尘埃2018

尘埃2018

HD国语版

3.0 |04月17日 |已完结
简介:
戴着厚厚眼镜的李琳,毕业后跟随男友郑志远来到了北京,两个人租了个小房子,面对生活的压力,郑志远经常性的加班工作,对李琳的态度也慢慢开始有了转变,还没找到工作的李琳,内心是又烦又怕,直到李琳的同学王小娴的出现,彻底打破了两个人的生活,得知王小娴在做金融行业,李琳羡慕不已,王小娴带着李琳喝咖啡,逛街等这些她男友从未带他做过的事情,一点一点的享受着满足感,同样纠结徘徊在男友郑志远和王小娴之间,直到有一天,因为一个口红跟男友大吵了一架,李琳决定要改变现状,重新审视自己,但是面对王小娴,心里一直有所顾虑,在她准备要彻底走向王小娴的时候,郑志远生活上的改变却让她在这个人流攒动的城市中,再次得到一丝的温暖.
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简介:《士兵的荣耀》是由上海腾讯企鹅影视文化传播有限公司、深圳市腾讯计算机系统有限公司、浙江思成影业有限公司出品的军旅题材献礼片,该片发行方是重庆铂凌影视传媒有限公司,由80后导演胥明文执导,黄奕,周浩东,黄一飞,何文辉等主演。于2019年10月1日腾讯视频独家上线。  剧情简介  公安边防支队侦查大队特勤排排长秦胜男在一次处突行动中,因违抗上级命令导致自己重伤,被撤消职务,作老兵退伍处理。临别前,支队长勉励她:有缺点的战士终归是战士,完美的苍蝇毕竟是苍蝇。并嘱咐,让她永远记住这句话。  退伍的胜男,拖着假肢在工地干活,偶遇曾到体院招兵的海军陆战队副连长马远征,两人在不知不觉中被搅进了和前男友钱鑫有关的一场暴恐分子偷运武器的战争当中,却发现当初胜男的撤销职务只是一个蒙蔽敌人的手段。于是,一场智与力的战斗在士兵与暴恐分子之间展开......  角色介绍  黄奕饰演秦胜男,公安边防支队侦查大队排长,汶川地震中失去双亲,后被武警救出,体院毕业后特招入伍。体院自由搏击冠军,狙击手。  刘超饰演马远征,前海军陆战队连长。到体院特招秦胜男时一见倾心,转业途中获悉胜男被“撤消干部职务,作士兵退伍处理”,南下寻找胜男。  刘述饰演钱鑫,秦胜男大学同学,富二代。暗中资助秦胜男赢得芳心,因其严重的拜金主义,加之胜男入伍后一再推迟婚期,两人最终分手,后战死。  马仑饰演黄兵,钱鑫舅舅,玉石商人,参加过对越作战,受蒙蔽协助暴恐分子偷运武器入境,幡然省悟后被杀害。  宋禹饰演林队,前连防指挥学校教官,后为边防支队侦查大队副大队长。曾到体院招收特长生,秦胜男的直接领导。  柯志凌饰演卡尔,西突暴恐分子,其组织曾策划实施昆明“3.01”暴恐事件,后在偷运武器入境,欲在湄公河沿岸五国首脑会议期间制造恐怖事件被击毙。
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士兵的荣耀
主演:黄奕,刘超,何文辉,黄一飞,宋禹,周浩东
悍妻理论
910
2.0
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悍妻理论
2.0
更新时间:04月17日
主演:吉里·巴托斯卡,艾丽斯卡·巴尔泽罗瓦,塔蒂亚娜·维尔赫莫娃,吉里·哈夫尔卡,贾科布·科哈克,帕芙拉·贝雷托娃,伊娃·简祖罗娃,安娜·希特尼科娃,露西娅·希珀索娃,阿诺斯特·戈尔德弗拉姆,扬·诺沃特尼,克拉拉·梅丽斯科娃,奥德·帕夫尔卡,伊娃·萨尔兹马诺娃,加罗米尔·杜拉瓦,苏珊娜·斯拉维科娃,奥德·马利
简介:年迈的兽医扬先生试图为自己牢笼般的婚姻找寻一条合适的出路,而他岳父的死亡成为压死骆驼的最后一根稻草。他岳父曾和他一样同婚姻做斗争。他岳母现在成了一名寡妇,但仍然主宰着一切事务。扬先生的妻子奥尔加也坚信是她主宰着他们二人的幸福,因此扬先生越来越怕自己步岳父的后尘。他不断用越发奇怪的方式去释放自己,甚至选择去进行一场荒谬又不自在的冒险,最终他发现即使实现了理想中的自由,但一切并没有那么简单。
1226
2016
悍妻理论
主演:吉里·巴托斯卡,艾丽斯卡·巴尔泽罗瓦,塔蒂亚娜·维尔赫莫娃,吉里·哈夫尔卡,贾科布·科哈克,帕芙拉·贝雷托娃,伊娃·简祖罗娃,安娜·希特尼科娃,露西娅·希珀索娃,阿诺斯特·戈尔德弗拉姆,扬·诺沃特尼,克拉拉·梅丽斯科娃,奥德·帕夫尔卡,伊娃·萨尔兹马诺娃,加罗米尔·杜拉瓦,苏珊娜·斯拉维科娃,奥德·马利
荣耀六十年
206
9.0
已完结
荣耀六十年
9.0
更新时间:04月17日
主演:Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla
简介:Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.  The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).  The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.  The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.  Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.  Roger Philip Mellor
4761
1938
荣耀六十年
主演:Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla
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