392
4.0

寻找阿尔塔米拉

导演:
休·赫德森
主演:
安东尼奥·班德拉斯,克雷蒙·史鲍尼,鲁伯特·艾弗雷特,Javivi,伊琳娜·埃斯柯拉,皮埃尔·尼内,尼古拉斯·法雷尔,Allegra,Allen,路易斯·索勒,Tábata,Cerezo
别名:
未知
4.0
392人评分
未知
语言
2016-04-01
上映时间
未知
片长
简介:
影片讲述了世界遗产阿尔塔米拉洞窟被发现的故bbb。
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欧洲的某个地方
693
1.0
已完结
欧洲的某个地方
1.0
更新时间:04月18日
主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
简介:Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
293
1948
欧洲的某个地方
主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
瞒天过海:美人计
559
10.0
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瞒天过海:美人计
10.0
更新时间:04月18日
主演:桑德拉·布洛克,凯特·布兰切特,安妮·海瑟薇,海伦娜·伯翰·卡特,蕾哈娜,莎拉·保罗森,敏迪·卡灵,奥卡菲娜,詹姆斯·柯登,理查德·阿米蒂奇,格里芬·邓恩,迪德尔·古德温,丹尼埃拉·拉贝尼,埃利奥特·古尔德,夏洛特·柯克,达科塔·范宁,理查德·罗比查乌克斯,达米安·杨,戈登·格里克,凯特琳·梅纳,詹姆斯·比贝里,香农·弗雷尔,康纳尔·多诺万,凯文·布朗,马尔洛·托马斯,丹娜·爱薇,玛丽·路易丝·威尔逊,伊丽莎白·阿什利,凯蒂·霍尔姆斯,肯多尔·詹娜,凯莉·詹娜,金·卡戴珊
简介:桑德拉·布洛克饰演的Debbie Ocean是《十一罗汉》集团头目乔治·克鲁尼饰演的Danny Ocean的妹妹,曾因盗窃入狱服刑。而黛比刚一出狱就策划惊天大案,与凯特·布兰切特饰演的好友一起网罗顶尖高手,准备在一年一度的时尚盛会Met Gala(纽约大都会艺术博物馆慈善舞会)上盗取由安妮·海瑟薇饰演的大明星所佩戴,价值一亿五千万美金的卡地亚钻石项链。
9440
2018
瞒天过海:美人计
主演:桑德拉·布洛克,凯特·布兰切特,安妮·海瑟薇,海伦娜·伯翰·卡特,蕾哈娜,莎拉·保罗森,敏迪·卡灵,奥卡菲娜,詹姆斯·柯登,理查德·阿米蒂奇,格里芬·邓恩,迪德尔·古德温,丹尼埃拉·拉贝尼,埃利奥特·古尔德,夏洛特·柯克,达科塔·范宁,理查德·罗比查乌克斯,达米安·杨,戈登·格里克,凯特琳·梅纳,詹姆斯·比贝里,香农·弗雷尔,康纳尔·多诺万,凯文·布朗,马尔洛·托马斯,丹娜·爱薇,玛丽·路易丝·威尔逊,伊丽莎白·阿什利,凯蒂·霍尔姆斯,肯多尔·詹娜,凯莉·詹娜,金·卡戴珊
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