青春之杀人者

简介：巴黎戴高乐机场的意外滞留，让商人盖瑞（乔希·查尔斯饰演）重新审视自己匆忙奔波的生活，顿生厌倦逃离之意。同样想挣脱现实樊笼的还有宾馆清洁女工奥黛丽（阿奈斯·德穆斯捷饰演），机械重复的乏味工作让她度日如年。直到有一天，她发现自己果真肋生两翼，幻化成自由的飞鸟......

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：强迫性的心理学家试图让她的潜意识,但当她的行为变得越来越不寻常的她担心她实验是危险的失控。

简介：成功人士王大河遭人陷害，失去一切。在低迷时，王大河意外遇到了灵魂改命人。他为了弥补年少的遗憾，多次喝下后悔药，重走人生……

简介：大聪是一个看起来很不靠谱的地陪导游，一天接待了年轻貌美的青年女画家童彤。童彤按照男友天明邮寄来的日记信息来到西双版纳。日记中男友告诉她，两人要在西双版纳玩一次互不见面的爱情追逐游戏，童彤如果按照日记里的计划，顺利完成了这次游戏，就可以将二人的爱情修成正果。大聪开始以为这不过是男女恋人之间的玩笑而已，谁成想童彤玩的格外认真，一路上二人按图索骥，历尽艰辛，又乌龙不断，一步步完成了礼堂寻画、医院惊魂、酒店探秘、咖啡馆寻亲等一系列任务后，终于来到了日记里任务的终点，却发现天明已经深埋墓地之下。童彤伤心欲绝，悲愤求死

简介：主人公黎明和雅楠就像我们身边的大部分年轻人一样，在走进社会，面对工作抉择和生活情感的压力，渐渐丢掉了自己梦想，迷失了生活的方向，缺少了爱的勇气。黎明有对漫画的热爱，但却迫于现实的压力不得不做着自己反感的工作。雅楠乐观正义，却受到父母婚姻的影响，在感情中缺乏安全感的她却不断给生活失意的黎明勇气，让他坚持梦想。二人在相处的过程中彼此建立了信任，情感也随之逐渐发生了变化，彼此从中也都获得了成长。

简介：1941年秋，占据安西的军阀尕司令预感自己即兵败，在星星峡抢劫了大批运往内地的新疆各界民众募捐的抗日物资，幸在鲜为人知的红草滩，以备东山再起。伤痕累累的尕司令逃脱了追匪化装成迷路的商客，被荒墩爷收留。渐渐养好伤后，他来到红草滩准备挖出埋藏在这里的财物时，却发现早已被荒墩爷挖走，顿时凶相毕露与荒墩爷展开博斗，最终尕司令被打死。哈娃子和沙红按荒墩爷的遗嘱将财物送到了设在迪化的八路军驻新疆办事处，粉碎了军阀司令东山再起的阴谋。

简介：当兵复员回村、刚当选村委主任的韦树球请假两个月外出，却近半年未归，这在流河村引起很大风波。莫家富带领一些村民到村委会闹，要求罢免韦树球村主任一职。暗恋韦树球的兰丽香出面阻止，与莫家富等人发生争执，一气之下，与赖狗头、毛小牛偷了莫家的鸡进行报复。双方矛盾加深。韦树球突然回村，平息了风波。韦树球回村后，提出种桑养蚕、发家致富的构想，得到了村委会的支持。兰丽香为了在韦树球面前表现一番，主动带领赖狗头、毛小牛等青年积极配合他的工作。而韦树球爱恋的却是村妇女主任梁子玲。但为了种桑养蚕工作顺利开展，　　他经常与兰丽香商量工作，使梁子玲产生不满。而赖狗头却暗恋兰丽香，看到兰丽香爱慕的是韦树球，心里很是苦恼。流河村种桑养蚕取得成功，村民们从中获利。流河村成立了蚕业股份制公司，但韦树球、兰丽香、赖狗头、梁子玲4人的感情纠葛还一直延续下去……

简介：出租汽车司机张北京（葛优 饰）因为不够成功，事事不顺。甚至精心准备在儿子（吴磊 饰）婚礼上的发言也被后爹（贾冰 饰）取代。　　满腔怨气的他借题发挥，与单亲母亲小琴（李雪琴 饰）发生争执，谁知自己出气的样子被路人拍成视频，传遍网络且意外走红。　　突如其来的关注度让张北京收获了自己之前想要的一切。然而在体验了一番荒诞的名利沉浮后，张北京最终还是悟到了烟火人间的暖心真情才是自己真正的需要。

简介：应府是武将出身，将军应震天是当地有名的人物，杀人不眨眼，被外界描述成“恶魔”，书南是被震天抢来的新娘，是七姨太。书南在应家看到的是一个严厉的婆婆，一个妖娆的二姨太冰绿，一个疯了的六姨太向真，还有带枪的卫兵，一切都是循规蹈矩的。在这里发生了很多故事。　　震天对战争中的俘虏要全部杀死，书南求情不成，却认识了当日代将军娶新的肖副官。震天与对手彭将军谈判，以打枪为赌，条件是释放俘虏。他让书南上场，书南自然是输了，于是，俘虏被放了，在回到家的一瞬间，书南明白了，震天是故意让她打，然后顺其自然的释放了那些俘虏，书南的心有些融化了。 疯了的向真是书南唯一的朋友，但是向真病了，婆婆怕医院影响应家的声誉禁止到医院看病，书南苦苦哀求但无济于事，无奈之下她闯进会议室请求震天救向真，震天打了她一耳光，婆婆无意推倒了她，昏迷中，向真死了，书南感到绝望，她拒绝吃饭拒绝吃药，是震天用他不温柔的手将她拉了回来。而肖副官也表现出了对她的爱慕。 书南是一个聪明但不愿被束缚的媳妇，对应家一切充满好奇，还有好多事情她不明白，为什么这么多姨太太忽然间就不见人了呢？为什么应家一个院子禁止任何人进入呢？为什么将军娶了她们却不碰她们呢？太多的为什么促使她闯进了被人们视为禁地的房间，她看到的是一个布置典雅的房子，女人的饰品衣服，震天的衣服，还有挂在墙上的女子照片，她叫顾曼容，是震天的第一个妻子。　　从婆婆口中，她了解了事情的原委。那时的震天与曼容，夫妻恩爱，感情很好，但震天的父亲担心儿子因为儿女情长而耽误事业，于是发生了争执，争执中震天的父亲杀死了曼容，自此震天性情大变，将所有的愤怒仇恨渲泄在战场上，成了人们害怕的杀人魔王。精品站整理。母亲为安抚儿子，不停地为他纳亲娶妾，但震天从不动心。此时的书南因为了解了事情的起因而又燃起了对震天的柔情。 彭将军重新发动了战争，震天的部下对震天释放俘虏的作法不满，产生了争执，而此时的肖副官也露出了真面目，他是彭将军的义子，是卧底，他给书南一包药，让她毒死震天后与他远走高飞，书南不知道怎么办，而这一切都被震天看在眼里。震天命人将肖副官抓了起来，假意喝茶，从而试探书南的诚意，这些激怒了书南，她毅然喝下自己泡的茶以示自己的清白。彭将军派人救走了肖副官，肖放不下书南，要带她走，书南不走，无奈被挟持到花园中，震天带人围住，肖为了自己的安全，将枪口对准了书南的头，震天为了救书南用匕首刺向自己腹部，肖等人匆匆离去。震撼中书南感动于震天的一片真心，夜晚的探望让彼此看到了对方的真心。　　伤还没有痊愈的震天带着书南来到城外，树起的几座坟墓前站着一个人，竟然是向真，向真告诉书南，她没有疯，也没有死，这都是震天为了救她而想的计策，震天阻止不了母亲为他娶亲，又不想害这些姑娘，于是他就采用这样的计策让她们开始新的生活，书南再一次被震惊了，她想不到看似凶狠的将军竟然这样的柔情似水，这样的为他人着想。她想象着两个幸福生活的开始，然而战争再次发生，将军手下的人策反，冰绿为了保护将军而牺牲，一个爱他崇拜他的女子用生命诠释了自己的爱情，虽然活着没有得到将军的宠幸，但却带着笑容死在心爱的人的怀中。 外出作战的将军遇到埋伏，不知下落，书南不顾危险前去寻找，一声声呼唤让昏迷的将军醒来，不远处的肖副官举起了枪，但枪声响起，倒下的是他自己，他用了结自己的生命成全了书南和震天的爱情。

简介：影片《孤胆拯救》是一部动作枪战题材为主的电影，讲述了男主跨国营救儿子的故事，情节跌宕起伏，紧张曲折。影片将通过凌厉快速的镜头语言展现惊心动魄的营救场面。

简介：故事从3名小区保安夜晚巡逻时突遇楼道滴血进而发现灵异事件展开。影片以林紫凝、林勇（龙馨悦 饰）为这对双胎姐妹为主线，林紫凝因受他人设套被偷拍不雅视频并传到网上，在极度崩溃下选择了自杀。东海市公安局刑警支队重案队队长陶明（梁辰羽 饰）查阅了案发现场资料后断定，这起案件的背后肯定隐藏着惊天秘密。林勇为 得知姐姐死讯后，火速赶到东海市，老同学陶明赶到火车站接站，并转交了其姐姐林紫凝的遗物，林勇为深知姐姐性格刚烈，坚定姐姐是被人陷害，并暗自下定决心要亲自查个水落石出，是苍蝇还是老虎，是真的有鬼还是人为作怪……