冲锋战警

简介：本片以过三十年代的大乐队时代为故事背景，描述一名萨克斯爵士乐手与一名女歌手之间爱恨交缠的情感，充满着人生的困惑和奈，跟一般好莱坞歌舞片的明亮轻快大异其趣

简介：在遭受到霸凌进了医院之后，哈维尔似乎获得了预知未来的超能力——他预知到学校里将会发生令人震惊的谋杀案。哈维尔联手他最好的朋友一起试图在连环杀手再次作案之前揭穿他的真面目，但是事情没有想象的那么简单...

简介：

　　电影讲述了一只狗狗为了回报男主柏嘉志的善意，为柏嘉志引来了一段爱情奇缘，在男主柏嘉志和女主程若曦相遇时，出现种种巧合；并碰撞出一系列让人哭笑不得的事情，让两人有了更深入的了解，也有了更深的矛盾；在这场缘分发生的过程中，柏嘉志和程若曦，原本是两个截然不同的人，原本以为只是巧合，没想到事情的背后里另有隐情，在喜剧与奇幻的交织下，柏嘉志和程若曦最后能走向何方？

简介：

亚当是个外星人，过着好莱坞帅哥般的生活，但他自己却浑然不知。他做男模收入不菲，被一众美女追逐，其中一个性感的幽灵在他公寓里徘徊。在他地下室发现的绝密UFO文件让他陷入危险。暗中政府特工想要置他于死地，他的前妻也想用保险金来换取他的性命。在好莱坞当外星模特当然也存在一些问题。

简介：

《独眼巨人博士》是一部优秀的“早期科幻”电影，于 1939 年制作，1940 年上映。（也是彩色的。）但尽管故事很有潜力，也有一些精彩的片段，但这是一部非常混乱的电影。情节很简单——某个偏远岛屿上的疯狂科学家可以将动物缩小，并想在人类身上尝试。他在一个前来检查的科学团队中设法做到了这一点。他们很生气，疯狂的科学家最终非常生气，因为他的新缩小实验对象不配合。

简介：

当不死怪物袭来，社会分崩离析，一名前精英士兵越狱前往寻找他的家人。

简介：年轻的大卫（陈友 饰）未经人事就不幸命丧黄泉，心中未尽的心愿让他无法投胎转世，流连在人间，成为了孤魂野鬼。大卫得知，想要进入轮回，唯有找到一名处女使其自愿献身，否则他只能等着魂飞魄散。　　某日，大卫偶然之中邂逅了名为慧娴（王文君 饰）的女子，被其美貌吸引，大卫化身成为了英俊潇洒的绅士，向慧娴发起了热情的攻势，随着时间的推移，慧娴渐渐抵挡不住，即将沦陷。慧娴的男友幸高（吴耀汉 饰）对过分热情的大卫起了疑心，之后发现了他的真实身份和目的，幸高将这一切告诉了慧娴，但慧娴却并不相信幸高所言，殊不知自己的性命已经危在旦夕。

简介：一个美国生物学家偷偷把珍贵的亚马逊银龙鱼带入日本，该鱼肚子里被植入了更珍贵的红龙鱼的卵巢。中途龙鱼让某华人团伙盗走，生物学家急忙聘请侦探调查，同时警方也介入了事件的追查之中。　　侦探社的接线生蒲（芳本美代子饰）由于被派往追查龙鱼案件，根据种种线索显示，她来到一个工厂区内，和神秘的养鱼人夏（浅野忠信饰）相遇，对方头发凌乱，和龙鱼相伴，过着单调的生活。空荡荡的仓库里放满鱼缸，整天回荡着瓦格纳的音乐。每次有人来追杀夏，都被他轻易解决。　　蒲情不自禁对他产生了情愫，但龙鱼的谜团尚未揭开。

简介：

轰趴狂嗨电音摇头，听来不过是轻狂少年消磨时光的常见公式，拆解后却是伤痕累累的真实情感。酸，是识透愁滋味的废青宣言，是不顾一切的自毁前程。他们没有不变友情、甜蜜家庭、纯洁初夜、美好未来；他们被正能量好好地抛弃隔绝在另一个充斥着家庭、友谊、爱情和机遇等概念的世界里。游离在不见天日的迷幻现实之中，他们吞噬青春，用最狂 暴的方式敲开虚假，洞见千禧新世代的生命曙光。为了寻找问题的答案，他们像腐蚀周围世界的化学物质一样吞噬自己，为了最终学会不听而听，不看而看。找到他们的路。
　　

简介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

简介：

本片讲述了一位女大兵从战场回来，却发现自己难以适应现实生活的故事。
旅途归来，Kelli回到了她一直居住的颓废小镇，她迫不急待地回归她以往的生活；等待她的一如既往的生活：毯子下的光脚，电视机前的冰啤，孩子头发的味道。慢慢地，虽说，她意识到她日常生活与她离开前并不相同。她拼命找寻在这个颓废小镇以及在家庭中的她所处的位置；但她找不到。面对她所享有的她一直为之守护的生活方式，她能改变什么？

简介：

人工智能创业者戚有仓与未婚妻就是否要小孩的问题产生了剧烈分歧…夜场老板老屠想金盆洗手，携亲远走他国，情人和养女却十分犹豫…顺风车司机陈霍遇上了心仪姑娘，陈霍愿意帮她做事，她却正准备移民…女博士有关幸福的毕业论文遭导师靳凯元的否定，她却发现导师的婚姻并不幸福… 大数据时代下，这四组看似无关的人物，逐渐交织在一起，各自平行的时空其实隐现着某个交点。