博比成长记

简介：维罗尼卡和鲁克接到了任务他们要把尤尼索尔的计划公布于众并且粉碎曼多尔数亿美金的阴谋。邪恶的沃克博士为了摧毁维罗尼卡和鲁克特别研制了尤尼索尔GR87。

简介：大聪是一个看起来很不靠谱的地陪导游，一天接待了年轻貌美的青年女画家童彤。童彤按照男友天明邮寄来的日记信息来到西双版纳。日记中男友告诉她，两人要在西双版纳玩一次互不见面的爱情追逐游戏，童彤如果按照日记里的计划，顺利完成了这次游戏，就可以将二人的爱情修成正果。大聪开始以为这不过是男女恋人之间的玩笑而已，谁成想童彤玩的格外认真，一路上二人按图索骥，历尽艰辛，又乌龙不断，一步步完成了礼堂寻画、医院惊魂、酒店探秘、咖啡馆寻亲等一系列任务后，终于来到了日记里任务的终点，却发现天明已经深埋墓地之下。童彤伤心欲绝，悲愤求死

简介：相传，流传千年的古医秘针“鬼门十三针”正可救人于鬼门，邪可控人于傀儡，人人皆想得之，奈何它早已匿于江湖，无迹可寻。当世人逐渐遗忘“鬼门十三针”之时，一起诡异莫测的连环杀人案却牵扯出“鬼门十三针”，以及藏于它身后的鬼门秘派，案情愈发扑朔迷离。与此同时，曾因谋害恩师被逐出鬼门的宋敬之在调查连环杀人案时，莫名成为连环杀人案的凶手。面对种种铁证，宋敬之与幕后凶手展开了一场关乎生死和救赎的正义之战。危机时刻，一位毁容老妇认下所有罪名，螳螂捕蝉黄雀在后，亦真亦假，究竟谁才是真正的凶手？

简介：咸鱼式的小人物罗恒（王宁 饰），跨越千年，历经15种身份，遭遇痛苦、诋毁、惊悚、欺骗、背叛以及温暖和爱，七样不同类型的人生滋味，只为追求梦想的故事。

简介：音乐才子西蒙为寻找母亲年轻时的恋人，随中国朋友建文一同来到中国。认为西蒙是自己的真命天子的多拉，在讨好未来的姐姐、婆婆接连失败后，决定远赴中国寻找西蒙。傲娇的多拉不通中文，来到人生地不熟的地方接连遭遇困境，多亏有中国功夫极好的楚俊峰的帮助，两人在朝夕相处中渐生情愫。此时西蒙也在中国遇到了自己的真爱沈思丹，两人正共同创作《秋语》这首歌曲。两对年轻人的爱情故事在中国上演……

简介：警方收到匿名恐吓信，在豪斯曼学院即将举行的阅兵仪式，有人要射杀外国大使。平日这名外国大使都被严密保护，一直在防弹车内，但是这次阅兵仪式他会走出汽车，与学院的老师和学生们一起迎接阅兵。为了保护大使的安全，德国警方出动各方警力，做好一切安排，大家都希望这次恐吓信只是虚惊一场。正如警方负责人所说，危险时刻只有三分钟，但每一位警察都要高度关注，时刻戒备。这场突如其来的刺杀事件会带来什么后果呢？德国警察是否可以临危不变？

简介：小镇每到万圣节就会有神秘男子发动攻击，杀戮无辜的市民，警探布下天罗地网暗中追击这个可怕的连续杀人狂，却不料掉入了这个杀人狂设下的凶猛的陷阱之中…（台版简介）

简介：莱尼（安吉丽娜·朱莉 Angelina Jolie 饰）年轻貌美，是电视台的当家花旦，靠着自己的不懈努力，她终于爬到了如今的位置，高薪的工作、舒适的住宅、宽裕的经济条件和英俊帅气的男朋友卡尔（克里斯蒂安·凯恩 Christian Kane 饰），坐拥着这令旁人羡煞的一切，莱尼觉得自己或许就是世界上最幸福的女人。　　在一次采访中，莱尼的采访对象是一位善于占卜和寓言的流浪汉，令莱尼感到惊讶的是，流浪汉竟然寓言自己将会在一周之内死去。流浪汉的寓言点醒了莱尼，她开始思考起自己人生真正的意义。与此同时，一件令莱尼心烦的事情发生了，那就是她必须跟向来不合的摄影师皮特（爱德华·伯恩斯 Edward Burns 饰）一同工作，站在人生的低谷中，莱尼会怎样处理自己和皮特之间的关系呢？

简介：弗兰克是一个纵横加州的钻石大盗，他和好哥们飞檐走壁无往不利，黑道看上了他的才能，希望合作，警察穷追不舍，时时催逼；渴望当母亲的女友，和他收养一个小孩；做完最后一单钻石盗窃案后，他决定金盆洗手，去和女友一起度过简单的人生。但是警察和黑帮把他逼上绝境，残杀了伙伴，绑架了女友和孩子，他决定破釜沉舟，奋起一击。本片为动作片导演迈克尔·曼的导演处女作，摄影，灯光，剪辑，配乐，都很出彩，垫底了导演日后的风格。

简介：一群年轻人为了证明自己的能力，开起了网络直播，为了解决资金短缺继续直播，摄影师打算变卖自己的跑车，小雨悄悄给妈妈打电话寻求帮助，暗中购车。因为一件小事，缇娜和小萱吵了几句，小萱愤然离队。也许是天生默契，摄影师和小雨的拍摄配合的天衣无缝，直播的气氛非常好，最后一刻，两个人竟然同时拥抱了对方。很久后的一天，摄影师接到了缇娜的电话，她急促的让他马上去见面。在酒桌上，缇娜带来了自己的男朋友安东尼，摄影师收到了几位姑娘赎回给他的、很熟悉、也很喜欢的跑车钥匙。摄影师和小雨开始了人生的浪漫旅途。

简介：前东德最好的一部超现实主义幻想剧！　　this is one of the most amazing looking,surreal films of all time and i only recently acquired it on video.it was just as good after fond childhood memories of it.highly recommended,with great special effects,and stunning set design,and vivid colour and cinematography.buy with confidence!　　This is as you remember watching it as a child. Lifelike, overtly coloured and full of magical splendor, terrifying nasties and surreal characters. In short, do not shy away from this opportunity to show a Christmas Special to your children in favour of the usual fare from Disney and co. Rather, pop a fresh batch of pop corn, get first dibs on the comfy chair and opt for what was arguably one of the highlights of East German children's programming.

简介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor