失宠于上帝的孩子们
4.0 |09月03日 |片长119分钟 |正片 |共1集
简介:

故事发生在基特里奇总督学校中,詹姆斯(威廉·赫特 William Hurt 饰)是在这里任教的教师。凭借着自己特立独行的教学手段,詹姆斯很快就获得了学生的好感和同事的信任,对于在这里的平静生活,詹姆斯本人亦十分满意。萨拉(玛丽·玛特琳 Marlee Matlin 饰)曾经是这所学校的学生,毕业后,她几经辗转,回到了此地当起了清洁工。因为生理的残疾,萨拉个性孤僻,但这反而吸引了詹姆斯的注意,他主动接近莉兹,希望莉兹能够重拾自信继续学习深造。随着时间的推移,莉兹对于詹姆斯的态度从一开始的及其抗拒转而变成了略有好感,她的性格开始慢慢转变,和詹姆斯的距离也原来越近。可就在这时,新的问题又出现了。 

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简介:

繁华的广州街头,常能看见刚仔骑着摩托车、肩负照相机的身影。他爱好摄影,常常拿着相机在人群中穿梭寻找美的画面。自从在镜头里瞥见清纯的浙江补鞋妹林霞,刚仔被深深吸引,他把自己和朋友家里的旧鞋都搜罗到林霞的鞋摊上,以求接近她。林霞戒心重重,除了做活,从不理睬刚仔。刚仔毫不在意,有机会就去看她,争着帮她付饭钱,请她参加伙伴们的废墟狂欢。忧心忡忡的林霞是从乡下逃婚出来的,对都市里的一切充满着好奇,但仍一直很本分地守着补鞋摊。刚仔的出现,使她似乎找到了某种依靠,尽管朋友们不大赞成刚仔与林霞相恋,他还是由衷地喜欢她。两人的感情渐渐交融,刚仔连在体育馆画广告时也忍不住抽空打电话给林霞。林霞忽然接到家里来信,情绪一落千丈,不肯接听刚仔打来的电话。刚仔的朋友肥仔佯称刚仔摔伤,才把林霞骗去看望刚仔。无精打采的刚仔看见着意装扮、光彩照人的林霞出现在门口,眼中顿现柔情。他领着林霞来到咖啡店,刚仔悉心地给林霞的杯子里加糖,而林霞却表示要与他分手。一次意外的事故,使两人重新走在一起。废墟堆上,一对恋人拥在一起。林霞要走了,两人互吐心扉,刚仔要留住林霞,林霞却屈从于“命运的安排”,回老家换亲。晚霞映照的高楼平台上,刚仔的妹妹和同学们正在聚会,他们有自己的生活乐趣和追求,他们属于未来的世界。刚仔伏在护栏上,漠然注视着欢呼、雀跃的孩子们,眼中流露出掩饰不住的困惑与期待……

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简介:Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.  This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.
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