囧人阿玖之疯狂24H

简介：鸟类观察员鹏鹏回到家乡，在表弟点点的 介绍下认识了虎子。闲聊中，虎子称他见 到过鹏鹏电脑图片中的“中华秋沙鸭”， 此为国家一级保护动物，等于鸟类动物中 的“大熊猫”，为了拍摄更多关于秋沙鸭 的照片，鹏鹏与虎子带上帐篷、干粮与摄 影器材开始了旅程。 与此同时，一帮偷猎分子看准了原始森林 中的活动的游隼，找到了熟悉森林地貌的 阿四带路。旅程中，两支队伍相遇了。在 鹏鹏的科普下，偷猎分子头领江哥了解到 了秋沙鸭的价值，并且也动气了偷猎秋沙 鸭的心思。 原始森林，丛林法则。一组是鸟类观察员， 一组是凶残的偷猎分子，他们展开了关于 “利益”的殊死的搏斗......

简介：漫画店打工仔Clarence Worley（克里斯汀·史莱特 Christian Slater 饰）生日的时候，在电影院邂逅了美女Alabama Whitman (帕特丽夏·阿奎特 Patricia Arquette 饰)，两人一夜春宵。第二天，Alabama告诉Cla rence她是个妓女，是Clarence的老板送给他的生日礼物，但她爱上了他。Clarence决定将Alabama从皮条客Drexl Spivey（加里·奥德曼 Gary Oldman 饰）手中拯救出来。夜总会的一阵混战后，Clarence开枪将Drexl杀死，并拿走了一个他以为属于Alabama的手提箱。后来两人发现，手提箱里竟有大量可卡因。两人欣喜若狂，开始流浪，寻找将可卡因换成现金的机会。两人一路来到了洛杉矶，找到了Clarence的老友Dick Ritchie（迈克尔·拉帕波特 Michael Rapaport 饰）。Dick是个在好莱坞混迹的演员，他把一位能转手可卡因的导演Lee介绍给二人。而另一边，被Drexl偷走了大量可卡因的黑帮老大Vincenzo Coccotti（克里斯托弗·沃肯 Christopher Walken 饰）也带着一帮人开始寻找两人的踪迹。一场场大战即将上演，到底这对恋人的罗曼史能否延续下去？

简介：所谓的催眠者是经过训练的人员，平时低调生活在普通人中间，不显山露水，被形象地称为进入“催眠”状ccc。一旦需要，他们会马上复苏，执行他们的任务。迪哈因为犯罪而被捕，于是他威胁说要唤醒他手下的被催眠者。犯罪调查处的特工人员尼科·海林和维克多·罗斯想尽一切办法保护首席检察官科宁，还是让催眠者得了手。他的一下个目标是政府总理。为了防止悲剧发生，警察不得不决定暂时释放迪哈。令人意想不到的是，迪哈在出狱前突然死于突发心脏病。现在只有靠特工们来阻止催眠者了。

简介：一次偶然之中，少女王佳（刘禹 饰）邂逅了一名音乐学院的大学生，被后者的英俊外表和才华所吸引，王佳坠入了情网。每一天，王佳都偷偷的跑到音乐学院的院墙外，只为了能够听一听她爱慕的男子的声音。这得不到回应的相思之情扰的王佳每天吃不好也睡不好，更不要说学习了，成绩大幅下降，而王佳的身边并没有什么可以倾诉苦恼的人存在。　　终于，王佳决定告白，她写了一封热情洋溢的情书，然鹅，令王佳感到非常绝望的是，原来她的心上人已经有女朋友了。不仅如此，王佳的懵懂初恋不知怎地被妈妈知道了，愤怒之中，妈妈对王佳施以禁足，不许她再去找那个男生。

简介：柏林由两位天使守护着，一个是对人世疾苦冷眼旁观的卡西尔，另一个是常常感怀于人类疾苦的丹密尔（布鲁诺•甘茨 Bruno Ganz  饰）。二人穿着宽大的天使袍，在城市各处游荡，倾听人们的祈祷，默默观察人们的内心世界。马戏团玛瑞安（苏韦戈•多马丁Solveig Dommartin 饰）的心事引来了丹密尔的同情，因为马戏团经营不善，面临倒闭，玛瑞安满心烦恼。这个马戏团的天使演员令丹密尔动了凡心，他决定化作凡人，追求一段美满感情。　　本片荣获1987年第40届戛纳国际电影节最佳导演奖。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：After being busted for drug possession, Aiden, a troubled Teenager is forced by the cops to go undercover and risk his life to bring down a dangerous drug king pin.

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电影《金刚川》纪录片

简介：山音麦 (菅田将晖 饰) 和八谷绢 (有村架纯 饰) 因错过尾班车而相遇，在深夜咖啡馆聊起文学、电影和音乐，喜好竟奇蹟地相似，二人瞬间坠入爱河。他们毕业后开始一边兼职工作，一边开始同居生活，更一起养拾回来的街猫，最大的目标就是维持俩口子的日常。 但时日流逝，不想改变也得改变。他失约于《牯岭街》， 她独赏郭利斯马基黑色幽默。五年盛放，世上唯一的花未必结果，爱情若只如初见。《垫底辣妹》《借着雨点说爱你》导演土井裕泰联同《东京爱的故事》神级编剧坂元裕二，强调真实生活感的浪漫，菅田将晖和有村架纯衬到绝合演，谱出这代最揪心的爱的故事。

简介：故事发生在位于美国宾夕法尼亚州的一个偏僻的小镇上，奥顿（茜德尼·弗拉尼根 Sidney Flanigan 饰）是生活在那里的一个平凡的少女。个性内向的奥顿和家人们关系非常的疏远，生活里也没什么能说得上话的朋友。一天，奥顿震惊的发现自己怀孕了，她前往镇上的医院就诊，在这个民风保守的小地方，堕胎是不被允许的。　　无奈之下，奥顿只能自己想办法打掉这个孩子，但试了好几个方法均以失败告终。表妹思凯乐（塔利娅·莱德 Talia Ryder 饰）是奥顿唯一的朋友，敏感又细心的她发现奥顿最近的表现非常的异常。几经询问之下，奥顿终于将自己的秘密告诉了思凯乐，思凯乐当机立断决定带着奥顿前往纽约堕胎。

简介：开封府师爷张光禄、捕快徐三脚接连被杀，疑犯韩武却宁死不肯认罪，在狱中自杀。　　李少白和狄八方到张光禄家中调查，发现张光禄办公的书房已被人烧毁。　　神偷龙九总爱查人隐私，在揭穿张光禄妻子和韩武的奸情时，提供了重要线索。与李少白、狄八方二人喝酒时又将玩笑开到了知府大人头上，告诉二人，开封知府孙耀祖和戏班女子绣娘也有奸情。　　李少白怀疑张光禄之死和官府账目有关，到库房查账，遭人偷袭，随后立刻带人去戏班抓捕绣娘。　　原来，表面清廉的开封知府孙耀祖一直假造账目私吞公款，加入夜叉组织，意图谋反。而一直帮其造假的师爷张光禄记下了两人所有的账目，并借此要挟。孙耀祖让绣娘杀掉张、徐二人，又计划铲除李少白和狄八方。没想到李少白在他之前找到了线索，那本关系着几条人命的账本就藏在张光禄的鸟笼子里。

简介：“你的名字是卡特。如果你想让我们都活下来，请相信我。”　　来自非军事区的致命疫情摧毁了美国和朝鲜，两个月后，“卡特”醒来，他对自己的过去没有任何记忆。 他的脑袋里有一个神秘的装置，而嘴里是一颗致命的炸弹。 一个陌生的声音在他耳边下达命令。 炸弹随时可能引爆 — 除非他救出唯一能解毒的女孩。 并且等待他的是中央情报局和朝鲜政变。卡特必须成功完成任务，并前往北方找到那个女孩。他在这部一镜到底的动作片中展开了一场求生之战！