圣诞好莱坞

简介：东风小学被告知即将搬迁，突如其来的一切让张老师不知所措，正在一筹莫展之际，小宝的出现，又让东风小学迎来了新的生机。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：黄小龙、李虎是两个被判重刑的在押犯，他们越狱后潜回北京，想找当年把他们送进监狱的刑警傅冬（张丰毅 饰）复仇。傅冬的妻子孙岩（吕丽萍 饰）无法忍受丈夫这种早出晚归、让人整天提心吊胆的工作，向他提出离婚。傅冬非常苦恼，可他偏偏又喜爱这份工作。单位同事钟小妹（伍宇娟 饰）平日里爱慕着傅冬，闻讯傅妻要与他离婚，大胆表明了自己的爱意，却不料遭委婉拒绝，让小妹非常伤心。得知黄、李二犯潜回北京，局领导进行了周密的抓捕布署，钟小妹化装成小保姆来到同案犯张大为（赵强 饰）家做内应，经过一番交量，终将二犯缉拿。模特阿玲（张艳丽 饰）曾得到过傅冬的帮助，对傅颇有好感，出国定居前也向傅表达了爱慕之情......

简介：迷人的杰克（约翰尼•戴普 饰）船长又回来了，这次，他遇到了更为强大的敌人——传说中的不死人大卫•琼斯(比尔•奈伊 饰)，他驾驶着让人恐惧的“飞行荷兰人”号快船，在速度与装备上，没有任何船能够超越它。杰克船长欠下琼斯一个血债，他必须赶在最后时限到来之前，找到破解的方法，否则他会永远背负血债，并且在余生永远成为琼斯的奴隶。　　当然，杰克船长的好朋友威尔•特纳（奥兰多•布鲁姆 饰）也被卷入了他的坏运气当中。因为杰克，威尔和伊丽莎白（凯拉•奈特莉 饰）的婚礼被迫取消，伊丽莎白还被关进了监狱，威尔为了救她，只能去寻找杰克。　　这次两个好朋友遇到了巨大神秘的海洋怪物、不友善的小岛土著、打扮华丽的占卜者戴尔玛，威尔失散多年的父亲--“拉靴带”比尔•特纳(斯特兰•斯卡斯加德)在关键时刻离奇现身，成为全局的转折点……

简介：大毕（何家劲 饰）是典型的那种花花公子，身边莺莺燕燕不断，但实际上，他最爱的是名叫小查（周慧敏 饰）的歌手。小查梦想着能够成为歌星，无奈这些年来一直不温不火，不仅如此，她还要忍受深爱的男人大毕四处留情。　　某日，大毕带着新晋女友戴安娜（莫文蔚 饰）前往菲岛度假，哪知道竟然遇到了地震，导致无法按时返回。大毕一直在打理父亲（金超群 饰）的生意，此事被耽搁令老毕大发雷霆，将所有的怒气都发泄到了留在身边的大毕的弟弟小毕（鲁文杰 饰）身上。与此同时，大毕和小毕的母亲（李司祺 饰）忍受丈夫的粗鲁和暴力多年，终于，她决定不再忍耐，离家出走。

简介：丹泽尔·华盛顿、克里夫·欧文、朱迪·福斯特主演，斯派克·李执导的2006年罪案惊悚片《局内人》将拍续集，最新定下由Aml Ameen(《超感猎杀》)主演。　　《局内人2》的剧情简介更像是第一部的翻拍：讲述美国联储局被一帮厉害又聪明的贼给抢了，并挟持多人作为人质，一名纽约警方的谈判专家(Ameen饰演)和一个联邦特工联手去破解劫案、拯救人质。而《局内人》重点是展现警和匪的智力抗衡、劫匪的盗亦有道等。　　续集由MJ Bassett(《权欲》、《铁拳》、剧版《鬼玩人》)执导，环球家庭娱乐旗下的Universal 1440制作，将在Netflix和别的多家数字平台上线。

简介：李杉是个品学兼优的中学生，在学校深得老师们的喜爱，父亲开设武馆，为人正直。李杉得家传武艺亦是身手了得。父亲因向警方密告黑道老大牧师等人的毒品交易，遭其报复，李杉亲眼目睹父母被杀，所幸他身手极好，未遭毒手。　　李杉骤失天伦，虽然尚有姐姐，但姐姐不务正业，白天与飙车少年厮溷，晚上在舞厅嗑摇头丸狂欢，很少关心弟弟。李杉缺乏亲情，所幸学校老师姜霈曦见他家庭剧变，格外照顾他。李杉心中感激，抓住这唯一的温暖，竟对老师产生了情愫。秀秀是父亲的女弟子，与李杉同龄，对李杉很有好感，但李杉心系老师，对秀秀视而不见。　　黑道老大牧师见李杉姐姐生的美貌，又想藉她控制李杉，便刻意结交她，三番两次在舞厅为她解围，李杉姐姐便渐渐对牧师生出好感与他交往，并开始涉入黑道事务。此时警方又掌握到牧师等人即将交易的线报，姜老师的未婚夫是高级警官，得知李杉姐姐涉入其中，向她提出警告。姜老师便带着李杉前往交易地点，秀秀也同去，李杉见到姐姐立刻冲上前去，交易双方大乱，警方也开始行动，溷乱中秀秀替李杉挡子弹而死，牧师等人逃脱，只抓到几个手下。　　李杉与姜老师因此成为牧师等人报复的对象，李杉被袭受伤，姜老师被抓走。李杉吿诉姐姐牧师的真面目，姐姐起初不信，姐弟吵了一场。姐姐终于决定暗中与警方合作，自己假意迎合牧师，设法保护人质姜老师的安全。　　李杉不知姐姐的计画，一人单枪匹马独闯牧师的老巢，想救出老师。李杉姐姐怕弟弟受伤害，居中折冲，令弟弟离去。警方在李杉姐姐的线报帮助之下，在牧师等人完成交易后将他们一网成擒，救出姜老师。

简介：六十年代「电懋」与「邵氏」之间的竞争日趋剧烈，经常出现闹双胞与不惜工本互相抢拍的情形。《啼笑姻缘》便是两大公司动用庞大人力物力竞逐拍摄的其中一部，均以三十年代在上海风糜一时的张恨水同名原著为本。在此之前两者已抢拍过黄梅调影片《宝莲灯》。「电懋」吸收了后者在赶拍下成绩难免会大打折扣的教训，决定慢功出细货，力求雕琢，结果虽然公映在后，失去先机，但却嬴尽了口碑，一众演员都有优秀的演出，其中尤以乔宏一改鲁顿木讷的型像，初演反派，维肖维妙，可惜因版权问题，片中角色的名字都与原著近音而不同字，片名也由《啼笑因缘》改为《啼笑姻缘》。

简介：影片讲述了一个善良的经历过二战的兽医变成银行抢匪的故事。在战后的背景下，Eddie Boyd去好莱坞成为明星的梦想和照顾他年轻的家庭背道而驰。于是他发现了一个可以同时实现这两件事情的一个方法——用好莱坞风格抢劫银行，但他的想法，使他走上了危险和悲剧的道路。

简介：一群无薪的建筑工人们出海去异国寻找更好的生活，却一夜之间在海上消失了，被他们留在达喀尔的女人们则饱受莫名高烧之苦。17 岁的艾达私下为爱人苏雷曼（去世的工人之一）而哀悼，但是她已经被许配给另一个男人。她的新婚之夜发生了一场大火，随后一名年轻的警察被派去调查案情。但他不知道的是，这些愤愤不平的工人们回来了，而且已经变成了阴魂不散的、占有欲极强的幽灵。他们中的许多人都是为自己的不公待遇报仇，而苏雷曼却是出于不同的目的，他想要见艾达最后一面。

简介：影片根据俄裔法国犹太人女作家伊莱娜·内米洛夫斯基的同名小说改编，讲述了在二战期间，德占法国发生的一段爱情故aaa。马提亚斯·修奈尔茨饰演的德国军官住进了法国乡下的一户人家，与米歇尔·威廉姆斯饰演的女主人产生了感情，然而两人的爱情却遭受战争和家人的阻隔、反对。

简介：本片记录了斗牛士安德里斯·罗卡·雷在一天的斗牛比赛中的生活，从他穿好衣服到脱下衣服的那一刻。