古惑仔激情篇之洪兴大飞哥

简介：「余命1ヶ月の花嫁」「100回泣くこと」などで知られる廣木が映像化に挑んだのは、SMの世界で出会った男女の愛と生を描くヒューマンラブストーリー。筋金入りの“ドM”な一面を持つヨシダヨシオは、街に1軒しかないSMクラブの“女王様”ミホのもとに通い詰めているが、彼をこの世界に目覚めさせ突然姿を消した“伝説の女王様”ユキ子が忘れられずにいた。ある日、ミホと釣りに出かけたヨシオは思いがけない場所でユキ子を目撃。ミホを置き去りにして必死にユキ子を追いかけていく。

简介：这是一个对新鲜事物充满好奇的时代，和所有故事的开头一样，坏男孩变好的原因永远是女孩，为了喜欢的女孩，海边烧烤摊堂口老大阿力在母亲包租婆的支持下，带着他的兄弟阿健、阿强开始了自己的音乐之路，同街区的阿友、阿伦、阿B也被坑蒙拐骗拉进团队，他们在斗殴和训练中增长友谊，父母们的集体反对、路人、邻居们的嘲笑更是激起了他们的好胜心。　　通过不懈努力终于从Loosers变成了Wynners，穷小子终于变成大明星，父母似乎也能理解这一切，但成员知名程度不一，资源分配不公等问题成为兄弟友情的最大考验，Wynners能否经受考验，保住兄弟真情谊.....

简介：世世代代都靠养蜂业的维持的苏玛斯市出现了杀人蜂,哈利斯和勒里向人们发出了警告，但是市民和农民却抱着怀态度，不愿意支持他们的工作，蜂群大举袭击了村民之后，人们终于清醒了，勒里猜度杀人蜂是在寻找栖息的地方，而杀人蜂确实是在寻找栖息之地。它们占据了展览厅，很多人包括哈利斯的家人都被困在其中，哈利斯和勒里能否把人们救出生天呢？

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：1938年初，国际主义战士诺尔曼•白求恩（谭宁邦 饰）远渡重洋来到中国，支援中国人民的抗日战争。毛主席在延安接见了他，军区卫生部安排他做医疗顾问，白求恩发现边区的医疗条件比他想象的还要差很多。他向司令员（吴雪 饰）请示办一个后方示范医院，调各分区医生来参加培训，他还不顾个人安危，亲自到前线为重伤员做手术。由于缺少必要的医疗器械，好多重伤员得不到及时救治，白求恩心急如焚，他决定回加拿大一次。但突发而至的战斗阻挡了他回国的步伐，他对送他的方大夫（村里 饰）和童秘书（英若诚 饰）说：我不走了，这里更需要我。黄土岭战役后，在一次给战士做手术中，他不小心划破了手指，悲剧不可避免地发生了......　　本片根据周而复同名小说改编。

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简介：大聪是一个看起来很不靠谱的地陪导游，一天接待了年轻貌美的青年女画家童彤。童彤按照男友天明邮寄来的日记信息来到西双版纳。日记中男友告诉她，两人要在西双版纳玩一次互不见面的爱情追逐游戏，童彤如果按照日记里的计划，顺利完成了这次游戏，就可以将二人的爱情修成正果。大聪开始以为这不过是男女恋人之间的玩笑而已，谁成想童彤玩的格外认真，一路上二人按图索骥，历尽艰辛，又乌龙不断，一步步完成了礼堂寻画、医院惊魂、酒店探秘、咖啡馆寻亲等一系列任务后，终于来到了日记里任务的终点，却发现天明已经深埋墓地之下。童彤伤心欲绝，悲愤求死

简介：亚马逊影业击败威秀、派拉蒙、华纳等强劲竞争对手，拿下Casey McQuiston撰写的，将于5月14日上市的小说《红，白，皇家蓝》(Red White Royal Blue，暂译)的电影改编权。Berlanti影业负责制作，Ted Malawer负责改编剧本。而究竟是怎样的故事引来如此多的好莱坞片方竞相争夺呢？小说是一出浪漫喜剧，描绘了美国女总统艾伦的儿子埃里克斯因为一次国际性质事件，不得不假装和来自英国威尔士的亨利王子成为好友，却因此爱上了后者。埃里克斯大概是大西洋这一侧最接近王子属性的人，他和他勇敢的妹妹、副总统的天才孙女组成了白宫三剑客。然而这样的组合，其实只是他身为美国总统的母亲艾伦的营销策略。然而当一张埃里克斯的长期克星亨利王子的王室婚礼照片被泄露给小报后，美英关系受到严重威胁。如何止损呢？那就是让埃里克斯与亨利建立虚假友谊。紧绷的王室关系，并没有让埃里克斯放慢处理他母亲如饥似渴的对手和他自己政治野心的脚步。但在亨利的白马王子外表下，虽然拥有一个善良的内心，却缺乏幽默感，并且不止一个“鬼魂”困扰着他。随着艾伦总统开始连任竞选，埃里克斯发现自己正在与亨利建立秘密关系，而这可能会破坏竞选活动，并使两个国家断交。

简介：Armed with a How to... manual, an ambitious window washer seeks to climb the corporate ladder.

简介：警方收到匿名恐吓信，在豪斯曼学院即将举行的阅兵仪式，有人要射杀外国大使。平日这名外国大使都被严密保护，一直在防弹车内，但是这次阅兵仪式他会走出汽车，与学院的老师和学生们一起迎接阅兵。为了保护大使的安全，德国警方出动各方警力，做好一切安排，大家都希望这次恐吓信只是虚惊一场。正如警方负责人所说，危险时刻只有三分钟，但每一位警察都要高度关注，时刻戒备。这场突如其来的刺杀事件会带来什么后果呢？德国警察是否可以临危不变？

简介：刀锋战士布莱德的母亲怀孕时被吸血鬼咬伤了，生下他后就去世了，由此布莱德（韦斯利•斯奈普斯 Wesley Snipes 饰）带上了一半吸血鬼的血。布莱德自幼在武器专家阿伯拉罕家长大，阿伯拉罕（克里斯•克里斯托佛森 Kris Kristofferson 饰）为他打造威力最强大的对付吸血鬼的武器和为他注射药物以免他变为吸血鬼。　　布莱德一直是人类保护神，吸血鬼的克星。当他一次次破坏吸血鬼的好事，猎杀无数吸血鬼后，吸血鬼王佛斯特（斯蒂芬•多尔夫 Stephen Dorff 饰）发誓要除掉这个心头大患。他先是劝说布莱德加入他们的行列，这样的话他们就天下无敌。然后设计弄到布莱德的血，因为这样他就能用他的血实施血祭，唤出血潮，这样所有的人就都会变为吸血鬼。布莱德最终能战胜这个强敌吗？

简介：这是一部描写中国非法移民在纽约打工与生活的故事。剧中主角丁明，在电影一开始尚未起床就遭到两名黑道份子闯入家中殴打他，并命令他当天要交出偷渡 来美国的高利贷费用800美金，于是他开始了疯狂忙碌的一天。在餐厅打工的同伴甚至于为了他牺牲自己的工作时数，只为了帮助他能早日还清债务。整部片就在跟拍丁明一天工作过程下，呈现了非法移民不为人知的真实面。扮演丁明的演员：Charles Jang，是一名美籍韩裔人，他为了这部片还特别到台湾学了一年的中文，整部片以普通话贯穿全戏，抢戏的餐厅经理一角是由李云娣所扮演，而这部以导演邹时擎住所的楼下餐厅为主景的电影，在极低的预算下，拍出了让人惊艳的戏剧性与张力，是一部相当感人与必看的佳作。　　我们希望在银幕上忠实呈现生活在纽约的非法中国移民所遭遇到的困境，而且很高兴这部电影能引起很多人的关心与共鸣。当然，整个拍摄的过程与完成，都是在师长及友人的帮助下才得以完成。目前各界反应是成功的，这是让我们最感到欣慰的一件事。　　西恩·贝克（Sean Baker）：　　出生在美国新泽西州，毕业于纽约电影学系。2000年作品【Four Letter Words】以研究美国郊区青春期少年问题为题材。2004年以3000元美金的预算与邹时擎完成获奖无数的【外卖】，目前正专心投入在描写纽约批发市场 贩卖仿冒品的西非移民电影【百老汇王子】的后制。　　邹时擎（Shih-Ching Tsou）：　　出生于台湾台北的她，是一名作家、制片与导演，2004年与西恩．贝克完成【外卖】后，现正筹拍新片【Left Handed Girl】中。