疾病,做爱所需的气力几乎可以让他送命。然而,塞拉芬偏偏讨美女的喜欢,漂亮的美眉阿苏塞娜Azucena(莉迪娅·圣何塞饰)的激情又使他无法抗拒,结果阿苏塞娜的一次主动上位引起他的心脏病复发造成窒息,在鬼门关走了一遭。从此,他开始恐惧性爱。可是,美丽性感的玛丽亚Maria(曼努埃拉·阿库里饰)也喜欢上了他,尽管一再刻意与其疏远,但他又始终无法拒绝他的梦中情人的这份感情,而他并不知道,玛丽亚正是通过他作为信使的工作之便,实施一项计划——让希龙萨倾家荡产、走投无路而自掘坟墓...

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简介:The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.  Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.  The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.  In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.  On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.  Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.  The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
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